Process And Passion
2024 stock. This is a recording that explores the "extra"- ordinary potential of the CD not only as a carrier of traditionally recorded instrumental sound (CD 1), but also offering a different view through binaural encoding of the same materials spatialized (CD 2). - Please note: the binaural recording is only available as part of the 2 cd set. not as a downloadFirst you are presented with two solo compositions-Kokoro and Focus a beam, emptied of thinking, outward…-and the duo Process and Passio…
Te Deum Per Un Amico
*Includes a 40-page booklet with full text of the work, introductory texts and photos.* Giovanna Marini is an almost unique figure in Italy: a classically trained musician (graduated from the Conservatory of Santa Cecilia in Rome, perfected as a guitarist with Maestro Andres Segovia, then a lutenist with Maestro Quaranta's "Concentus Antiqui" ensemble), from the early 1960s she began a work of studying and transcribing songs from the Italian folk oral tradition. Beginning with "Bella Ciao" in 19…
Orchard
*2022 Stock.* “I was born and raised in Kentucky, and for many generations my direct ancestors and extended family have been farmers. So, creating music that is ‘about’ soil, plant life, and the natural world, is my way of honoring that legacy.” Composer Tyler Kline’s tools, though, are not the plow – and vegetables are not the crop – in this collection of brief piano pieces commissioned by and for over a dozen pianists. Instead, Orchard is a celebration of fruit. Each sketch draws on a specific…
Sonata for Unaccompanied Violin
Other Minds is excited and proud to bring you a near-unheard early composition by legendary American Maverick composer Lou Harrison, Sonata for Unaccompanied Violin (1936), performed by our friend Kate Stenberg. This short piece was written by the precocious composer when he was barely out of high school, still a teenager, but already a year deep into studies under Henry Cowell, studies that occurred during Cowell's stint in San Quentin State Prison.
The piece was entirely unheard from its comp…
Back To Life
*In process of stocking. 2022 stock.* Anyone who thinks of multifaceted composer/performer Fred Frith primarily as a guitar player with Henry Cow and for his 1974 album Guitar Solos is way out of touch with what he's been up to in, say, more than 30 years. The 2008 release of Back to Life on Tzadik represents a good opportunity to reconnect with Frith and summarize what he has been doing since the heady days of his scrambling, intense electric guitar improvisations like "Alienated Industrial Sea…
BFHC
Limited edition of 100 copies. On her second album (first one on Umor Rex), the Minsk born / Paris based artist Lina Filipovich continues her experiments on deconstruction and re-appropriation of classical pieces. BFHC includes seven electronic interpretations of the works of Baroque composers such as Bach, Handel, Frescobaldi, Carleton and Couperin. Inspired by memories of her experience of interpreting Bach's pieces in early childhood, Filipovich explores the desire to push the limits of perfo…
James Tenney
By Zeitkratzer director Reinhold Friedl's personal request now available on vinyl for the first time: Zeitkratzer's critically acclaimed interpretations of groundbreaking compositions by James Tenney.James Tenney (1934 - 2006) was a composer, music theorist and pioneer especially in the field of microtonal music, being an influential part of the so-called New York avantgarde scene (Cage, Feldman). Besides his compositonal work, Tenney was teacher at various universities with students like Charle…
ARIES for trumpet and electronic music
*2022 Stock.* This disc spotlights the trumpet and flugelhorn skills of Marcus Stockhausen (also a featured performer on The Stockhausen Edition no. 33, 35, and 43). These four tracks were originally released by EMI Classics in 1998. - Stockhausenspace.blogspot.com
Lichter - Wasser
*2022 Stock.* Lichter - Wasser (Light-Waters) is the 1st Scene of Stockhausen's dramatic music work Sonntag Aus Licht (Sunday from Light), which was the last-composed entry of his 7-part, 29-hour opera cycle Licht (Light). Licht is a work for acoustic and electronic operatic forces, divided into the 7 days of the week (one opera for each day). This opera cycle revolves around 3 archetype characters, Michael, Eve, and Lucifer, and over the 29 hours each of these characters are introduced, come in…
YLEM
*2022 Stock.* The Stockhausen Edition 21st CD features 2 performances of the open-form work YLEM, which musically portrays the birth and death of the universe through the progressive motion of handheld instruments through a performance space (or in this case, the stereo field). The word "ylem" ("eye - lum") comes from a 1940's science term for "matter", specifically the sub-atomic plasma initially created at the Big Bang which continues to spread outwards forming the boundaries of the universe. …
Spectral Malsconcities
The evolution of the string quartet repertory has accelerated during the last half of the twentieth-century and beyond as composers from both the mainstream and the avant-garde have mined its seemingly inexhaustible creative resources. This CD features the virtually unprecedented combination of string quartet and percussion. It contains three works by prominent American experimentalist composers from several generations exploring the ensemble’s unique sonic resources in diverse stylistic setting…
Funeral Cargo
** Edition of 300 copies pressed on clear vinyl. Mastered by Veronica Vasicka ** A weight of history flows through Ann Margaret Hogan’s keys with a stark intimacy, beautifully illuminated by naturally effortless, quietly grand songwriting. It’s a direct continuation of the landscaped themes and atavism of 2020’s ‘Honeysuckle Burials’ and the ‘Reversing Into Tomorrow’ collaboration with Karl O’Connor, vividly capturing the slow passage of time in a way that has quite literally compelled us to sto…
Popol Vuh
"The Popol Vuh- the Book of Counsel“ of the K'iché-Maya belongs to the most important creation myths of the early advanced civilizations in the world. A Maya from the K'iché people, who had learned Spanish during the conquista, wrote down the the texts in K'iché with Latin letters between 1545 and 1555. Before that, the texts were only passed on orally. Father Francisco Ximenéz copied this book and translated it into Spanish. Then he returned the original to the K'iché people. In this way the b…
Augmented Studies
* 2021 Stock * "When I imagine, as I sometimes do, that evolution were possible, Complexity is not its goal, but perhaps the safety net for a possible Immediacy. This opens up the possibility to exercise sufficient safeguards in an ever finer woven net of abstractions ? if not to escape directly ? to at least be able to risk a glimpse through the netting: a glimpse unfiltered through abstraction, signs, predetermined patterns, a glimpse of unaltered reality." - Peter Ablinger
Synastria
* 2021 Stock * Philosophical writings from antiquity have frequently underlaid Zimmermann’s work of recent years, particularly in relation to notions of time an ‘harmonia’ [...] Another recurrent theme in later works is that of the ‘broken unison’ (both melodic and rhythmic), which clearly has an allegorical/social dimension as well as a musical one [...] The isolated performance of single of his pieces emphasises their ‘otherness’ in relation to the main trends in new German music, whereas the …
Nine unfinished Symphonies
The Nine Unfinished Symphonies were conceived as one entity. They are written in my musical native tongue; the musical grammar and idioms with which I have become so familiar that I can converse in them spontaneously, without thinking, so that I can devote my full attention to what I actually want to do. It appears that we need narratives, such as the ‘sacred’ number nine with symphonies, or the concept of the Unfinished, which stands in sharp contrast to the fragmentary or the ‘uncapitalized’ u…
Pathological Curves
To sonically modify sound, not as a composerly or listenerly injunction but as a condition of its possibility: such is the task of Elizabeth Hoffman. Hers is not merely a music of the "verb" - that composers "do" something or "perform" something on the sonic. Hers is an "adverbial" music.
Above all, adverbial music modifies - sound, yes, but more fundamentally the space in which sound appears and the temporality that it solicits as it vanishes, always. Adverbial music, reticently and generously,…
Wave Piano Scenery Player
Wave Piano Scenery Player consists of several artifacts brought into a single structure: large black oil paintings on paper sheets dividing an automatic grand piano in two parts (sounding body, keyboard); tree pieces of music hamonically linking the 88 keys of the piano by combining them with mirotonally tuned sinewaves; a subwoofer/loudspeaker reproducing the elctronic tones; a pianist and a computer, both acting as performers.
The time-based form is deivides into threee parts, in which Sabat c…
Painted Cakes Are Real, Too
When you are listening to his pieces and are completely at ease, they offer the listener the beauty of pure sound: I believe this also applies to his likeminded friends. Even when and if they are of a continuous narrative type, they just create the right situation to listen to sounds. As the title reveals: Painted cakes are real, too. The beautiful sounds are repeated in order to remain purely sound. This repetition does not build up a narrative, it becomes more complicated and excited not in or…
Ballad
The word "ballad" implies a tale or narrative, and while there is no literal story being told there, I found myself thinking of the two performers as co-travellers in a terrain - or as dance partners - and the music as sometimes like a song they sing together, sometimes a landscape they cross, sometimes a mood, sometimes a monologue, and sometimes a fine line they trace. In the end, it is a ballad about the cello and the piano, and the way I hear them together. - Linda Catlin Smith