Complete Works for Violin & Piano
All of Christian Wolff's works for violin and piano: the first recording of Pebbles (1999) and two performances of Duo for Violinist and Pianist (1961), played by the Canadian duo Sabat/Clarke with the composer present.
ChamberEvents
2005 release **
The works on this CD represent three different series of compositions, which I have been working on simultaneously in the last few years. Structurally, their individual parts resemble each other: all instruments play (rather) long sounds, each one followed by a pause.55 similar events plus two drummers drumming (1999) consists of two layers of events. On the one hand, seven instruments are organized ‘isophonically’ and with regular durations. Their sounds, each comprising the sam…
Ever Present
Five works by Alvin Lucier for solos and trios on beating tones and microtones: Piper for bagpipe, Fan for four kotos, 947 for flute, Silver Streetcar for triangle and Ever Present for flute, piano and alto saxophone.
Navigation for strings. Small waves
Two microtonal works by Alvin Lucier written for the performers: Navigations for Strings, played by the Arditti Quartet, and Small Waves for string quartet, trombone, piano and two water pourers, with Hildegard Kleeb and Roland Dahinden.
Still Lives
Three amazing works for pure waves and instruments. Lucier has pioneered in many areas of music composition and performance, including the notation of performers’ physical gestures, the use of brain waves in live performance, the generation of visual imagery by sound in vibrating media, and the evocation of room acoustics for musical purposes. His recent works include a series of sound installations and works for solo instruments, chamber ensembles, and orchestra in which, by means of close tuni…
punctum contra punctum
Aldo Clementi marks out the distance with an absolute refusal to provide narratives, whether of tension resolved, or simply of that logically unending succession of states of being so dear to many of his contemporaries. His materials, whether gathered from a tonal past, generated as a jeu d'esprìt from the names of dedicatees, or produced by a purely abstract process, are projected into a rotational steady state that has no logical end or beginning. (David Osmond-Smith, 2005)
On the occasion of …
Melody, Ergodicity and Indeterminacy
First recordings of James Tenney's Poem, Monody, Seegersong #1 and #2 and the Ergodos series for computer music, with string, instrumental and percussion responses, played by the Barton Workshop and soloists.