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Compositional /

z DNA
*2025 stock* "The latest album by innovative Slovak composer, Barbora Tomášková, offers a unique suite of sounds, where boundaries between acoustic traditions and exploratory electronics dissolve. The Slovak composer and performer’s practice revolves around innovative use of ’objets trouvé’ and western classical instruments via hefty electronic manipulations and many extended techniques. Taking its name from both the less common and stable form of DNA and the Slovak term for “from the bottom”, Z…
Round Sky
Round Sky brings together Léo Dupleix and Asterales in an exploration of just intonation and radiant calm. The album’s three compositions subtly merge analogue synthesizer, harpsichord, spinet, bass, flute, and guitar in landscapes of nuanced minimalism. Methodical in structure yet alive to spontaneous beauty, the record unfolds as a quietly luminous meditation on the complexities of harmony and texture.
Undertones
*200 copies limited edition* Undertones is a composition for percussion idiophones, electronics, and variable field recordings, originally composed for four channels. It develops in four movements and is expressed through a graphic score which provides multiple instructions to the musicians and, simultaneously, requires their input and interpretation of the given instructions, including a particular part of the instrumentation. The field recordings, identified as variable, change with each perfo…
High Carbon
With this album, Heleen Van Haegenborgh returns to her roots as a pianist. In recent years, she has primarily composed works on commission for a diverse range of ensembles, from recorders to foghorns. On this solo album, her entire journey of musical encounters and compositions comes together subtly.Van Haegenborgh doesn't think in terms of stories or boxes, but rather in colours, energy, and texture - without drifting into the abstract. She remains true to her personal inside piano world, inclu…
Eau
"Eau" is the lovely new album from aus, the solo project of Tokyo-born composer and producer Yasuhiko Fukuzono, who has gained attention, in Japan and overseas, for his thoughtfully paced and sensitively skillful music as well as his intriguing sound design for exhibitions and experimental cinema. Having worked primarily with keyboards and electronic sound up to this point, "Eau" is a slight yet fascinating shift for aus; the album, while still primarily an electronic work, revolves around the s…
Solids For Voices
*300 copies limited edition* Valby Vokalgruppe returns with Solids for Voices — a new album landing on 7th November 2025 via Hands in the Dark. Initiated in 2008 by Anja Jacobsen, the Danish collective’s current line-cup is completed by Lil Lacy, Sonja LaBianca, Cæcilie Trier and Laura Marie Madsen. The group has written and performed a large number of cross-aesthetic pieces over the years, including an album Bah New Era released in 2012 on Eget Værelse. Sharpened to its core, the group dives de…
In Memoriam Alvin Lucier
The influence of Alvin Lucier’s work on acoustic phenomena and the interplay between sound and space is difficult to overstate. His legacy continues to echo through the work of countless composers and sound artists today. Lucier’s  music is marked by a sense of childlike wonder and sonic simplicity - shifting our perception from what we hear to how we listen.At the heart of his compositions lies the sine wave: the purest, most elemental form of sound. Clarinetist Dries Tack pays tribute to this …
8 Automated Works
EM Records is proud to present 8 Automated Works, the first full release by Componium Ensemble, an "indeterminate chamber music" ensemble helmed by Spencer Doran of Visible Cloaks. The project is inspired by the long history of automated musical instruments, beginning with the ancient Greek Archimedes and further developed by the Banū Mūsā brothers in 9th century Baghdad, who "first perfected the concept of a programmable, automated musician: a mechanically controlled flute which used hydraulic …
Three Circuitous Paths
2002 release (RARE) ** Transfigured Wind III (1984) for flute, ensemble, and tape / Ambages (1965) for flute / Mistral (1985) for chamber ensemble. "Pierre Boulez was widely praised as an innovator for his Rèpons when he premiered it at IRCAM in 1981. This is a piece where a computer samples the live sound of a chamber ensemble, recalculates it to a programmed algorhythm and then scatters the sounds back out into the hall. Not to knock Boulez, but American composer Roger Reynolds had been workin…
Dust
2019 release ** "Dust is a collection of music for solo violin and electronics. Daniel describes the record as 'a full exploration of the sound world a violin allows. The electronics meld with, lift, surpass and dance around the organic rawness of the strings. The piece is all my years of not conceding or diluting myself to the needs of others, compressed into one long musical expression. It is hope and birth and death and melancholy'. Music by: Valgeir Sigurðsson, Edmund Finnis, Heinrich Ignaz …
Touch This Fragrant Surface of Earth
Tip! Marja Ahti is a Swedish artist living in Turku, Finland. She works with found sounds, objects and electronics, creating auditory assemblages that reveal a profound sensitivity to sound’s tactile potential. This new record sees her palette expand to include more recognisable acoustic instrumentation, albeit working in collaboration with musicians who are already reconfiguring how those instruments can sound. Touch This Fragrant Surface of Earth has its roots in a tape piece presented at Lamp…
Annea Lockwood The Piano Works
This album presents Annea Lockwood’s complete concert piano works, born from a deep collaborative journey. It culminates in a new version of Ceci N’est Pas Un Piano, where voice and memory resonate through the piano’s frame via transducer speaker.
A Dog Is a Machine for Loving
Hall’s debut merges field recordings, piano, spoken word, and spectral analysis to craft vivid soundscapes exploring kinship, intimacy, and trauma.
Unfall
In an 'ecological' process of recovery and reuse of musical materials and obsolete electronics, 'Unfall' (German for “accident”) lays its research focus on the encounter between improvised music, electroacoustics, free jazz, dixieland, and minimalism, filtered and recomposed through techniques typical of musique concrète. Referencing Burroughs' cut-ups and methods derived from tape music, 'Unfall' experiments with intertextuality, establishing a dialogue between seemingly distant musical languag…
Electronic Music
First released in 1969 on the Advanced Recordings label, this album represents Richard Maxfield’s music manifesto. A wild collage of highly manipulated sonic events from an extreme variety of analog sources.
The Oak Of The Golden Dreams
The Lost Genesis of Ambient Minimalism: Harold Budd's Seminal The Oak Of The Golden Dreams Returns to Vinyl
The Seven Seasons
1991 release ** "Electroacoustic chamber music. In the booklet Mikael Tosti is credited playing electroacoustic violin as well as Ko de Regt, obukano and Henrik Jespersen, electroacoustic saxophone."
Dual Synthesis
*2025 stock* The third release of Tristan Perich's "Compositions" is "Dual Synthesis," a dense cascade of 1-bit electronics and harpsichord, performed by Daniel Walden. Produced, mixed and mastered by Michael Riesman.
Degrees of transparency
This is volume 2 in a collection created in collaboration with Echonance Festival, Amsterdam, coming just one year after volume 1 (Phill Niblock / Looking for Daniel) and just in time for the third edition of the festival in February 2025. Here is and opus centered on the piano by composer and sound artist Gabriel Paiuk. Those thought provoking pieces are rendered with exquisite precision and depth by the extraordinary musicians, pianist Reinier van Houdt, Maurice Quartet, and Paiuk himself.
Obras Electroacústicas 1969-1981
Eduardo Polonio (1941–2024) was one of the foundational figures in the emergence and development of electroacoustic music in Spain. The anthology "Eduardo Polonio: Obra electroacústica 1969–1981" revives his legacy with a selection of essential pieces from his early electroacoustic period. The album includes eight compositions created between 1969 and 1981, spanning from Polonio's early experiments at the Alea Electronic Music Laboratory in Madrid to his later work at the Phonos Laboratory in Ba…
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