Nam June's Spirit Was Speaking To Me
A spellbinding tribute from one multi-faceted artist to another. New York-based artist Aki Onda (b. 1967) conjured a transduction to the Korean multi-media pioneer Nam June Paik (1932-2006).
Canti Del Capricorno
*2022 stock* Michiko Hirayama inspired Giacinto Scelsi to write his twenty-part cycle "Canti del Capricorno" between 1962 and 1972. To this day the Japanese singer (b. 1923) is a unique performer of this spiritual yet energy-filled work for solo voice, with instrumental accompaniment for certain songs: Scelsi’s notes in his own hand in the score; that is her treasure, when she comes to Ulm in May 2006 to give a concert in the series neue musik im stadthaus. Michiko Hirayama is a vocal power stat…
s/t
Yiran Zhao makes use not only of musical elements but also of objects, bodies, movements and light-sources as compositional material. Many of her pieces inhabit the various boundary states between instrumental music, performance, sound-installation, and video-art. Leonie Reineke describes the composer in the CD-booklet as a “prudent researcher“, who encounters the sonic cosmos of her environment with great earnestness, and comes microscopically close to things.
In the composition “Piep“ she focu…
Mantra
*2022 stock* 'Composed in 1970, Mantra, for two pianos and ring modulation, was one of the decisive turning points in Karlheinz Stockhausen’s career. The 70-minute piece not only signalled a break with the text-based intuitive works, relying heavily on improvisation, that had come to dominate his output towards the end of the previous decade and a return to fully notated scores, but also introduced the idea of melodic formulae, the “mantra” of the title, which Stockhausen would eventually develo…
Etudes Australes
*2022 stock* 'Etudes Australes was composed specifically for Grete Sultan, so this album is among the definitive recordings. As an indeterminate piece for solo piano (okay, well, a "duet for two hands"), this sounds very similar to Music of Changes, Winter Music, etc. Here, though, Cage generates indeterminacy by turning once again to using star charts as tools of composition, as he did previously in the wonderful Atlas Eclipticalis.
In a way, I find the piano to be more suited to star charts th…
Circles · Sequenza I · Sequenza III · Sequenza V
Wergo presents Luciano Berio's compositions Circles · Sequenza I · Sequenza III · Sequenza V.
Silver Apples of the Moon / The Wild Bull
Silver Apples of the Moon' is without a doubt the best known work from influential composer and electronic music pioneer Morton Subotnick. It was originally commissioned by Nonesuch records back in 1967, when electronic music was more of a series of ideas than a recognised art form, and since then it has achieved well deserved classic status, influencing so much that would come after it is impossible to conceive. Subotnick's instrument of choice was the Buchla modular synthesizer, a gigantic pat…
Volume 1: Electronic Works
*2022 stock* Although this might be labelled 'Volume 1', this large collection of Morton Subotnick's work (featuring three of his pieces - 'Touch', 'A Sky of Cloudless Sulphur' and 'Gestures') actually showcases some of his most recent compositions. The pioneering electronic composer shot into the public eye with his very well known album 'Silver Apples of the Moon', but his work didn't end there and here we get 'Touch' which was composed just after 'The Wild Bull' in 1969 set next to 'A Sky of …
I Like To Think Of Harriet Tubman
*2022 stock* 'A true Leninist would argue that art in a smoothly running socialist state would become redundant and disappear, though while waiting for such a perfect society to come about, we have an idea of what socialist literature, painting, sculpture and cinema are like. But what does socialist music sound like? Luigi Nono? Eisler? Robert Wyatt? The Ex? Well, all four. and you may add Christian Wolff to the list. Like fellow experimental composers Cornelius Cardew and Frederic Rzewski, Wolf…
Deep Peace / New Atlantis
*2022 stock.* For the first time, Deep Peace and New Atlantis, two classics from Celestial Harmonies, are available on CD. Originally recorded in 1980 and 1983, these meditative masterpieces have long been recognized as remarkable and meaningful works.
Frank Perry employs a fascinating array of acoustic instruments, including 400 year old Zen Buddhist Densho bells and a Ming Dynasty Chinese temple bell. He adds various kyeezees (Burmese meditation gongs), Burmese chime bowls, other glass bowls, …
Visions
Yamila reveals her most intimate catharsis in Visions, an album that brings together and provokes the hallucinatory powers of music. Like an ancient herald, she announces the profound feminine mystique while crossing epic melodies full of pleasure and pain. This album is a journey that prodigiously unites baroque accents, Spanish folklore –such as flamenco– and contemporary electronic music. Her voice and music –sometimes torn and others buoyant– could resemble the score for a biblical passage (…
Tehran Dust
Three chamber pieces by the Austrian composer Klaus Lang, plus two arrangements by Klaus of early music by Johannes Ockeghem and Pierre de la Rue.
Played by Trio Amos with Klaus Lang
The Pankow-Park Sessions
What happens when a composer starts improvising in his mid-80s… Duo from Berlin for cello and piano.
Sfera
Giacinto Scelsi (1905-1988) was an Italian composer and rather unusual pioneer of electronic music. His works are neither based on traditional techniques nor do they resemble concepts of the 'new music' avant-garde. Since the 1950s he recorded improvisations on the ondiola (an early electronic instrument) to magnetic tape, often in multiple layers. These recordings were then transcribed into scores by his assistants – probably constituting the first attempt at making electronic music heard throu…
58'
58' was composed in 2010 on the occasion of the tenth anniversary of d-zAkord. I wanted a very minimalist piece with few sound events and long silences. At that time we presented t'Drone(s)Scape', a sound/living installation lasting 3 hours. The public was invited to sit or lie down in the center of the sonic maelstrom for a multicast travel. It is in this context that 58' was imagined.
Although unconventional, the 58' score is extremely precise. The musicians follow a graphic score, with time p…
Approdi 3, Avanguardie Musicali a Napoli - Volume III
**300 copies** Konsequenz has released a new anthology that offers another incredible window into the Napoli’s remarkable experimental endeavours, another essential artifact for any fan of Italian border and avant-garde musics.
Avant-garde and experimental musics are intrinsically connected to community, collectivism, support, and collaboration. Audiences and artists, stretching to every corner of the globe, continuously rely on each other to push into ever more ambitious realms. This spirit of …
The Expanded Body
This CD by Alessandro Perini combines electronic sound manipulation with the creation of electromechanical and electroacoustic instruments and a reflection on sound environment, tending toward the exploration of unusual compositional solution. In short, it is experimental music and as such, it deserves to be listened to and commented upon. A few words about the composer. Alessandro Perini is a young musician: he studied composition (with Luca Francesconi and Ivan Fedele among others), electroni…
Solar One/The Watts Towers
Other Minds is excited to bring you an EP of two archival works from Bay Area composer Charles Boone. Both pieces take their inspiration and titles from man-made landmarks across California. Solar One from a monumental power station near the desert city of Barstow, The Watts Towers from Simon Rodia’s outsider art masterpiece in the Los Angeles neighborhood of Watts. In much of his work, the composer seeks to create sonic landscapes that are simultaneously static and dynamic. Certain elements, ha…
42'37"
*120 copies limited edition* 42’37’’ is forty-two minutes and thirty-seven seconds long.Track 7 is named Sept.42’37’’ is filled with sounds and silences.Track 4 is named Quatre.42’37’’ is an imaginary musical seascape where time is in suspension.One can listen to 42’37’’ for 34’22’’ or any other length.42’37’’ is composed by Wladimir Schall and released on parisian label AmiciMiei.
Symphony No 106
Documenting a reunion of Musica Elettronica Viva's founders Frederic Rzewski (piano and vocals), Richard Teitelbaum (keyboards and computer) and Alvin Curran (keyboards, computer and shofar) at the 32nd International Festival Of Current Music in Victoriaville, Canada in 2016.