Works for Piano
*2023 stock* "The four tracks on this album are piano pieces I composed between 2007 and 2018, performed by pianist Satoko Inoue. A live recording of a 2018 solo recital by Inoue-san has been newly mastered for this release. The three tracks other than "Containing Time" are pieces I composed for Inoue-san. Around 2007, when I wrote "Cosmetic Dance," I often went to her concerts, as I liked the way she played. One day soon after I'd finished the composition, I went to hear her perform. After the …
Andersen's Swan Song
*2023 stock* "I composed this piece in 2011 on a commission for the concert "Sonorous Solitude / Hidehiko Watase Solo Flute Recital," produced by image/air_ (Ippei Hosokoshi). The conditions were that the piece should be as long as possible and written for baritone (Homei Kamie) and flauto traverso (Hidehiko Watase), and that I could use any lyrics I liked. Simply put, the flauto traverso is an ancestor of the contemporary flute. First, Watase-san told me about the instrument's characteristics. …
Musical Procedure
*2023 stock* This CD documents a series of works that I call "Musical Procedure." In composers' usual works, the sounds to be performed are written in a score; but in these pieces the procedures (which could also be called programs, algorithms or specification sheets) for shaping music, such as performance methods and the general ideas of the works, are written as concisely as possible, and the type of sound to be produced is left largely to the performers. The score is merely an arrangement of …
![Paraphrase on Shichikushoshinshu [1664]](https://cdn.soundohm.com/data/products/2023-09/a1670394315_16-jpg.jpg.500.jpg)
Paraphrase on Shichikushoshinshu [1664]
*2023 stock* Published in the Edo era (1664), "Shichikushoshinshu" is a beginner’s guide to three musical instruments—the "hitoyogiri" shakuhachi, the koto, and the shamisen—which includes lyrics and fingerings for songs believed to have been popular at the time. Tai decided to create a new musical instrument in order to perform the shamisen music in "Shichikushoshinshu" (Japan’s oldest shamisen “scores”). The result was the self-made electric stringed instrument he calls the coiled cello. In 20…
Etudes
*300 copies limited edition* In writing about Igor Yalivec’s music it’s important to get the big thing out in the open right away. Igor Yalivec is a Dnipro, Ukraine based artist who at the time of this writing is currently living there, recording music, taking field recordings and generally existing as his country is under a pall of unease punctuated with moments of terror. It is under these circumstances where Etudes seems as vital a document as anything coming out of war-torn Ukraine, but also…
Touch three
*2023 stock* This is Phill Niblock's third release on the Touch label. Phill Niblock is a New York-based minimalist composer and multi-media musician and director of Experimental Intermedia, a foundation born in the flames of 1968's barricade hopping. He has been a maverick presence on the fringes of the avant garde ever since. In the history books Niblock is the forgotten minimalist. His influence has had more impact on younger composers such as Susan Stenger, Lois V. Vierk, David First, and Gl…
Glass World
“I have become fascinated by the complexity of the single sound.” - Annea Lockwood
Two Harmonicas in the Jeweler's Court
Tip! *300 copies limited release* Henry Birdsey - best known as one half of the microtonal multi-instrumentalist duo known as Tongue Depressor - is a master of dualities. He writes music that is both fundamental and complex, tranquil and fierce, and conceptual yet familiar all at once. His music often reflects the expansive and isolated regions of his home state of Vermont with its vast natural splendor, both lush and harsh, haunting and entrancing. It is also often about nothing more than the p…
Late Night Show
All my music is night music, says the composer Petr Bakla. Three pieces featured on the new album Late Night Show span almost a decade and provide varied examples of his style, 'so specific and personal, so allergic to fashion or aesthetic trend', as Eric Wubbels puts it in the insightful liner note. The central instrument is the piano, operated by Bakla´s longtime collaborator Miroslav Beinhauer, accompanied by the musicians of Brno Contemporary Orchestra.
Sounds While Waiting
Sounds While Waiting documents the latest organ works by composer and musician Ellen Arkbro – following her phenomenal debut, 2017's For Organ And Brass, and the more recent Chords. Recorded at a centuries-old church in Unnaryd, Sweden in June 2020, these pieces reveal the enchanting qualities of sustained harmonic sound, how patterns of listening dissolve and emerge as textured space. On opening track "Changes," long radiant tones ebb and flow like divine breaths, while "Leaving Dreaming" build…
Κλίμα (Klima)
Christina Vantzou and John Also Bennett return with Κλίμα (Klima), their third album as CV & JAB. Using an extensive sound genealogy including piano, flute, voice, and field recordings, the duo dive deeper into their idiosyncratic collaborative language. A reflection on microclimates and their ecologies, Κλίμα (Klima) is an invitation to probe the implicit memories of animal, plant and place, and our connection to the environments we inhabit.
TV Songs
Lisbon based keyboardist, João ‘Shela’ Pereira, a frequent collaborator with many local bands (Paus, Rinding Pânico, LAmA, Linda Martini and others) presents a new strangely haunting album, TV Songs.
A scrapbook of recordings from the heart... Piano TV is a compendium of spontaneous notes of ideas on the piano, to the rhythm of a television set in the background... these are scraps of expression in a form of dirty bucolic sketches aspiring to a hypothetical larger, washed, pristine composition…
Organic Music Tapes vol 2
*100 copies limited edition* As its now tradition we start the year with yet another fluid album from Portuguese pianist and composer Tiago Sousa. Presenting now the second volume of his ongoing series Organic Music Tapes, Tiago now adds the electric organ to his trademark piano compositions, broadening his palette of sounds into an even more fluid and organic world with references to American minimalism of the 60’s, in particular Terry Riley and Steve Reich’s influence both looms heavily over t…
The Avantgarde Series
The legendary DG Avantgarde vinyl series (1968-1971) is turning 55! In order to celebrate this occasion, the series is now released on 21 CDs for the first time. The Avantgarde series serves as a historical document for a time of radical change in musical thinking and the breaking of artistic boundaries. The question "What is music?" confronted many of the composers and musicians involved in the series, and the anti-authoritarian spirit of the 1960s and 1970s was a palpable influence. Deutsche G…
One Arm Bandits
"One Arm Bandits is an hour-long piece in four parts, scored for four cellists. The cellists play only open strings, thus using only their right arms, never fingering the strings with the left hand. Recorded in Alvin Lucier's dining room, this work features cellists Tyler J. Borden, Laura Cetilia, Charles Curtis and Judith Hamann. Lucier oversaw and produced the recording, and approved the final takes. One Arm Bandits was an important project for Alvin Lucier. The idea for the piece goes back to…
Sound Plantings
Jonas Gerigk is a double bass player who is active as a composer/performer in the fields of improvised music. In addition, he collaborates in projects of contemporary composers and is involved in the realization of their works. A main focus of his work deals with the term Explorative Music. He is doing intensive research on the expansion of the sound spectrum of the acoustic double bass. With a physical as well as technical approach and the use of objects he explores the variety of timbres of hi…
A Dread of Voids
Two beautiful recent works for ensemble by Australian composer Anthony Pateras, one performed in Naarm / Melbourne, Australia, the other in Berlin.
Patterned Language: Lizzy Welsh violin Erkki Veltheim violinChloë Sobek double bass Alexander Garsden guitarAnthony Pateras piano, celeste & sines
A Dread of Voids: Jess Aszodi voice Jon Heilbron double bassSam Dunscombe bass clarinet Rebecca Lane bass fluteAnthony Pateras piano & conductor
Fragments of Reincarnation
A 45-minute single movement piece for shō, Hammond organ and cello, exploring ways of combining the differing tuning systems inherent in the instruments.
Violin and String Quartet
Dating from two years before the composer's death in 1987, 'Violin and String Quartet' lasts two and a quarter hours, throughout which the strings weave gently shifting patterns of sound. It is one of Feldman's most beautiful pieces.
Echo Stane
Nine solos for Hardanger fiddle, composed and performed by Sarah-Jane Summers, a virtuosic Scottish musician based in Norway. Sarah-Jane's music stretches from traditional folk music to experimental work. This album is one of experimental solos, but nonetheless contains references to traditional music both in the titles of the pieces, and sometimes in the music itself.