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Morgan Evans-Weiler (violin & electronics) and J.P.A. Falzone (prepared piano & celesta) present four beautifully reduced duets—music that is, as the label describes it, "as delicate as a feather, but also as tough as nails." This is the duo's third …
Jürg Frey, the Swiss composer, clarinetist, and central figure in the Wandelweiser collective, presents three recent chamber works—all written for and performed by the Prague Quiet Music Collective, with one piece featuring the Norwegian new music gr…
Teodora Stepančić writes "music that doesn't try to draw attention to itself." The Serbian-born, Brooklyn-based composer describes her aesthetic simply: "How much do I need to add to everything that I hear?" These two chamber works for Ordinary Affec…
Seven beautiful, melancholic motets and a chanson by Renaissance composer Nicolas Gombert, arranged for instruments by James Weeks, who also composed the interludes. "One of the least expected and most beautiful records we are likely to hear this yea…
Bryn Harrison writes music that deliberately disorients. The British composer—obsessed with "time, memory, and cyclic structures"—follows Feldman's lead, creating perceptual labyrinths where past bleeds into present and nothing stays quite where you …
Returning to Die Schachtel with his forth full-length with the label, the Genoa born, Bologna based, guitarist and electroacoustic composer, Stefano Pilia, delivers “Lacinia”, a new, immersive cycle of compositions, delving deeper into the realm of m…
Noriko Baba’s music transforms fleeting details into profound artistic expressions, weaving nostalgia, nature, and her Japanese heritage into evocative soundscapes. From the intimate, lantern-lit glow of Bonbori to the tumultuous echoes of the 2011 t…
Didier Rotella’s "Zone Grise" unfolds in a space of perpetual transformation, where sound navigates between density and purity, acoustic and electronic, structure and fluidity. Catharsis combines hybrid instruments and spatialized textures to evoke a…
Oriol Saladrigues Brunet’s music crafts intricate interactions between time and communication, turning moments into rich artistic expressions. His compositions treat time as a flexible and multi-layered concept, balancing precision with unpredictabil…
bastille musique presents its thirty-second release »Beat Furrer: Spur« featuring world premiere recordings by Quatuor Diotima, Claudia Chan (piano) and Thorsten Johanns (clarinet). The double album combines Furrer’s complete four string quartets wit…
bastille musique presents its thirty-first release »Urquiza, Terranova, Rataj, Djordjević, Kranebitter, Glojnarić, Schüttler: Gassenhauer« featuring seven world premiere recordings by the Trio Catch. The album combines new works for clarinet, violonc…
2024 stock bastille musique presents its eighteenth release »Bernd Alois Zimmermann: Sinfonien (live)« featuring Emily Hindrichs (soprano), Anna Radziejewska (mezzo-soprano), Bettina Ranch (alto), Peter Tantsits (tenor), Hans Christoph Begemann (bari…
2024 stock bastille musique presents its seventeenth release »Lucier & Bach: Sitting in a Room« featuring Hanna Herfurtner (soprano, voice), Clara Blessing (oboe), Joosten Ellée (violin), Linda Mantcheva (violoncello) and Elina Albach (harpsichord, o…
2024 stock bastille musique presents its thirteenth release »Claude Vivier: Lonely Child« featuring five works by Vivier from 1977 and 1980: Lonely Child performed by Katrien Baerts (soprano), the WDR Symphony Orchestra and Bas Wiegers (conductor), S…
2024 stock bastille musique presents its first release »Claude Vivier: Kopernikus« in a SWR studio recording by the Opera Factory Freiburg, the Holst-Sinfonietta and Klaus Simon (conductor). Besides the CD containing Vivier’s chamber opera from 1979,…
Time of year and day, light; warmth, coolness; wind, rain; breath of air, babbling of the stream; People and other beings going about their lives: a strangely unpredictable mix of expected and unexpected events that contribute to the precise conditio…
*2025 stock* Olympia 1972 and the musical avant-garde. A look back at the music program created for and around the 1972 Olympic Games in Munich causes astonishment. The people in charge give space to contemporary music. It is quite natural and appare…
"Spektralmaskin, a collaborative album by the Norwegian musicians Jo David Meyer Lysne and Peder Simonsen, owes its name to a sort of prospecting: the process of sliding e-bows—small magnetic motors of adjustable speeds used to sustain sounds, here o…