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Roger Reynolds's Sanctuary for spatially distributed percussion ensemble and live electronics, presented in three versions on a double DVD: a studio performance, a live performance at the National Gallery of Art and excerpts from the Salk Institute.
The complete Imaginary Landscapes 1-5 and Credo in US by John Cage, with radios, phonograph records and percussion, played by Percussion Group Cincinnati in the first volume of the Mode Cage percussion works.
Fourth volume of Giacinto Scelsi's piano works: Hispania, Suite No. 5 Il Circo and Suite No. 6 I Capricci di Ty, three first recordings of large early works from the 1930s, played by Stephen Clarke.
Three works by Luc Ferrari: Visage 2 (1955-56) and Après presque rien (2004), both first recordings with Musiques Nouvelles and Art Zoyd, and Madame de Shanghai for three flutes and digital sounds.
Stefano Scodanibbio's Oltracuidansa for contrabass and 8-channel tape (stereo version), built from almost six hours of contrabass sounds made with 26 methods of sound production, with the tape created at CCMIX in Paris.
Second volume of Iannis Xenakis's works for piano with instruments, played by Aki Takahashi with Rohan de Saram, the JACK Quartet and the Callithumpian Consort, including a new recording of Eonta for piano, trumpets and trombones.
Aldo Clementi's works for flutes, issued for his 75th birthday: Fantasia su roBErto FABbriCiAni, Ouverture for 12 flutes, Passacaglia, luCiAno BErio and Parafrasi 2, played by Roberto Fabbriciani with tapes restored by Alvise Vidolin.
DVD of two filmed portraits made by Luc Ferrari and Gérard Patris for French TV in the 1960s: Stockhausen rehearsing Momente, and Hommage à Edgard Varèse, released here for the first time with English subtitles.
CD debut of this 1985 post-minimal landmark by Elodie Lauten, featuring performances by Arthur Russell and Peter Zummo. Lauten has been active in the downtown New York classical and punk scenes since moving from France in the 1970s. The Death of Don …
Charisma X, a 2008 documentary film by Efi Xirou on the life and work of Iannis Xenakis, from childhood to his last work Omega, with archive footage, interviews and performances of his music by Sylvio Gualda, Benny Sluchin and others.
Scelsi Edition volume 2: three rarely recorded orchestral works, Hymnos, Hurqualia and Konx-Om-Pax, played by the Carnegie Mellon Philharmonic under Juan Pablo Izquierdo, with selections from Canti del Capricorno sung by Pauline Vaillancourt and Doug…
Six minimalist works by Reich, Riley, Andriessen, Gann, Adams and David Lang played by Orkest de Volharding under Jussi Jaatinen, including first recordings of City Life for wind orchestra and Kyle Gann's Sunken City.
Xenakis Edition volume 10 and the first complete recording of Iannis Xenakis's string quartets, played by the JACK Quartet: Tetras, Tetora, ST/4-1,080262 and Ergma, the last quartet, released on CD and surround-sound DVD.
First recording of Peter Ablinger's 33-127 (2002) for electric guitar and CD, played by Seth Josel: 95 pieces in which a descending scale meets recorded street noise, in just under an hour.
Chamber music by Hans Werner Henze, weighted toward pieces drawn from his theatre works, played by the Naples-based Ensemble Dissonanzen: Ein kleines Potpourri from Boulevard Solitude, Toccata Mistica, Drei Tentos and Neue Volkslieder und Hirtengesän…
The first complete recording of Giacinto Scelsi's music for double bass, played by Robert Black with guests on cello, harp, tam-tam and second bass, including Ko-Tha in Fernando Grillo's transcription.
First recording of Iannis Xenakis's Kraanerg (1968) for 23 instruments and 4-channel tape, with the tape restored from the analog masters, played by the Callithumpian Consort conducted by Stephen Drury.
Henning Lohner's 1993 composed film in memoriam John Cage, 130 minutes long, combining interviews, found footage and concert performances with 42 personalities in conversation, plus a complete video of 4'33".
Lydia Kavina plays theremin works with Ensemble Sospeso: first recordings of music by Howard Shore, Olga Neuwirth, Christian Wolff and Percy Grainger, and Miklós Rózsa's chamber version of Spellbound, premiered at Lincoln Center in 2000.
The Piano Concerto No. 2 is an experiment in classical form. The work contains the same sudden juxtapositions and abrupt contrasts of mood as his futurist music. But the excesses of his recent Ballet mécanique are compensated for by an almost spare, …