We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Compositional /

For John Cage
** 2021 Stock ** CP² Recordings presents Morton Feldman: For John Cage by Paul Zukofsky, violin; Marianne Schroeder, piano. This recording was supported in part by public funds from the New York State Council on the Arts.The generous support of Betty Freeman and Paul Sacher is gratefully acknowledged. For John Cage was recorded April 7, 1984 at Sonographic AG, Schlieren, Switzerland. Recording Engineer: W.A. Wettler; Montage: Elite Recordings, NYC; Publisher: Universal Edition, Ltd., London.
Wind and Light
Greek composer Anastassis Philippakopoulos has been a member of the Wandelweiser composers collective since 2003. He pursues his own compositional style to create a new kind of tonal music, deeply associated with his individuality and the surroundings of his life in Athens, a unique blend of stoic minimalism, the warm colors of modern romanticism, and the introspective depth of Zen. "For many years I have concentrated my attention on modal monophonic melodies. In my pieces I want to bring a bala…
Night Blossoms
'Night Blossoms' is French composer/pianist Melaine Dalibert’s sixth solo album, consisting of new compositions from 2019-2021. Of the six pieces on this album, 'A Rebours', 'Windmill', 'Eolian Scape', and 'Sisters' were written around the same time as most of the pieces for his 2020 album 'Infinite Ascent'. While 'Infinite Ascent' featured his intuitive compositions in a pop style, 'Night Blossoms' features works further developed with his algorithmic approach, which has been his long-term purs…
Parametrical Counterpoint
** In process of stocking ** Kairos presents Parametrical Counterpoint by José Luis Hurtado. Composer José Luis Hurtado’s music has been performed across continents by ensembles and soloists such as the Boston Modern Orchestra Project, JACK Quartet, International Contemporary Ensemble, Talea Ensemble, the Callithumpian Consort, CEPROMUSIC Ensemble, Piedmont East Bay Children’s Choir, Quatuor Molinari, Émile Girard -Charest, Lora Kmieliauskaite, Tony Arnold, Garth Knox, Claire Chase, Le Nouvel En…
Und Du... et al
** Und du… was composed in 1963, commissioned by the Austrian Broadcasting Co. It was supposed to be played “radiophonically,” i.e. on tape and with loudspeakers only, to reach and involve a group of listeners corresponding to the medium’s effective radius. My own involvement with the nuclear situation – the dangerousness of which against the background of Hiroshima was clear, but not nearly to the extent it is today among the broad public – prompted me to take the equally fundamental anxiety I …
Density 2036
In 2013, Claire Chase instigated a project designed to cultivate an entirely new body of work for flute. A MacArthur Fellow, Harvard professor, and indomitable musical force who co-founded the International Contemporary Ensemble, Chase began commissioning work, with the idea of doing so until the centennial of Edgard Varése's seminal flute solo "Density 21.5," in 2036. This deluxe 4-CD set is the first fruit of these commissions, realized in the first three years of the project, featuring 17 wor…
Saturations
Saturations is a composition by Danish multidisciplinary artist Niels Lyhne Løkkegaard, and features a clarinet choir consisting of 19(!) clarinet players. Niels Lyhne Løkkegaard (b. 1979) considers his work to be a basic research in realities working within the domains of imaginary & physical sound as well as other non-sonic media, and since 2012 Niels Lyhne Løkkegaard has experimented with creating music that lets the instruments transcend their inherent sonic norms and reappear in another for…
Verdant
As a composer, David Dunn is probably best known for his interdisciplinary work that crosses the boundaries between art and science. This has included the fields of acoustic ecology, bioacoustics, interspecies communication and scientific sonification while creating a body of innovative sound work that has contributed to projects as diverse as sensory enhancement of healthcare environments and intervention strategies for forest and agricultural pests. He has invented microphones to record such p…
Infinite Ascent
This is French composer/pianist Melaine Dalibert’s fifth solo album since 2015, all featuring his own compositions. This time, the album consists of melodically structured song pieces, an area that Dalibert has been exploring in the last couple of years as a new compositional approach outside his signature algorithmic method of composition. This series of eight short pieces appeal in a new way from his previous music, and shows his maturity as a composer. Dalibert wrote all eight pieces in 2019 …
Popol Vuh
"The Popol Vuh- the Book of Counsel“ of the K'iché-Maya belongs to the most important creation myths of the early advanced civilizations in the world. A Maya from the K'iché people, who had learned Spanish during the conquista, wrote down the the texts in K'iché with Latin letters between 1545 and 1555. Before that, the texts were only passed on orally.  Father Francisco Ximenéz copied this book and translated it into Spanish. Then he returned the original to the K'iché people. In this way the b…
Augmented Studies
* 2021 Stock * "When I imagine, as I sometimes do, that evolution were possible, Complexity is not its goal, but perhaps the safety net for a possible Immediacy. This opens up the possibility to exercise sufficient safeguards in an ever finer woven net of abstractions ? if not to escape directly ? to at least be able to risk a glimpse through the netting: a glimpse unfiltered through abstraction, signs, predetermined patterns, a glimpse of unaltered reality." - Peter Ablinger
Synastria
* 2021 Stock * Philosophical writings from antiquity have frequently underlaid Zimmermann’s work of recent years, particularly in relation to notions of time an ‘harmonia’ [...] Another recurrent theme in later works is that of the ‘broken unison’ (both melodic and rhythmic), which clearly has an allegorical/social dimension as well as a musical one [...] The isolated performance of single of his pieces emphasises their ‘otherness’ in relation to the main trends in new German music, whereas the …
Nine unfinished Symphonies
The Nine Unfinished Symphonies were conceived as one entity. They are written in my musical native tongue; the musical grammar and idioms with which I have become so familiar that I can converse in them spontaneously, without thinking, so that I can devote my full attention to what I actually want to do. It appears that we need narratives, such as the ‘sacred’ number nine with symphonies, or the concept of the Unfinished, which stands in sharp contrast to the fragmentary or the ‘uncapitalized’ u…
Subtle Matters
How many sounds can a piano produce without using the keyboard? Some answers can be found in this recording, where the whole instrument is investigated using different techniques to reveal a world of unexpected richness, textures, and resonances.But it’s not just that: it’s also a journey in what the concept of “piano” became in the imagination of three composers (and a pianist). Each, in fact, gave shape to an original sonorous universe, and the task of reconnecting the subtle threads between c…
Pathological Curves
To sonically modify sound, not as a composerly or listenerly injunction but as a condition of its possibility: such is the task of Elizabeth Hoffman. Hers is not merely a music of the "verb" - that composers "do" something or "perform" something on the sonic. Hers is an "adverbial" music. Above all, adverbial music modifies - sound, yes, but more fundamentally the space in which sound appears and the temporality that it solicits as it vanishes, always. Adverbial music, reticently and generously,…
Wave Piano Scenery Player
Wave Piano Scenery Player consists of several artifacts brought into a single structure: large black oil paintings on paper sheets dividing an automatic grand piano in two parts (sounding body, keyboard); tree pieces of music hamonically linking the 88 keys of the piano by combining them with mirotonally tuned sinewaves; a subwoofer/loudspeaker reproducing the elctronic tones; a pianist and a computer, both acting as performers. The time-based form is deivides into threee parts, in which Sabat c…
Painted Cakes Are Real, Too
When you are listening to his pieces and are completely at ease, they offer the listener the beauty of pure sound: I believe this also applies to his likeminded friends. Even when and if they are of a continuous narrative type, they just create the right situation to listen to sounds. As the title reveals: Painted cakes are real, too. The beautiful sounds are repeated in order to remain purely sound. This repetition does not build up a narrative, it becomes more complicated and excited not in or…
Ballad
The word "ballad" implies a tale or narrative, and while there is no literal story being told there, I found myself thinking of the two performers as co-travellers in a terrain - or as dance partners - and the music as sometimes like a song they sing together, sometimes a landscape they cross, sometimes a mood, sometimes a monologue, and sometimes a fine line they trace. In the end, it is a ballad about the cello and the piano, and the way I hear them together. - Linda Catlin Smith
Der Uhu des Ihi
"Leukert brings back intuition into the computer-mechanical techniques of contemporary classical music. His compositions derive from the hearing experience - he has become a David Lynch for the ‘cinema pour l’oreille’, who is operating with the ironically associative scepticism of Godard. A blessing that Maria De Alvear’s small label ‘World Edition’ now produced eight of Leukert’s audio pieces on CD; among them the enchanting trilogy Wildwechsel" . - Alban Nikolai Herbst
Improvisation
That’s the name of the game... Marco Blaauw plays on a quartertone double bell trumpet, a shell, brought from Madagascar,a slide trumpet, piccolo trumpet, quartertone flugel horneven megaphone and flexible tube. Gijsbrecht Royé plays on a self-made bass-zither. To play on the four groups of bass grandpiano strings, he uses different kinds of sticks; two bows (normally used for double bass), metal strings, nails, brushes, knives, rat-tailed files and metal scouring pads.
1 2 3 4 5 6 7 8