We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
*2022 Stock. Includes a 56-page illustrated booklet in German and English.* Licht-Bilder, Licht Pictures, 3rd scene of Sonntag aus Licht (Sunday from Light), for tenor vocalist and basset-horn, with ring-modulated flute and trumpet (2002/03). Licht-B…
*2022 Stock. Includes a 32-page booklet in German and English.* Bassetsu-Trio / Mittwochs-Abschied, the Stockhausen Edition no. 55 contains additional works from Mittwochs Aus Licht (Wednesday from Light). Bassetsu-Trio (1997) für Bassetthorn, Trompe…
*2022 Stock. Includes a 32-page booklet in German and English.* Orchester-Finalisten is the 2nd Act of Mittwoch Aus Licht (Wednesday from Light), the 6th-completed Licht opera. This piece has no vocal text, but instead features 11 different orchestra…
*2022 Stock.* Sternklang features a roaming studio recording, documenting the five spacially-separated electro-acoustic chamber groups of Sternklang, a harmonically-modulating piece structurally similar to the all-vocal Stimmung. Some soloists are al…
*2022 Stock. Includes 124-page booklet in German and English.* “Stimmung” was a commission from the City of Cologne, for an ensemble at the Rheinische Musikschule; Collegium Vocale Köln. It was written early 1968, in February and March, in a house on…
*Restocked, reduced price* "Hibiki Hana-Ma" was created in 1969 for the Steel Pavilion of the Japan Iron and Steel Federation at the Expo 1970 in Osaka as musical part of a multimedia show. Even though the work does not bear the designation in its ti…
Alvin Lucier (1931 – 2021) was one of the most influential American minimalists. Some call him "sound physician" as his compositions are often based on acoustic research settings. His pieces tend to turn inside-out the properties of space and instrum…
*In process of stocking* The Zooming is implemented musically; it captures places on the globe that lie in a constantly narrowing field of view around the Kollegienkirche in Salzburg, the site of the piece's premiere. In the north and south, the lati…
*2022 stock* Several of György Ligeti's best-known and most characteristic pieces, in recordings made within a few years of their composition by the musicians closest to them. Atmosphères for large orchestra without percussion and Lux aeterna for six…
*2022 stock.* 'Hamel's contemporary interpretation of the medieval musical concept known as "organum" involved an intricate interplay of modal melodies. These four extended works on pipe organ culminate in acutely intense barrages of sound and sensat…
The evolution of the string quartet repertory has accelerated during the last half of the twentieth-century and beyond as composers from both the mainstream and the avant-garde have mined its seemingly inexhaustible creative resources. This CD featur…
Twenty-four tracks of saxophone music by Henry Cowell and Percy Grainger, many of them first recordings, for saxophone ensembles, piano and orchestra, directed and played by Ulrich Krieger with guest ensembles and the Glens Falls Symphony Orchestra.
Four-CD survey of American piano music from 1911 to 1991: 62 works by 48 composers, from Ives and Antheil to Zappa, including seven first recordings, played by Yvar Mikhashoff.
Six chamber works by Keeril Makan performed by the International Contemporary Ensemble and pianist Cory Smythe, including Mercury Songbirds, Afterglow for solo piano and Mu for prepared violin played by Erik Carlson.
Multimedia adaptation of Art Spiegelman's In the Shadow of No Towers by guitarist Marco Cappelli, narrated by John Turturro in English and Enzo Salomone in Italian, with music by Sintax Error and video art by Anne Rothschild.
Pianist Heather O'Donnell places short works by Charles Ives, including the first recording of London Bridge Is Fallen Down!, alongside first-recorded piano responses by Zimmermann, Finnissy, Tenney, Corbett and Schneller.
First recordings of four Piano Sonatas by Chris Newman (Nos. 1, 4, 6 and 10, composed 1982-2004), played by Michael Finnissy, a collaborator of the composer for over twenty-five years, in composer-supervised recordings.
Two CDs of virtuoso piano fantasies and transcriptions on operas by Puccini, Bellini, Verdi, Debussy, Berg, Bussotti and Volans, played by their arranger Yvar Mikhashoff.
John Luther Adams's Strange and Sacred Noise, a nine-movement work for percussion quartet, in the composer-supervised first recording by Percussion Group Cincinnati, with a 60-minute interview with the composer.
Three works by Peter Garland, Another Sunrise, Dreaming of Immortality in a Thatched Cottage and I Have Had to Learn the Simplest Things Last, for pianos, harpsichord, voices and percussion, with Aki Takahashi and Essential Music.