Subcontinental Synthesis Electronic Music at the National Institute of Design, India 1969–1972 (Book)
264 pages. The history of India's first electronic music studio founded in 1969 at the National Institute of Design in Ahmedabad by David Tudor. Subcontinental Synthesis explores the history of India's first electronic music studio, founded in 1969 at the National Institute of Design in Ahmedabad with the support of the composer David Tudor. The essays and writings unravel the narrative and context surrounding the studio as well as the work of the Indian composers who created groundbreaking reco…
The NID Tapes: Electronic Music from India 1969-1972
The NID Tapes’ presents a collection of early Indian electronic music uncovered at the archives of the National Institute of Design in Ahmedabad.
Radio Cologne Sound Das Studio für Elektronische Musik des WDR
Biggest Tip possible! ** English/German edition. 288 pp + 5CD plenty of incredible music, most of which have never been heard before ** From the Wolke Verlag imprint, who've already brought us incredible books like Karl Berger's "The Music Mind Experience", "FMP Free Music Production - The Living Music", Peter Brötzmann's Along the Way, and George Lewis' "Composing While Black. Afrodiasporic New Music Today", to name only a few and a great many more - comes one of the most engrossing volumes we…
Oto no Hajimari wo Motomete vol.9 - Tsutomu Kojima's works
Recent issue of archve series of NHK electronic music studio. Some foreign composers visited and worked at NHK electronic music studio. The frst apperance was Karlheinz Stockhausen's “Telemusik” ('66) assisted by Hiroshi Shiotani, it's included in vol.1 of this CD series. In this new release, three works composed in 70s assisted by Tsutomu Kojima.
1. Jean Claude Eloy “Gaku-No Michi” (1978)French composer Jean Claude Eloy visited Japan three times between 1977 and 1978 and spent a total of nearly…
Oto no Hajimari wo Motomete vol.11
Recent issue of archive series of NHK electronic music studio. This issue is a collection of Joji Yuasa includes works on past issue of this series. “My Blue Sky (No.1)” and “Music for the Main Pavillion of the Okinawa Oceanic Expo” has released on CD by Omega Point.
1. ”Projection Esemplastic” (1964) – sound fileWhen I was asked to create electronic music for NHK, I decided to use only white noise, which originally contained all frequencies, and cut out various components from it to compose the…
Oto No Hajimari Wo Motomete 4: Shigeru Sato Work
*2023 repress!!* Long out of print the 4th issue of archive series of NHK electronic music studio. Originally, Kosugi's “Catch Wave '71” was included in this issue, but, by a problem between composer and publisher, the CD was cancelled after several days of selling! Eventually, instead of Kosugi, Ranta's “Kagakuhenka” was up for renewed issue.
1. “Divertimento” Keitaro Miho This is a live performance of live percussion instruments and electronically produced percussion instruments. Until the…
Fractals / Brain Fever
2022 Repress "Fractals" (1981): Composed at the GMVL from December 1979 to September 1981, this work was commissioned by Fnac. Fractals are mathematical oddities that, when crossing our path, turn the smallest island into an immensity to be explored. "Fractals" is a series of short studies, all based on the same sound source. Seeking in the sound and its very logic a proposal upon which a construction is elaborated, each Fractal remains open and is a mere fragment of itself. "Fractals", music p…
Would It Sound Just as Bad If You Played It
A Collection of Sounds from the Studio Eksperymentalne Polskiego Radia (1959-2001) with art by Zofia Kulik. “Would it sound just as bad if you played it backwards?” assembles a collection of audio experiments created at the Polish Radio Experimental Studio (PRES) from 1959 to the beginning of the millennium. These exceptional works are presented alongside images from the Polish artist Zofia Kulik, whose career reached its apogee between the late 1960s and early 70s.
Polish Radio Experimental…
Orient
*2022 stock* Hiroshi Sato's ultra rare synth masterpiece, originally released in 1979 on Kitty Records in Japan only. Digitally remastered from the original tapes, Orient features the cream of Japanese musicians including Shigeru Suzuki on guitar, Haruomi Hosono on bass, Pecker on Percussion and Sato himself on keyboards and synthesizers. This highly sought-after album on the Balearic scene, changing hands for high prices, is a superb breezy mix of Japanese synth-pop and exotica with subtle touc…
Atelier de Libération de la Musique
**Much needed repress.** Often, when looking back over the history if experimental music in France, easy divisions can be seen to emerge. There are the pioneers of improvised music, usually associated with jazz, and there are the pioneers of electronic music, including tape, synthesis, and electroacoustic practice. This separation is convenient and serves historians well, providing simple answers for the what and why of what occurred, but, in most cases, fails to represent the true spirit of any…
Obscure Tape Music Of Japan Vol. 26: Meikai no Heso
* Limited to 60 copies * A collection of small tape music pieces by the legendary composer and pianist Yuji Takahashi. All of them are premiere release on disc.tr.1 Meikai no Heso (The Umbilicus of Limbo, 1963) It is also known as Window to Antonin Artaud, or The Umbilicus of Limbo. it was performed in a version of tape and instruments - poetry reading of the French poet Antonin Artaud, which was modified on the tape, and bass instruments as well as percussion instruments. This is a live recordi…
Nocturnal Earthworm Stew
* 2021 Stock* Nocturnal Earthworm Stew is a glorious experiment in electronic music, capturing the vitality and early curiosity of the 1970s. An earlier press statement called it "Serious headphone music made under the influence of Stockhausen, John Cage, Ornette Coleman, Stravinsky, Frank Zappa, Weather Report, Charles Ives and others." The influence of prog and space rock is pronounced, and contributions from Canadian prog legends Nash the Slash and Martin Deller (of FM) solidify Nocturnal's p…
Electronic Music of Paul Earls 1968-1993
**Original 1995 copies, still sealed*+ Paul Earls (USA, 1934-1998) was a composer and multi-media artist, affiliated with the Center for Advanced Visual Studies at MIT. His electronic music and sound installations, incorporating laser imagery, accompanied many indoor and outdoor staged events internationally. Earls' 1968 Moog piece "Monday Music" was recently featured on Waveshaper Media's acclaimed compilation "Electronic Voyages: Early Moog Recordings 1964-1969". Earls was a teacher composer e…
Natela
Awesome unreleased before recordings from 1974 on Synthi 100 (recorded at Melodya, Moscow) that has never been released - this is the first electronic music piece in Georgian music - composed by female composer Natela Svanidze
Israeli Electroacoustic Music
**2020 stock** Israeli Electroacoustic Music collects the works of six musicians from varied backgrounds, all recognized for their musical activity in electronic music and in Israel at the time of the album’s recording in 1981. These composers exemplify atonal 20th century music and musique concrete in a mixture of acoustic and electronic instrumentation, ranging from album producer Robin Julian Heifetz’s dark and frantic A Clear and Present Danger (which “attempts to symbolize the fear of a mot…
Experimental & Parametric Music 1976-2017
Through 'Experimental & Parametric Music 1976-2017', more than 40 years of the Joris De Laet's work are unveiled. We discover here for the first time the great coherence of this work: from 'Signalisations' (1976) to 'Mnemosyne pour une acousmaman' (2017). The twelve compositions are annotated and explained in detail by the composer, as well as a kind of wild autobiography.
Inspired by the deep control on electronic sonics, he has been defining his work since 1979 as 'Parametric Music,' music whe…
Violostries
Another remarkable reissue from the hallowed GRM archive, three major works of ultra-vivid, immersive and inventive music by Bernard Parmegiani, one of the 20th century's most revered and important electro-acoustic composers
African Electronic Music 1975-1982
2018 repress; Double LP version. Cameroonian musician Francis Bebey is truly one of a kind. He entered the music scene with his African compositions for classical guitar. He gave recitals while pursuing a career in journalism and then as an international civil servant. The same creative impulse also led him to write pop songs, some of which (based on novels he had written) became big hits in Africa and in the French-speaking world. But few people know that in the '70s, Francis Bebey delved into …
Primitivo
Second release in Buh's "Sounds Essentials Collection," documenting the history of Experimental Music in Peru. Miguel Flores is, alongside musicians such as Arturo Ruiz del Pozo, Luis David Aguilar or Manongo Mujica, one of the most important representatives of that period that spans from mid 70s to mid 80s, when experimenting musically in Peru united modern composing techniques of avant garde music and the search of the sounds of mother land. Miguel Flores’ Primitivo is as mind-blowing as they …