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Electronic /

Of What Once Was
*2022 stock. 300 copies limited edition* The fourth full length record by Machinist, Of What Once Was, comprises of two tracks with a combined running time of 55 minutes. The diptych consists of the tracks ‘mono tone in d’ and ‘of what once was’. ‘mono tone in d’ is inspired by the concept of the ‘Monotone Symphony’ (1949) by French artist Yves Klein. In this composition a chamber orchestra plays only one note for twenty minutes, followed by an equal measure of silence. Machinist takes up this c…
Haunted Bedrooms
Jilk are a UK based collective of musicians, fusing a bewildering collage of home-found sounds with the ambient soundscapes of washy synths, exquisite strings, insect-like clicks and cuts, and huge gorgeous waves of all encompassing experimental noise. Collaboration and open minded exploration are at the centre of all that they do.A year on from their debut release for Castles In Space, Jilk present their new album; “Haunted Bedrooms”. Eight diverse tracks exploring themes of rebellion, protest,…
Dead Air
Castles in Space presents the first ever vinyl release for Mordant Music’s landmark 2006 release “Dead Air”. Remastered for vinyl with all new artwork from Admiral Greyscale.
Fünf
Dalham is the long term of project of Suffolk born Londoner, Jon Michaelides. Here he discusses “Fünf” (his fifth release), which is subtitled “The Past Is a Foreign Country”: “There have always been “ambient” tracks on previous albums but they have in some ways served as a bit of peace and respite from the more busy percussive tracks. The purchase of some effects units triggered the decision to use delays and reverbs during the composition process much more and an entirely ambient record seemed…
Unknown Legacies
Nazlo Records presents Unknown Legacies by If, Bwana and Emerge. Transparent recycled tapes and 2-sided printed j-card edition of 40.
underdevelopment
Nazlo Records presents underdevelopement by backwards illumination. All tracks by Fesikl Mikensky and Wassily Bosch recorded summer 2021 video for 'fast forward' by Wassily Bosch can be found on vimeo.
93, 23!
** Edition of 93 copies ** Nazlo Records presents 93, 23!, a collaboration between Cisfinitum and Pahom. Recycled c90 tape with stickers and 2-panel j-card. Recorded live at VIP Vtoroy Etazh on 2/06/2020 by Eugene Voronovsky (Cisfinitum). Voice and sounds by Sergei Pahomov recorded live while online translation from messenger to the mixer desk. “Hook of Schwernik” recorded 28/06/2020 at the Tower by Eugene Voronovsky , Sergey Pahomov and Leonid Kotelnikov aka fake_trailers live and reworked by C…
Matt
Tanzprocesz presents Matt by Contumace. Lionel Fernandez temporarily abandons his Sister Iodine power trio to engage in a static bullfight with himself. Synthetic miniatures & frequency lacerations. Austere concatenations & petrified movements. 666 pairs of sunglasses in the country of eternal night.
Les Problèmes Urbains
Terrine is back is the Tanzprocesz/Bruit Direct Disques two-headed team. New 12" vinyl for your greatest pleasure. Synthetic melancholy, homage to French party songs and improvisations without parachute. All packed in a colorful sleeve.
Ground: Five Mechanic Convention Streams
The final album released by the composer-performer Jerry Hunt before his death, Ground: Five Mechanic Convention Streams is a rare and foundational audio document of Hunt’s compositional process. The record collects five pieces from the artist’s “Ground” series, translating his characteristically variable and spatial scores into “recorded fixtures of activity using mechanic musical instrument arrays,” to eerie and mesmerizing results. Originally released by experimental label OODiscs in 1992, it…
Prayer For Nil
"In Anthony Pateras’ Prayer for Nil the electronics are a swell of voices so dense they seem inhuman, amassed like a threatening cloud. As the piece unfolds the masses thin to a taper. By its conclusion the solitary singer is left brutally alone, though it’s hard to tell if she wasn’t alone the whole time – every voice in the throng was her own - my own. The ‘live vocal’ part is a highly structured improvisation. Anthony gave me a set of rules, pitches, and rhythms. Within the electronic field, …
Detachment
* 2022 stock. Edition of 150* It’s fair to say that despite his long history and reputation, Karina ESP hasen’t been the most productive act around. Gowers started working on this record a few years ago, but things did not fall into the right place. Until late 2011, returning from a short Benelux-tour. Gowers travelled to Scotland, where Fraser McGowan of Caught in the Wake Forever and Small Town Boredom managed to record the album in a matter of days. And that’s what Detachment sounds like: thi…
Cavv
**2022 stock. 100 copies limited edition** Söll is Jorge Pandeirada, musician and composer from Portugal. Interested in the concepts of randomness and what many regard as musical error. Pandeirada has a degree in Music Production and Electronic Music at ESART, and right now he's a master student in Sound Design at FEUP. This album is Söll's debut in electronic music, a field which he ingeniously explores. In doing so he produces a sound that is rich, detailed, fine-grained, hypnotizing and well,…
Variations in A-moll for a Granular Synthesis
**2022 stock. 300 copies limited edition** 'Variations in a-moll for a granular synthesis' was created by Gintas K in 2016, during an art residency in MoKS (moks.ee), Estonia. The album uses a classical variation form in a-moll and is an extremely overpowering listening experience. Stunning and surprisingly melodic harmonies keep emerging from the granulated and continuously shifting computer generated sounds. Gintas K (Gintas Kraptavičius) is a Lithuanian sound artist and composer living and wo…
Tracers
** 2021 stock ** In the early years of 21st century, vidnaObmana teamed up with US experimentalist David Lee Myers, of Arcane Device fame, for a collaborative album that showcases their shared fascination for processing and recycling sound. “Tracers” is the audio evidence of this meeting. A few years later this material was mastered by Dirk Serries and got the new design based on Martina Verhoeven’s artwork.
Magnetic Debris vol.1 & 2
“Magnetic Debris” is a collection of audio works mainly based on the editing of old archived tape loops and "found" magnetic sounds. This material as main reference was subjected to multi-channel treatments, re assembled and mixed along with audio generators, and various electronic devices. These processed debris explores drone territories as a concrete atmospheric soundtrack full of tension with a sense of mystery and a melancholic beauty.Recorded and assembled in 2018, this double album has be…
Codex Astra - Hours Of Gold
Steven Severin is one of the founding members and bass guitarist of UK’s influential and seminal, Bromley Contingent, punk group Siouxsie and the Banshees. His solo work as Codex Astra is a project exclusive to Erototox Decodings and Hours of Gold is the second in a set of four series EP’s. Each EP in this series is inspired by quotes from Magician, writer extraordinaire, the inimitable Aleister Crowley.
Codex Astra - Circles Of Silver
Steven Severin is one of the founding members and bass guitarist of UK’s influential and seminal, Bromley Contingent, punk group Siouxsie and the Banshees. His solo work as Codex Astra is a project exclusive to Erototox Decodings and Circles of Silver is the first in a set of four series EP’s. Each EP in this series is inspired by quotes from Magician, writer extraordinaire, the inimitable Aleister Crowley.
Barricades
The story is that Vigroux spent most of the time on his tour constructing what would subsequently evolve into Barricades. Working indefatigably on new tracks in the morning and performing them live in the evening - that is basically how this excellent work was assembled. Recording everything in stereo, using only two tracks, Vigroux aimed to incorporate “the rawness of a ‘live’ recording”. Consequently, the sound here became unmistakably pure and expressive, somewhat reminiscent of artists such …
Minus Modum
"Once again Gerard uses his guitar, low-key electronics, his own voice, and inanimate objects in the creation of a five-part work, this time using Greek letters to identify the separate parts of the structure. He also uses a lot of silence, as usual, and one has to strain quite hard to make out any perceptible markings on this blank stretch of time. Actually what may appear to be pure silence actually contains a very subtle and washed-out drone of some sort, produced by means we know not – it’s …