… et Autres Utopies
Five acousmatic “fantasies” by Francis Dhomont from 1989 to 2005, among them a Lautréamont ocean reworked for Bourges, the three-part Chroniques de la lumière and Voyage-miroir, a reversed and shrunken replica of … mourir un peu.
Forêt Profonde
Francis Dhomont’s acousmatic melodrama Forêt profonde (1994-96), a 58-minute reading of fairy tales after Bruno Bettelheim’s The Uses of Enchantment, in thirteen sections that each borrow a colour from Schumann’s Kinderszenen.
Électro Clips
Twenty-five electroacoustic miniatures of three minutes each, commissioned in 1990 for the Montréal musiques actuelles/New Music America festival from composers in Québec, Canada, the USA and Mexico, among them Dhomont, Westerkamp, Oswald, Gobeil and Álvarez. 1996 reissue.
Les Méandres du Rêve
Serge Arcuri’s dream cycle in seven pieces from 1982 to 1992, tape works and mixed works for oboe, harp, horn and percussion, played by Lawrence Cherney, Erica Goodman, Francis Ouellet and Trevor Tureski and recorded in Toronto in 1992.
Parr(A)cousmatique
Guitarist Arturo Parra’s project of mixed music: Francis Dhomont, Gilles Gobeil, Robert Normandeau, Stéphane Roy and Mauricio Bejarano each wrote an acousmatic piece, and Parra composed a guitar part over it, played on an unprepared guitar.
Sintesi da un diario
Angelo Petronella is an avowed devotee of acousmatics, a musique concrete practice that encourages as much disassociation as possible between the sound on record and the source it was taken from. And though many of Sintesi da un diario's sounds are culled from such well-worn locales as children's playgrounds, country landscapes, and factory floors, repeated exposure reveals a composer intent on draining any familiarity in the pursuit of a total removal of all convention. Birdsong is pulled taut,…