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Neither in the sky nor on the ground is the long-promised new album from Tbilisi-based producer and DJ Ani Zakareishvili. Initially prepared as a unique live set for Tkeshi festival with its own dialogue and dramaturgy, the record is now presented in purely instrumental form. But even though the narrative elements are gone, the album follows its own arc, it breathes, rises and falls, like the rib cage of a sleeping creature. Mysterious, spacious, yet vaguely familiar, 'Neither in the sky nor on …
Web Wide World is proud to announce the release of Web Wide World 1.5 game OST, a new collaborative album by sound artist Aliyah Hussain and visual artist/musician John Powell-Jones. Expanding on the sonic universe first created for the Web Wide World project, this soundtrack immerses listeners in a hybrid world where experimental electronics, playful melodies, and immersive sound design converge.
Composed as the audio backdrop to the evolving Web Wide World game experience, the album shifts b…
Tip! Yoshiaki Ochi's "Natural Sonic" from 1990 from one of the Japanese leading environmental music label "Newsic". Magical sound & ensemble of the mother nature, perfectly melting in with the electronics. Released on Wacoal Art Center’s Newsic label, Yoshiaki Ochi’s Natural Sonic shares some of the same magic heard in the music of fellow roster mates Yoshio Ojima, Motohiko Hamase, and Mich Live. This time the aural trick would be one of the most simple of them all. Largely composed, conceived, …
Animistic Resonance marks a new stage for Mexican artist and electronic musician Leslie García (currently based in Berlin through the DAAD Artists Program), as it is her first album under her own name, following several releases as Microhm and her parallel work as founder of the contemporary art studio Interspecifics, where she has developed an extensive body of sonic projects presented in major museums and programs worldwide. The album is the culmination of a profound and extended exploration o…
Pneumatic Tubes presents Runner’s High, a dazzling double album of ambient, psychedelic, and American Kosmische music, crafted by acclaimed multi-instrumentalist Jesse Chandler (keyboard and woodwinds player for Midlake and Mercury Rev). This latest solo release takes listeners on a radiant journey—melding the magic of running with Chandler’s transportive soundscapes.
Runner’s High fuses rhythmic vitality with meditative atmospheres, inspired by Chandler’s personal running rituals and his late f…
The visionary experimental outfit Coil unveils Live One, a powerful live recording that captures the band’s uncompromising intensity and transformative soundscapes in full force. Known for defying the limits of genre and pushing the boundaries of electronic music, Coil’s live performances have long been regarded as rare, otherworldly events. Live One preserves that experience, offering listeners a unique glimpse into the band’s most visceral and hypnotic moments on stage.
Performed and recorde…
Developed over three years across residencies, tours, and periods of deep listening, “Your Whistle Tells of Landscape” finds Australian sound artist Alexandra Spence continuing her investigations into the perceptual entanglements of sound, place, memory, and imagination. Like much of the artist’s work, it unfolds at the liminal edge between the real and the imagined — between what is heard and what is remembered. Composed from a constellation of materials gathered across sites and seasons — snow…
Anushka Chkheidze + Robert Lippok’s »Uncontrollable Thoughts« on Morr Music is the duo’s debut joint release. The Netherlands-based Georgian composer and the German sound artist from Berlin first met in 2019 in the context of a workshop programme that took place in Tbilisi, and later worked with Eto Gelashvili, Hayk Karoyi, and Lillevan on the massive »Glacier Music II« music and book project, released in 2021. This led them to engage in a less conceptually driven form of musicking and real-time…
Emerging from the solitude of a remote Spanish mountain hamlet, Stone Anthem announces the release of its latest album, Where Trees Go To Die—a dense and captivating journey through organic textures, dissonant beauty, and meditative drones. Crafted in the quiet embrace of forests and the echo of stillness, the album reveals a profound synthesis of ambient trailblazers’ influence, decaying industrial landscapes, and the raw vulnerability of psychedelia.
Embracing imperfection as a creative force,…
As humankind strives to create artificial intelligence what will faith, love, or morality look like to a nascent consciousness? Will it be capable of understanding its creators who often hold logic and superstition within themselves? In return how will humans comprehend its hallucinations? And the Sun, a ball of hot plasma oblivious to our existence continually burns hydrogen until it runs out and swallows its three closest neighbours. Fresh from his music (as featured on these records) being pi…
"On a remote gravel-covered spit of land on the east coast lie the abandoned buildings of a government facility for weapons testing and experiments with radar. In the mid 1960s this site witnessed the construction of an over-the-horizon radar, a technological marvel bouncing signals off the ionosphere, built to covertly monitor the activities of other nations. The reflectivity of the ionosphere is a function of frequency, time of day, time of year and of the solar cycle. In essence, a sympathy f…
2009 release ** "A concept CD divided in four long parts recorded back in 1991 that fully showcase their mastery in distorting and layering guitar sounds."
2003 release ** "The curiously titled „Like a packed cupboard but quite...“ is the 2nd release for the Dekorder label by Un Caddie Renversé dans l’Herbe a.k.a. Dídac P. Lagarriga from Barcelona, Spain after his beautiful 3“CD „Now there’s a weird taste in my mouth“. Not unlike his previous works which have been compared to the likes of Pascal Comelade, Asa Chang & Junray, Penguin Café Orchestra and Steve Beresford, the album’s using repetition and simplicity, melody and warmth, charm and a posit…
Deluxe 3LP set. Terre Thaemlitz's Soil receives a timely reissue, returning one of the most challenging and prescient albums of the 1990s to circulation. Originally released in 1995 as the seventh installment in Instinct Records' "Instinct Ambient" series, the album represented Thaemlitz's deliberate assault on the contradictions he perceived within the contemporary ambient movement. When Thaemlitz signed with Greenwich Village's Instinct imprint, the label assumed he would be "another Moby," pr…
Mat Handley returns to his South Yorkshire inspired Pulselovers project with a bold new chapter in the acclaimed Northern Minimalism series. What began as a deeply personal tribute to the region’s industrial, post-punk and synth-pop legacies has now evolved into a sprawling, 20-track remix project released via Castles in Space's new CD imprint, Lunar Module. The double CD includes remixes from a stellar cast of electronic artists: Aural Design, Apta, Pefkin, Grey Frequency/Blue Room, Sulk Rooms,…
"The process of making music together in Hand to Earth is unlike any other we have experienced. It is not free improvisation but it is not composed either. It is somewhere in between, and it feels like ‘weaving.’ Through Hand to Earth, we weave the threads of our different histories, different lives, and different perspectives together, and become family. Daniel weaves the ‘Manikay’ (public songs) in his first language, Wagiläk - into the syntax of our shared practices. He talks about the ‘rak…
Good lord, Moonbuilding Issue 6 has taken its sweet time. But don’t look at us, this handsome A5 zine has a mind of its own. Magic like this is out of our hands. Or as ABC’s ‘Poison Arrow’ put it, “she comes when she comes”. But it’s here. Finally. And anyway, in the grand scheme it’s best not to ask how it’s happened, but how quickly you can get your hands on a copy.
So what have we got? Well, taking pole position on the cover of the Summer 2025 issue is the utterly unique Loula Yorke. In our b…
WVLT is the newest sonic addition from WNDFRM (Portland-based, Tim Westcott), an album of eight distinct explorations exploring the many facets of experimental IDM. Tim Westcott’s practice is rooted in an acute, nearly forensic attention to sound. Subtle tones, sculpted drones, and lean percussive gestures, always pursued with a patient ear and obsession with sound design. With previous releases on Prologue, Home Normal, and Dragon’s Eye Recordings, and several live performances at Mutek, a new …
Originally released in 1993, Surfing On Sine Waves is the second album released under the Warp Artificial Intelligence series (the series also includes the two titular compilations, as well as contributions by Autechre, The Black Dog, F.U.S.E. and more).
Surfing On Sine Waves is also the sole album released under Richard D. James’ (aka Aphex Twin’s) Polygon Window alias. The name “Polygon Window” originally appeared as a track name under Richard D. James’ other pseudonym The Dice Man, as the tra…