Deadlined
The unreleased sound source recorded in 2019 has been turned into a work! Sound source inspired by the book ‘Landscapes of the Metropolis of Death’ by Otto Dor Kulka, who describes his boyhood in Auschwitz.
Deadlined is an unfinished 2019 album stopped in it's [sic] tracks by Covid, making travel and recording plans near impossible for the unjabbed leper. Thanks to Colin Potter and Andrew Liles for their help and contributions.
The collage work of Babs Santini printed on the entire 6-panel digip…
Spaced Muzak
Steven Stapleton, Andrew Liles, and Colin Potter present a masterpiece of bottomlessly deep cosmic sound, and a newly added concert version recorded by vibraphonist Timo Van Ljuik.
Space Musik was officially commissioned by the Melbourne Planetarium 'Science In The Dark' series 2009. This is a remastered version of the original plus three previously unreleased tracks.
Amazing 6-panel digipack with artwork by Babs Santini.
The Continuous Accident
*300 copies limited edition* Reissued in remastered & expanded version! The second of 3 limited custom boxset releases of rare and esoteric Nurse With Wound material, each containing 10 prints of album miniatures, exclusive stickers, signing card and badge. Nefarious II features ‘The Continuous Accident’ and ‘Circumventing Angels’, a previously unreleased radio broadcast.Originally published on CD-R in limited edition of 50 copies by United Dairies in 2008, the rare title "The Continuous Acciden…
Recordings Vol. 1, 1991—2001
Oleksandr Yurchenko (1966—2020) was a Ukrainian musician and illustrator. In 1990s and 2000s he took part in different bands from Kyiv, such as Electricians, Yarn, Blemish, Suphina’s Little Beast etc., and he also collaborated with Svitlana Nianio and Katya Chilly. Yurchenko is one of the brightest representatives of the Ukrainian independent scene in 90s. Meanwhile, he is one of the most mysterious musicians of this era, being a private person, especially in the late 2000s, whenOleksandr had to…
Bar Maldoror
* 500 numbered copies on silver + color vinyl * The long-running and infamous project known as Nurse With Wound, essentially Steven Stapleton joined by a rotating cast of characters as Annie Anxiety, Chris Wallis, David Tibet, Diana Rogerson, John Balance (of Coil fame) — mixes the overly serious chin-scratching of the contemporary avant-garde with a healthy dose of absurdist humour and wit. Often unfortunately branded with the industrial’s tag, Stapleton’s music actually reflects elements of mu…
Vacuola
Coming in from Spain only recently is "Vacuola", the latest album effort created by long standing - we're talking a debut cassette tape album under his real name in 1990 here... - electronic music composer Javier Hernando in collaboration with Angel Lalinde. Released via Wet Dreams Records the hand-numbered twelve tracks and roughly 42 minutes spanning album starts off on an immediately threatening and most of all hostile tip with earth shaking bass movements creeping up from gargantuan subsurfa…
hÄK/Danzeisen
Modular synthesizers / electronics + a drum kit enhanced with triggers and sensors: on its self-titled debut album, the duo hÄK / Danzeisen creates a sonic energy that oscillates between high-precision rhythm patterns, analogue sounds and frenzy climaxes.
Selenodesy
Seminal UK experimental composer Richard Skelton returns to Phantom Limb for new album selenodesy, interweaving his newfound love of electronics and synthesis with mastery of gritty organic texture.
Form & Feeling
Nein Rodere is the moniker of the Berlin-based music maker and visual artist David Roeder. Having played in bands for more than 20 years - often times making improvised music with other “non-musicians” - Roeder was trained in painting and psychodynamic art therapy. This multifaceted background underpins the complex humour and multiple dimensions of meaning (and double meaning) that bubble below his work. The body of solo efforts that has slowly emerged over the last five years brings to mind the…
Compositions
Oslo’s Deathprod (aka Helge Sten) announces Compositions, his new album out January 27th on Smalltown Supersound, and presents its lead single/video, “Composition 1.” The first new Deathprod studio project since 2019’s Occulting Disk—“a mesmerizing, terrifying, and emotionally nuanced ‘anti-fascist ritual’ of an album” (Pitchfork)—Compositions is the result of an intense period at his legendary Audio Virus Lab studio in central Oslo. All tracks are released in chronological order – in other word…
Darker Days
R. L. Crutchfield was a performance artist in the SoHo and Tribeca art scene before becoming an original member of the seminal No Wave band DNA alongside Arto Lindsay and Ikue Mori. He played keyboards in the first version of the band, getting to work with musical luminary Brian Eno on the seminal No New York album.
Boxset of 3 CD’s that include Exterminating Angel (1980) Window (1982) and Darkest Before Dawn (1989) for the first time available on CD format.
One Day I Was So Sad That The Corners Of My Mouth Met & Everybody Thought I Was Whistling / Kühe In 1/2 Trauer / Distruct
This bundle includes the following three LPs recently re-issued by Sonoris:Bladder Flask "One Day I Was So Sad That the Corners of My Mouth Met & Everybody Thought I Was Whistling" (LP, 1981)P16.D4 "Kühe In 1/2 Trauer" (LP, 1984)P16.D4 "Distruct" (LP, 1984)Bladder Flask "One Day I Was So Sad That the Corners of My Mouth Met & Everybody Thought I Was Whistling" (LP, 1981)"A puzzlingly great album. Ah, the halcyon days of bungled Kurt Weill renditions, overactive splicing hands and tape-loops last…
Kühe In 1/2 Trauer / Distruct
This bundle includes the following LPs recently re-issued by Sonoris:P16.D4 "Kühe In 1/2 Trauer" (LP, 1984)P16.D4 "Distruct" (LP, 1984)P16.D4 "Kühe In 1/2 Trauer" (LP, 1984)“Though this German group started out as a the new wave band P.D., by the time of Kuhe in 1/2 Trauer, their first LP under the P16.D4 name from 1984, they had developed far beyond into extremely experimental music similar to other post-industrial artists working with abstract avant-garde soundscapes. There’s a bleak industria…
Nested Russian Dolls Of Paranoia
Third and probably last volume from Gonçalo F. Cardoso’s most disillusioned moniker, Prophetas. Where the first tape, Reveal, Accept, Remember, Forget, revived mid 50’s ideas of weird hope (UFO sightings, suburbia, space race) and the second, Maury Island Reverie, explored early 90’s disillusionment through a sound world of mall culture, late night cable TV and rampant consumerism, this new work concludes de unplanned trilogy with a more randomised yet no hope approach to the sentiments and conc…
De Unicornis Veritate
*In process of stocking. First ever release* ADN Ckrystall is the pseudonym of French synth experimentalist Érick Moncollin. Armed with a Crumar, Multiman 52 with brass pedal and sustain/volume pedal, two Kawai Synthi 100-F, Roland CR-65, Korg PS-3200, Roland Jupiter-4, a Boss flanger, MXR phasing and a TEAC 8-track recorder he produced his first LP, Jazz'Mad, with the help of synth expert sound engineer Benoit Hutin. The LP was self-released in 1982 to critic aclaim and generated a fan base tha…
Jo Ha Kyu
"Tradition belongs more to the present than the past. For three weeks Parisian cellist and composer Gaspar Claus met with traditional and modern Japanese musicians in a Tokyo studio to record Jo Ha Kyu. Performing with Claus on this piece are: Eiko Ishibashi (voice, piano, drums), Keiji Haino (voice), Kakushin Nishihara (voice, satsuma biwa), Ryuichi Sakamoto (piano), Hirochimi Sakamoto (electric cello), Sachiko M (sine wave), Otomo Yoshihide (turntable), Leonard Eto (wadaiko), Kazutoki Umezu (t…
Kühe In 1/2 Trauer
“Though this German group started out as a the new wave band P.D., by the time of Kuhe in 1/2 Trauer, their first LP under the P16.D4 name from 1984, they had developed far beyond into extremely experimental music similar to other post-industrial artists working with abstract avant-garde soundscapes. There’s a bleak industrial feel to the gritty, lo-fi electronics and tape loops, while the group throws in enough curve balls to keep it interesting. On some pieces, strange, looped choirs bubble ou…
Kühe In 1/2 Trauer
“Though this German group started out as a the new wave band P.D., by the time of Kuhe in 1/2 Trauer, their first LP under the P16.D4 name from 1984, they had developed far beyond into extremely experimental music similar to other post-industrial artists working with abstract avant-garde soundscapes. There’s a bleak industrial feel to the gritty, lo-fi electronics and tape loops, while the group throws in enough curve balls to keep it interesting. On some pieces, strange, looped choirs bubble ou…
Pulse, Puls-ar, Procession
A sweeping composition for instruments, field recordings, and electronics that seems to gather and reflect the forces and creative impulses of the world. Originally realized as a quadraphonic piece, it has been reworked for stereo as a 24-minute study for a piece conceived to be without end. For water, granite, limestone, calcareous soil, tenor saxophone, violin, feedback, decay, distortion.
All Hands Bury The Cliffs At Sea
After last year’s Black Clouds Above The Bows, Amsterdam-based collective Wanderwelle presents the second entry of their trilogy for Important Records, which is dedicated to telling the story of the climate crisis and its effects on coastal areas around the globe. For this album the artists incorporated the sound of a dying organ.
All Hands Bury The Cliffs At Sea consists of electro-acoustic threnodies for an environment at risk due to the effects caused by receding coastlines around the globe. …