Minstrels and Minimoogs
Tip! *300 copies limited edition* Gregory T.S. Walker’s Minstrels & Minimoogs was self-published by a young, nomadic composer and virtuoso in 1988 to accompany an immersive multimedia performance at the University of Colorado Boulder’s Fiske Planetarium. Created with this outer, and other, world setting in mind, the four tracks find Walker stretching toward an ancient-to-future vision where Egyptian myths and Hieronymus Bosch-ian tableaus are rendered in a screaming three dimensional circuitry o…
Thrash
Nice Music Label presents ‘Trash’ - an incendiary new collaborative recording from indefinable, incomparable modern giant of electronic music Actress (Darren Cunningham) and NM’s own label head, capricious sound artist Simon J Karis. Actress and SJK stir up their intertwining trademark elements into a clandestine symmetrical arc over three tracks - each of them bestowing their own edit of ‘Thrash’, with Karis’ urgent acid thumper as a centerpiece. Both drastically remapping their razored hardwar…
Antipodean Anomalies 2
*2024 stock* Antipodean Anomalies 2 is Left Ear Records most ambitious project to date, a compilation that took over 4 years to license and includes 17 artists across a double LP. AA2 picks up where the first iteration left off, with co-compilers Chris Bonato & Bridget Small continuing to dig through the music of the geographically isolating and maverick landscapes of Australia & New Zealand. As with the first iteration, Left Ear continues to excavate the music from these vast micro-scenes that …
Child Of God
*2024 stock. 220 copies limited edition*
mastered by grant richardsonart by strange creature collages
additional assistance from the vomit arsonist on the track"In The Spring Or Warmer Weather When The Snow Thaws In The Woods The Tracks Of Winter Reappear On Slender Pedestals And The Snow Reveals In Palimpsest Old Buried Wanderings, Struggles, Scenes Of Death"
dedicated to cormac mccarthy
Atlantic Mavericks: A Decade of Experimental Music in Portugal (82-93)
The first compilation diving deep into the Portuguese experimental scene from 80-90s on a double LP special edition. Iconic figures such as Telectu, Luís Cilia, Nuno Rebelo or Carlos Maria Trindade are featured on the compilation which comes with extensive liner notes. Unveiling an unheard scene: Glossy Mistakes presents "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" Glossy Mistakes is proud to announce the upcoming release of "Atlantic Mavericks: a Decade of Experime…
phase/transitions
Triple Point is an improvising trio whose core instrumentation is soprano saxophone, greis/electronics and V-accordion. The name refers to the point of equilibrium on a phase plot, which acts as metaphor for our improvisational dialogue. Their musical interaction is centered around an interplay between acoustics, physically-modeled acoustics (v-accordion) and electronics. Van Nort captures the sound of the other performers on-the-fly, either transforming these in the moment to create blended tex…
Ways Of The Voice
Rezas Populares do Brasil, Anamak, Amkéa and Annazone, are vocal works. All the sounds on this disc originate with the Brazilian singer Anna Maria Kieffer. Two works, Anamak and Amkéa, have an "orchestral accompaniment", composed of tropical bird songs. Making use of elements of electroacoustic music and sound poetry, the music expresses wonder at Brazil's tropical beauty and, ultimately, an intense love of the abstraction of words and musical forms.
Quartet For The End Of Space
This recording consists of 8 electro-acoustic compositions - 2 pieces by each of the 4 composers. The works span a vast sonic terrain, challenging listener and performer alike through a seamless blend of Deep Listening and Absolute Noise, moving between ever-fluid improvisation and carefully controlled sound manipulation. The quartet convened for two improvisational sessions between February and May of 2010, with López sitting in on a Triple Point (Oliveros/Van Nort/Braasch) recording session an…
Rounded With A Sleep
Electroacoustic music. Active in electronic composition since 1971, Noah Creshevsky delights in presenting extreme and unpredictable juxtapositions in which the integration of electronic and acoustic sources and processes creates virtual "superperformers" by using the sounds of traditional instruments pushed past human capacities. Creshevsky uses the term Hyperrealism to describe his electroacoustic language constructed from found sounds, handled in ways that are exaggerated or intense. Creshevs…
Early Works
Italian composer Lorenzo Senni unleashes his first album on the world, and it's a minor masterpiece in ear-searing digital manipulation and exuberant sound design. There's something very much reminiscent of the golden age of Mego about all this, and in addition to the more commonplace Fennesz influences evident on 'pool5' and the like, you'll hear wild and inventive takes on the sort of material explored by Pita, General Magic and Farmers Manual. 'spckrft' is a vicious piece of sonic demolition,…
Music for Septal Cartilage
*30 copies limited edition* Two pieces for modular synthesizer and a deviated nasal septum. Recorded and mastered by Velleity. Black 2-sided HQ lathe cuts in full-color printed sleeves with inner sleeves.
Yeschemkarogh
*20 copies limited edition* New ultragreen transparent tapes with two-sided j-card. Produced and released on tape by Nazlo International, unstopable and unlimited. Recorded in Armenia, designed in Serbia, printed in Georgia, dubbed in Berlin and assembled in Paris.
Master of Salt
*22 copies limited edition* blue tape in blue case with 2-sided j-card.
Venice
The 20th anniversary re-issue of Fennesz's best-selling 'Venice', originally released in 2004, is now available as a deluxe version remastered by Denis Blackham, with new and extra tracks not on the previous CD or vinyl versions. Included in the DVD-format edition is a booklet with texts by Fennesz himself, Denis Blackham & Jon Wozencroft, with unseen photographs from the original 2004 sessions. The booklet also reproduces David Sylvian's original handwritten lyrics for 'Transit'. This "stunning…
Ministry of Excess
Obscene data and expressive concepts: while being sober all the time, Kashual Plastik launches the “Ministry of excess”. A 21-track strong tape compilation of unrestricted musical memoirs, created by individuals with no memory. Transportive noise, catching sounds from all hums. Experimental sculptures, fractured in research. Hunting the sub-consciousness of things. Instinct acting from an inner necessity. Making familiar objects be as if they were not familiar - and vice versa. On the bill KP ac…
Cosmic Gem Pt. 2&3 / Les 3 Cœurs
Psychedelic split tape by Weird Dust and Bear Bones, Lay Low.
Frequencies For Leaving Earth Vol.2
Kevin Richard Martin(The Bug/King Midas Sound/ Zonal), today launches his own digital label, Intercranial Recordings, with the simultaneous, twin release of ‘Frequencies for Leaving Earth Vol.1’ and ‘Frequencies for Leaving Earth Vol.2’. Both volumes were composed, mixed and produced during the lockdown period. Kevin spent this surreal, intense time, rebuilding his studio and retreating into these alternate sonic realities… Volume 1 is epically slow. Three graceful tracks that are as beautiful …
Heimito Künst
Synthesizers, field recordings, magnetic tapes together with percussion, various microphones and stringed instruments fill the listening of this musical elegy. In his debut album Heimito Künst takes us inside kaleidoscopic sound visions in which, between references to the darkest and most disturbing kraut sound and experimental sequence plans based on noise polyrhythms, he makes us glimpse wave structures that lead us directly to breathe the author's panic dust . The album was recorded live with…
Textuur 1
*200 copies limited edition* "This album is part 1 in a series where I investigate processes with which to strip sounds from their original context and slice them into tiny bits. By doing this, sounds are separated from their source and as such severed from what they originally represented. What’s interesting and challenging for me in this project is to find the crossover area where representation disappears, and the sound becomes an abstraction. The moment when this happens varies depending on …