Reflex
"Reflex" is Gábor Lázár's debut album on Raster. His new album is a collection of seven tracks, featuring an extended sound palette of percussions and synthesizers drawing our attention towards the essential soundscapes of techno while maintaining his distinct, uncompromising and meticulously detailed style. While the tracks do not follow traditional narratives, the album has an evolution: it gently builds up from challenging, unpredictable, and organically composed structures to linear yet play…
III-II
Through the course of time, DSR Lines (David Edren) never loses his intimate and profound connection to the universe of modular synths. These recordings made during 2014 in a residence at the Cem/Worm studio in Rotterdam, represent a further magical compendium of his Organic Electronic Music. In particular, here he draws from his expressive arsenal the cosmic and galactic potential of the Arp 2500, which happily floating throughout. A rigorous magician of vaporous, oscillating patterns, sidereal…
Oxide Manifesto
"Oxide Manifesto is intended as an audio sketchbook, which explores a particular method of creating music. It aims to link obsolete machines and experimental composition. In recording it, I embraced as many techniques of working with magnetic tape as possible. I gave myself the freedom to lean into the perceived flaws of tape as a recording format. Often we hear ‘it’s not about the equipment’. But on this album the equipment is in equal focus to the music. Wow, flutter, wonky pitch, abrupt edits…
Only Good Dreams For Me
On “Love2,” the second track on Zaumne’s 'Only Good Dreams For Me', Natalia Panzer’s voice emerges from a hazy smear of a pop-song chorus: “I am touching the cold window,” she intones. “I am touching the spinning walls. It’s a way to remember what’s mine is yours, and back again.” 'Only Good Dreams For Me', Zaumne’s first release with Warm Winters Ltd., embraces such direct contact as it cycles through states, from dread to hope. The heavy air that lingered on Zaumne’s previous releases, like hu…
Disconnect
Twin heavyweights Kevin Richard Martin (The Bug) and Joseph Kamaru (KMRU) unite for Disconnect, a powerful study of dread, hope, and profound sonics that marries depth-trawling dub with Kamaru’s voice, ambient sensibilities, and negative space. Kevin Martin first became aware of Kenyan ambient musician KMRU “watching the short 2020 documentary Under The Bridge,” he tells us. “Which, aside from immediately finding Joseph's approach to sound and music so instantly impressive, I also found his spok…
Sumer Is Icumen In
Orchestrating vivid rites of polished futures.
We Could For Hours
2008 release ** 199 copies limited edition. Original 2007 CD copies repackaged in a new cover. The old A Silent Place warehouse was flooded by water, so a big amount of goods has been destroyed, in particular the original covers and all printed matters. Few original CD copies were saved and now found, so a new edition has been released. Packaged in a new redesigned cover. "We Could For Hours is instability. It represents the will to open the gates of unknown. It is the dark, whispered sounds and…
Ploutonion
*150 copies limited edition* "One to Many, Brightness to Darkness, Memory to Oblivion.Pluton Helios or Apollo Helios? When Massimo Pupillo and ILIOS visited the ancient site of Eleusis, Greece in 2019, Ploutonion (the entrance to the underworld) was their final destination. Recordings of the Ploutonion project started right after and were heavily inspired from the juxtaposition of the ancient and current state of things. The entrance to the underworld does not produce any poisonous emissions any…
Abduction Of Mind
Originally released in 1990 and taken from the second and third DSIP recording sessions. Surreal industrial vignettes built upon blown-out loops and electronic delirium, dated by its technology to the late 1980s yet bearing a striking resemblance to present-day plunderphonics.
Two different editions of AOM were published simultaneously by IRRE Tapes (Germany) and Audiofile Tapes (US), which included separate / unique mixes of the final track on the cassette "Chorion-Biopsie". Both mixes of the t…
Nati Infiniti
Following up on 2021’s Scuro Chiaro, Nati Infiniti is a 40-minute piece split into five movements, based on an immersive audio installation that Cortini originally created for the Sónar Lisboa festival in 2022 where it was presented across four floors of the Museu de Lisboa’s Moagem. Cortini later debuted the live performance at Berlin’s Atonal festival in 2023, reimagining the work as a unique, evolving dialogue. The record is mixed by Grammy nominated recording engineer, producer, and mixer Ma…
Trouvé Perdu
*100 copies limited edition* For his 4th solo album, Gilles Poizat continues his highly personal musical adventures, finding a fertile partner in interactive electronics. Twists, bounces, suspensions, random rhythms, multiple modulations. The sounds he plays come back transformed into a mutant orchestra, pulsing and chaotising his floating songs and stimulating his improvisations.
Collage / Décollage
80 copies limited edition Recorded, cut, reassembled and mixed in 2023/2024 by Guilhem All. 3 tampered electrophones + sound effects, rhythms and layers recorded on vinyl. Software collages.
Karaokult
*80 copies limited edition* The Karaokult sect organises karaoke ceremonies where disciples speak into microphones in a new language, that of dreams, the cosmos and confusion.
Diagenesis
*CD Version* Russell Burden (Being) is a sound and visual artist living on the south coast of the UK. His practice develops work that explores qualities of ambient perception, most often through the lens of hydrological, geological or biological processes. He has delivered gallery exhibits in various mediums including live cymatic feed, and dark space installation. Russell was also a member of The Humble Bee & Players and last year as artist in residence for a site specific project produced a se…
Objects In Mirrors Are Closer Than They Appear
Dark Entries calls on Philadelphia experimental duo The Ghostwriters to resurrect their 1981 LP of minimalist mayhem, Objects In Mirrors Are Closer Than They Appear. The late Buchla maestro Charles Cohen and multi-instrumentalist Jeff Cain joined up in 1971 to craft electroacoustic chaos as Anomali, later renaming themselves The Ghostwriters. Their collaborations with choreographers and visual media artists led to their singular style, straddling improvisation and composition, the oneiric and th…
Finomehanika
Tip! An essential repress of the monumental 2020 album. Finomehanika was Rijeka-based Robert Merlak's first solo release in two decades since "Albumski" on pioneering avant-garde techno label Phthalo which put him on the map next to fellow artists as diverse as Dntel, Daedelus and James 'V/Vm' Kirby.
Merging piano and field recordings, Merlak moves between musique concrete, ambient, and neo classical, crafting great layers of depth and ambience combining the frayed melancholia of Vladislav Delay…
Ōki-sa
*100 copies limited edition* Jason Kolàr (Stroom) returns to Dauw on this collaboration with Japanese musician Fumitake Tamura (Leaving Records). 'Ōki-sa' documents the duo's encounters during Kolàr's Japan tour in September 2023. Fumitake Tamura and Jason Kolàr met in Tokyo during Kolàr’s Japanese tour in September 2023. Sharing a mutual admiration for their previous works, they decided to meet at Soundbar Patrol in Sangenjaya for a series of improvisational sessions.
The album contains a chro…
Àlááfíà
Honour’s debut album is a ligament stretching from Lagos to London and to New York, curling across the diaspora and brushing the darker hues of blues, hip-hop, free jazz, ambient, gospel with Christian mythology and Yoruba folklore. As cinematic as it is painterly, Àlàáfíà is a meditation on themes of life, death and love that pulls inspiration from the poetic profundity of God, remembered dreams, unexpected casual conversations, field recordings, literature, ephemera, and personal archives. The…
No Sound In Space
Blake Lee has always been fascinated by the unknown, and space, in its isolating, mysterious vastness, embodies this theme immaculately. The open void, captured so memorably by Stanley Kubrick in '2001: A Space Odyssey', is Blake's far-reaching canvas on 'No Sound In Space', a cinematic meditation on the cosmos that's painted in nuanced, emotionally sincere colors. The Los Angeles-based composer has been contemplating his full-length debut since 2021, using his guitar as a sonic paintbrush rathe…
Unmapping The Distance Keeps Getting Closer
12k is very happy to help usher in the return of Ezekiel Honig, a New York City-based artist and founder of both the Anticipate Recordings and Microcosm labels, which have released music from Sawako, Nicola Ratti and Mark Templeton, among others, throughout the 2000s.
Honig returns with Unmapping the Distance Keeps Getting Closer, an album of very stark, and often dark and vulnerable music. Honig describes the work in the context of the feeling of listening while walking through the city, and th…