Reaching The Lines
"Side A : percussive like an ongoing emergency. Side B : electrifying, from after the recomposition. A heavy atmosphere, a combative start. A fiery physicality emerges from each piece. Ripit progresses through a cluttered sky. Rough, thick raw material, a ceiling with pale lights passes at breakneck speed. A space roaring with sirens screaming. We are making good progress in the meanders of a troubled psyche, in the spiral of a bubbling world. Finally, the rhythms are reassuring; the noises and …
A Bright Sun Shining Down Through All The Opaque & Toxic Layers Of The Underground
Tip! "With « A Bright Sun Shining Down Through All The Opaque & Toxic Layers Of The Underground », Tzii attempts a breakthrough in opacity. Close to emotional ambient, sometimes with slight touches of medieval trad («muxu» means kisses in Basque) and close to raw and mineral materials, Tzii rubs on airy atmospheres, in warm colors, looking for an altered state, almost gaseous. Muffled harmonies, melodious drone, reverb melodies, modulated distorted voices from elsewhere sounding like liberating …
Contrary Motion
Tip! A collaboration between Steven Stapleton (Nurse with Wound) and Robin Rimbaud (Scanner), exploring the darkest regions of the airwaves and live electronics. It's an ominous trip into radio waves, processed voices, electronics, squeaky guitars and a mysterious labyrinth of echoing sonic disturbances.
Blue Telepathy
Lettera 22 is a project of Riccardo Mazza and Matteo Castro, hailing from northeast Italy, a region riddled by ravines and sleepy villages. For Blue Telepathy they edited concrete sounds, field recordings, analog instruments and tape manipulations into 4 textured compositions, drenched in tape hiss and interrupted by waves of distorted electronics. At the peak of their powers, the duo created a true sense of space and a hauntingly sensorial, immersive shadow world, where ghosts seem to come aliv…
Brutalism Live At St. Gertrud
Following on from our audio visual experiences in St. Gertrud’s church in cologne, this album contains eight excerpts from live sets, specially produced for the unique space of the building designed by Gottfried Böhm, in an attempt to capture its architecture and sound. Since 2015, our goal has been to establish a format at the interface between pop and club culture, as well as "academic" electronic music, in which media art, visuals, sound installations and dance performances play a central rol…
Universe People
There isn’t much known about Crystal Voyager & UFOm, the two musicians that created “Universe People.” We do know that it’s an album of deep ambience and weirdo sonic exploration; simultaneously harnessing lulling sounds and celestial vibrations alongside more visceral sonic encounters that exist somewhere else entirely. As previously reported from last year’s “Aliens Are Real” by UFOm, the artist has ties to a low-profile religious organization which necessitates their secrecy. Thankfully, we d…
Amethyst: New Sounds From Moon Glyph Records
Moon Glyph is pleased to present a compilation of new, unreleased tunes from established veterans of the label and newcomers alike. Staying true to Moon Glyph’s transportive aesthetic, “Amethyst” spans across abstract genres from ambient, psychedelia, jazz, electronic, fourth world percussion and more. Across its 17 tracks, you’ll hear Cole Pulice’s hypnotic overlapping saxophones, Vic Bang’s intricate arrangements of micro samples, IE’s patient desert landscapes and Starbirthed’s shimmering cel…
Emerald: New Sounds From Moon Glyph Records
Moon Glyph is thrilled to share “Emerald”, a new collection of unreleased works from both established artists and newcomers to the label. True to the label’s transportive aesthetic, the collection spans the sonic landscapes of ambient, jazz, experimental, electronic, psychedelia, minimalism and more.
Over the course of 13 tracks, the compilation weaves together sounds like Anagrams’ delicate interplay of guitar and saxophone, Oval Angle’s plucky, playful electronics and Lia Kohl’s improvisationa…
Banderlogos
*2025 stock. 30 copies limited edition* Split 7" from two legends of experimental music, super-hq lathe cut with shaped labels, printed fold-over cover, inner and outer sleeve, hand-numbered on the inside.
Jisei Shinju Jigai
*2025 stock. 40 copies limited edition* Constructed by Alexander Lebedev-Frontov in 97-00, released by Nazlo Records in 2019-2020 on 7" square two-sided picture lathe-cut records artwork by ALF / everyday harassment productions track names stand for 辞世, 心中 and 自害, different japanese terms for death and suicide
Memories From Before Being Born
1999 release ** "Two empty tape-recorders, one connected to the other, no sound if not the distortion produced by the tape-recorders themselves in play/rec. On this recording of Nothing the modulations of vintage analogic effects: emptied frequencies, prenatal sounds without any sonic grain, audio for a flat electroencephalogram. The selection of the technical set-up through which sounds are produced is part of the N. (Nihilism, No, Not, Never...) aesthetics: THE PROCESS IS THE POETICS in "Memor…
Alterity
1999 release ** "Somewhere between Autechre and Haujobb lies Xingu Hill. If there were an industry award for sleeper of the year, Xingu Hill might just win with this delicious silicon tote of complicated electonic structures. With a scattered discography of scarce releases, Belgium native John Sellekaers manages to protrude from the woodwork on the increasingly notable Ant-Zen sublabel Hymen, for this beautifully composed 50 minute daydream. Packaged in a canvas wrap of exquisite artwar courtesy…
The Wondrous Journey Through The Catacombs Of Life
2009 release ** "The Wondrous Journey Through the Catacombs of Life is the second album of Musterion, following the highly acclaimed debut album The Black Lodge (2005), built upon complex and obscure composition techniques and musical innovation, and it drags the listener on a brilliantly imaginative and frightening journey that combines elements of dark ambient, surrealism, absurdity, Holyism with the help advanced structural and theoretical considerations in terms of the composition.Linking to…
Guitar Granulizer
2004 release ** "53 minutes, 50 tracks. 50 improvisations on electric guitar's samples, one minute each, with no cuts, overdubs, sequencing etc. Artur Nowak: guitar, computer. Recorded January-March 2003 in Katowice. Play in random order. Cover art by The Tag Artist, a Reaktor instrument designed by Chris List. Intended to push the envelope of computer music towards unconstrained expression of free improvisation. Liquid soundscapes of gentle, ambient drones, impossible solos and layers of melodi…
Monolake
2005 release ** "The nearly seventy-minute live recording documents the ambient collaboration of Origami Galaktika with the Berlin project I:Wound and a lesser-known Norwegian, calling himself Inderst Elia. The basis of the sound skeleton is made up of psychoactive drones, which are then supplemented by a wide range of differently modulated rhythmic sequences and especially the most diverse field-recordings - human voices, the noise of city streets, sounds from nature, but also the growl of car …
1982-1985
2025 stock This compilation was originally released as a 12 inch vinyl album on Berlin-based label MauerStadtMusik (MM018) in 2019 and features some of Len Liggins's earliest recordings. In the early 1980s Len lived in Leeds, in Margaret Thatcher’s Britain. At the time, he couldn’t find a job, so he bought a very simple drum machine and a cheap electric guitar and started to write songs. He then borrowed a friend's Electronic Dream Plant ‘WASP’ synthesizer, a bass guitar that was allegedly playe…
Florine
2025 stock Self-released by Julianna Barwick second EP from 2009. Composed using a loop station and pedals to create minimalist repetition accompanied by layers of vocals and synthesizers.
No Pussyfooting
2025 stock Japanese Edition . Fripp & Eno's timeless electronic music classic No Pussyfooting on vinyl for the first time in nearly 30 years. The album's return to the 12" format is cut from masters approved by the artists, manufactured on 200g super-heavyweight vinyl and presented in a re-worked version of the original gatefold sleeve, using variant photos from the original photo shoot by Willie Christie.On September 8th 1972, Robert Fripp brought his guitar and pedal board to Brian Eno's home …