Traveller
**250 copies** Love All Day follows up last year’s Planetary Peace reissue with Warren Sampson’s little-known ambient masterpiece 'Traveller'. Hailing from Minnesota and inspired by the early work of Brian Eno and Jon Hassell, Sampson infused their compositional modes with a self-effacing and distinctly Upper Midwest approach that is equal parts isolated and expansive. 'Traveller' was recorded in a bedroom closet studio on a four-track TEAC reel-to-reel between the late 1970s through the mid 198…
Turn On, Tune In
Charming first instalment in a series of compilations exploring the ambient sound and vision of Melbourne, Australia’s Lullabies For Insomniacs radio show-turned-label: containing sweet treats in Georgia’s lilting polyrhythmic daydream, Mist ∞ Skat, and the avant-classical elegance of The Magic Carpathians’ Thalassa.
Water Messages On Desert Sand
The extraordinary 1987 debut album from the Italian legendary duo. Water Messages on Desert Sand was the very first sound creation from the Italian avantgarde duo of Roberto Musci and Giovanni Venosta. A classic work in the genre, released by Chris Cutler's Recommended Records in 1987. Back in the mid Eighties, Musci & Venosta, both on sampler, synthesizer, guitar, piano, effects and tapes were masters in overlaying and constructing rhythmic and harmonic pictures of transparent sound from electr…
Aeolyca
Standing beyond the realms of category and classification, Pier Luigi Andreoni and Francesco Paladino’s Aeolyca, initially released as a limited cassette in 1989, is an artifact which perfectly illustrates the openness and creative ambition displayed by Italy’s avant-garde music community during the 1980’s. While may of their cousins in other country’s flirted with institutional recognition and fame, Italian artists pushed toward the outer reaches, plumbing unknown depths, tragically remaining i…
Il Cavaliere Azzurro
Limited clear vinyl, edition of 100. One of the many characteristics of Italian avant-garde theatre, from the seventies through the eighties, was the overlap of acting with the physicality of movement - reality with fiction and the stage with real life; it was a new poetic language for a multimedia representation. In this new language, the music composed for the stage was an active part of the performances, and the soundtrack from 1985’s “Il Cavaliere Azzurro” is one of its most significant exam…