Spiraling Synthesizers For Heavy Cosmic Music
Cosmic synth music on Delodio, channeling the spirts of John Carpenter, Manuel Göttsching and Daniel Baldeli. Crystal clear vinyl, small batch of 500 copies vinyl only,
Delodio label's managing duo ( Fafane and F.M ), have been piling up tonnes of tapes and cassettes in their studio for many years. The tracks compiled here, by an as of now unidentified artist, come from one of these cassettes. One thing is certain, the artist who made this instrumental cosmic music loved / loves soaring synthesi…
Pain Is All I Have For You
An infected journey through humid vine like enclosures and vicious leaf blades with a tangy serrated edge where one might observe a little too closely the multi-colored wandering spiders over oaks hanging and sucking the sharp edges of the razor, a sudden shine of reflected alumni light could perhaps enter the cornea and a dangerously precise interval pre-empting the reflex to shut your eyes. At last, crawling on hands and stone along a rocky and unstable footing - the enormous shale mouth opens…
Jordanian Descent
A cult was built around these this truly ominous original tape with slowed down mega-apocalyptic drone drum contemplations. Despite being created over a decade ago for limited double cassette and then compiled on ‘it stands to conceal’ this is long form esoteric cold industrial perfectly suitable for our accelerating global amnesia. Fully remastered version.
The Snow EP
Transmigration celebrates the 20th release milestone with a repress of Coil's The Snow EP. Released as a promotional single for the 1991 album Love's Secret Domain, it marks the influential groups closest brush with the dance floor. Featuring a set of remixes from Peter Christopherson, Jack Dangers and an early collaboration with Drew McDowall prior to joining the group.
Licensed by Danny Hyde and remastered by ManMade mastering.
Moving
*100 copies limited edition* There’s a raw hypnotic quality in Jerome’s output, a perceived facility to summon heavy bass, circular mantras and elastic shadowy beats. Over the last three years they have refined and cultivated their unique dystopian mixture of industrial, techno and dark electronics and their new EP ‘Moving’ is a fascinating snapshot of their ever-changing journey.
Based in Bristol, UK and Athens, Greece the Italian/Swedish/Greek duo of Annalisa Iembo and Stella Mathioudakis have…
Shadows Of Death And Desire
*2022 stock* Now-legendary producer, DJ, and art director Juan Mendez arguably reset techno at least twice. Once with his surreal and Europe-by-way-of-LA '80s apocalypse culture aesthetics for Sandwell District, and again--as Silent Servant--with his “Jealous God" imprint that captured the youth-driven mutation of crossover electronics and dark parties churning in the American underground, which followed directly in the wake of his game-changing modern classic, Negative Fascination.
Mendez has e…
Pleasures That Kill
A key component of the 1990s Birmingham techno sound, and co-founder of the downwards label, Female's music is as important for everything it doesn't tell you as it is for the pummeling rhythms it forces you to engage with. One of the few remaining examples of an artist with a palpable sense of mystique, female conjures a world that evokes film noir, or even something out of a Burroughs story. The language of this music will be familiar to those who listen to "dance music", but the bare building…
Satan Im Sattel
Skulking hardware cranks from Hamburg’s Fallbeil duo, cooking up 90 minutes of K-holing, atonal digital noise recursion on tape along with two slices of grot on vinyl, especially for Nina’s V I S label down by the docks in Hamburg. After first appearing on Helena Hauff’s Return To Disorder label with Ultima Ratio in 2016, and turns for Boidae, Hafenschlamm and Mannequin in the meantime, the Fallbeil duo have made no concession to higher fidelities and remain resolutely grubby and visceral on all…
Post Self
Post Self is simultaneously inventive and classic Godflesh. The blue and icy atmosphere of Post Self can reach levels touched on in the happenings of early '90s Norway innovations. From the opening track, it's clear that the vocal performance is Justin Broadrick's best in ages, utilizing new approaches ranging from higher tortured screams to truly brutal and barbaric low roars not heard since Streetcleaner (1989). Within those extremes, mystically effected vocals coming from an industrial …