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Electronic /

Orientering I Denna Värld
2012 release ** "Back to basic industrial noise carnage from Matthias Andersson (more known as one half of the chaotic harsh noise duo Heinz Hopf). Recorded in Gothenburg between September 2011 and January 2012 in the aftermath of the Utmarken years, Orientering I Denna Värld is a final closure to the concept initiated on the Öppna Vattendrag (Posh Isolation) and Förändringens Frö (Järtecknet) releases. Gritty, failing electronics, repetitive loops and processed fieldrecordings from the construc…
Slaughter In A Tiny Place
2CD version, including two CD bonus tracks. Pseudocode was a Belgian electronic improvised music band, active from 1980 to 1982, featuring Xavier S (Thrills), Guy-Marc Hinant (Sub Rosa co-founder) and Alain Neffe (Insane Music, Bene Geserit). While Xavier S contributed most of the lyrics and vocals, it was Guy-Marc Hinant who often played the core melody on his Pianet electric piano. Neffe's contributions are particularly noteworthy throughout, as he weaves together the bulk of the sonic clo…
Xerxes
New album by Brume (Christian Renou), who is a prolific French musique concrete composer/sound organizer who has been releasing CDs and cassettes worldwide. Renou is remarkable because he engages in elaborate concrete compositions without the academic pretension that surrounds much of the work in this style. More info later. Xerxes was the King of Persia in 500 B.C. and could be considered today as a symbol of « blitzkrieg ». His aggressive instincts allowed him to defeat the Greek army in a qui…
Landform Erosion
Landform Erosion finds producer duo Fujako - Jonathan Uliel Saldanha (aka HHY) and Nicolas Esterle (aka Ripit) - returning to the seismic terrain of their 2009 debut Landform and subjecting it to a slow, deliberate collapse. Where the original album carved out a singular zone of “unlooped hip hop and telluric dub from the geological strata,” this companion piece treats those tracks as unstable rock faces to be cracked, dissolved and reassembled. What emerges is less a remix record than a process…
Ludium
2009 release ** "A long and almost solemn track built with reverberated piano notes, a slow and rhythmical flow leaned on a background made of clashing hisses and vague, distant, rustling ambient noises. A brief interval based on obscure drones moving in circles, inexorably entangled on themselves. Then another long piano-based track, this time more dilated, confused, ethereal and prim, so much that it takes the distinguishing features of an indecipherable sonic mass, abstract and booming, estra…
Oidiconeg
2012 release ** Decomposed between the 1981 and the 1982. Originally titled Genocidio 20 and self-released on cassette in the 1980s.
Death Magazine 52
Between 1982 and 1984 Death Magazine 52 played around 20 shows mostly within the Black Country region of the U.K. Sometimes they played under the name Spontaneous Human Combustion which was the moniker they originally started out with. These recordings capture the core group and its floating membership at various stages of their existence. Recordings from the studio sessions and live sets, including playing to a school hall full of teenage girls at 3pm one afternoon, and as the final band to pla…
Vir-Uz
2012 release ** The legendary M.B. / Maurizio Bianchi and the vulcanic Andrea Ics Ferraris team up for a special collaboration titled Vir-Uz. Their symbiosis has generated deep and intimate tracks around the biblical figure of Job, as you can read inside CD’s notes: “A salutary protagonist existed in proved real life with his disorientating trials at the lewd hands of Satan, his captious discussion with false friends on the origin and nature of his terrifying accidents, and finally a wise respon…
California Babylon
* LP version with insert * "California Babylon is a far more sparse and caustic offering than Factrix's debut, Scheintot, documenting their live collaboration with notorious artist Monte Cazazza, who along with recording for Throbbing Gristle's Industrial label also coined its 'Industrial Music for Industrial People' motto. Originally released on the seminal Subterranean Records in 1982, California Babylon remains one of the best collections of violent guitar and primitive machine-noise resonanc…
Realite De L'Automation Directe
Superb re-issue of 2nd cassette release from 1983! The true futuristic/bruitistic industrial machine sound from this French master! Comes in "heavy duty" oversized deluxe cover, lim./numb. 500 on black 200gr. vinyl. "Bruitism is the representation of a living, biological body, not unrelated but on the contrary intimate to the substance. The nature/technique gap is totally, in The Art of Noises, the most accomplished form of a reconciliation with industrial mechanization. By highlighting the a…
Decimus 9
Lucky restock, very last copies! *300 copies limited release* Seventh in a on-going series of twelve electronic meditations on the zodiac of Decimus Magnus Ausonius (310-395) as played by Pat Murano of No Neck Blues Band, K Salvatore, Malkuth and Key of Shame.This one is for sure the creepiest and most disturbing chapter of the series so far, with swathes of electronics melting with the highest tones of misterious lullabies from somewhere far away, keeping the listeners ear firmly at ground leve…
Decimus 4
Solo project by member of the Decimus 4 is a hypnotic journey into analog electronics, where Decimus (Pat Murano, No-Neck Blues Band) channels ritual drones and psychedelic abstraction, echoing the spirit of Coil and early Tangerine Dream.
Decimus 8
Decimus 8 is a dark, ritualistic journey crafted by Decimus (Pat Murano, No-Neck Blues Band, Malkuth, K-Salvatore, Key of Shame), blending psychedelic electronics and esoteric symbolism in a limited edition LP dedicated to the zodiac of Decimus Magnus Ausonius.
Decimus 3
Decimus 3 is a dense, hypnotic journey through modular synthesis and ritual drone, with Decimus (Pat Murano) channeling the trance logic of Coil and the improvisational spirit of No-Neck Blues Band.
Apokalypsis XXIII
2011 release ** "In August 2010, Maurizio Bianchi officially announced his retirement from musical scene. "Apokalypsis XXIII" is his last ever electronic music album, recorded in Summer of 2010. All the latest albums appeared after that are in fact re-issues of older works or the collaborations with other artists using his sound sources. Like other solo albums of Maurizio Bianchi, "Apokalypsis XXIII" has religious roots and consists of four long tracks, each of those divided into further section…
Mureedil
Mureedil by Tonton Macoute is a lost classic of French experimental rock, blending hypnotic rhythms, spoken word, and avant-garde textures in the lineage of Heldon, Art Zoyd, and Lard Free.
Demonstro 1981-1986
Slices of Attrition's earliest existence. A Double-Lp with previously unreleased, rare and demo recordings from the earliest days on Third mind records and beyond. From the initial post punk line up to the early experiments with analogue electronics in the bands fledgling home studio. Rescued from forgotten cassette mixes and 4 track tapes, restored and remastered by Martin Bowes, including sleeve notes by Third Mind's Gary Levermore, unreleased photos and artwork and available for the fi…
Mectpyo / Blut
A cornerstone of Italian industrial music, Mectpyo / Blut by Maurizio Bianchi is a double album of bleak, medical-grade electronics, echoing the dystopian visions of Whitehouse, SPK, and NWW.
Psalmodiam
2007 release ** Limited edition of 199 hand numbered copies with unique paste-on covers plus 16-page A5 booklet. "Together with Museo Della Tortura (although the cover just says M.B. + M.D.T.) Maurizio Bianchi made seven tracks, 'psalmodian', which on the cover is explained as an 'experimental way how to interpret the psalms'. All pieces are about psalm 63, which is when King David was alone in the desert and God was still with him. This desolation is captured quite well in the music. Sometimes …
Genologic Technocide
2006 release ** "Aided by musician M.D.T. (aka the Museum of Torture), this time leaving Maurizio Bianchi concessions acoustic Antarctic Mosaic and MI Nheem Alysm (where an upright piano hammers for 10 minutes a tether claustrophobic) to resume the speech sound historical works as Symphony For A Genocide (grazed in the title) and Regel. If the departure (Departure) aligns with the hordes of former electronics student Merzbow, in pieces like Return or Arrival distortion is channeled into a world …