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The music on these CDs takes us into a new realm of music making, one that Alvin Lucier has defined for us and one that demands that we start to listen anew. His work has been more often described in terms of science than of art as if it were a series of quasi-scientific experiments, but to put the emphasis here is to miss the point, for its purpose is never “explanatory” (the goal of science) but, like all art, “revelatory.” This is not to suggest that the composer has some spiritual agenda in …
Irish composer Roger Doyle's first release on Die Stadt is his prize-winning work The Ninth Set, a 67 minute masterpiece in 5 parts. He was awarded the Magisterium Prize at this years's Bourges International Electro-acoustic Music Competition in France for parts 4 and 5. The award, which is one of the most important prizes in the world for electronic music, is open to composers having at least 25 years of professional experience in the field, and its objective is 'the promotion and diffusion of …
2005 release ** This new double CD compilation project departs by celebrating the seminal Gesang der Jünglinge by Karlheinz Stockhausen. 21 sound artists and composers share their views upon this piece and reflect its groundbreaking dimension, as for the first time in 1956 it fused electronic and acoustic sounds within a new idea of sonic and listening space. With: @c, Achim Wollscheid, Andre Gonçalves, Andrew Deutsch, Anna Homler, Anthony Pateras+Robin Fox, Asmus Tiechens, cmv Hausswolf, Dale L…
As "Sleep" begins there is a suggestion made, a hypnotic motion meant only to seduce the mind into the belief that Darren Tate and Colin Potter are intent on relaxing muscle and slowing brain activity to a crawl. The hum of electronics blows easily until random sounds—coughing, restlessness, twisting and turning—bolt through the still waters of the track. Slowly developing melodic themes, almost too distant to piece together, stretch from their slumber and begin a slow crawl through the lamp-lit…
In Opposition to Our Acceleration mostly consists of soft, atmospheric sound art pieces, as usual fusing electronics, computer treatments, and improvisation on amplified objects. The characteristic mood swings of Illusion of Safety are nowhere to be found on this CD. Things develop slowly, softly, luring the listener into a catatonic state, an "illusion of safety" that endures throughout the disc's 74 minutes. The album has been put together from various live recordings ranging from quartet perf…
Beautiful extended ambient work from Eliane Radigue, a composer known for her work with magnetic tape and Arp Synthesizer, and who studied under Pierre Schaeefer and Pierre Henry in the late 50's. Her compositions are often drone-like, impeccably crafted electronic sounds which seem to move in a continual flow around the listener. She has created many meditative works since the late 1970s, mostly based on Tibetan Buddhist subject matter.Jetsun Mila is inspired by the life of Milarepa, a great yo…
Originally released on Lovely Music in 1978 and now available on CD, this essential recording documents David Behrman's groundbreaking exploration of interactive computer-human improvisation—among the earliest works to establish real-time dialogue between musicians and microprocessor systems.
On the Other Ocean is an improvisation by Maggi Payne and Arthur Stidfole centered around six pitches which, when played, activate electronic pitch-sensing circuits connected to the "interrupt" line and inp…
As with many LINE releases, describing the hyperminimal microsounds of Bernhard Günter’s Monochrome Rust/ Differential is difficult like telling a sketch artist about the features of a ghost’s face seen from a distance – a long time ago – while you were drunk. Extremely vague yet undeniable! Two single-piece CDs are part of Günter’s “triptychon”, with Monochrome Rust (44:30) being the third piece (following Monochrome White and Polychrome w/Neon Nails). A digital degradation of Polychrome, the t…
Monumental reissue of Lucier's four-part investigation into acoustic interference. Musicians sustain tones against fixed sine waves, creating audible beat patterns that reveal the hidden architecture of sound itself