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2005 release ** "Justin Meyers of Devillock distinguishes himself from the mediocre masses with the release These Graves, or, if one combines the track titles, “The Blood From,” “These Graves,” “Weigh Forever,” “On Rotten Creatures”. To me, the mark of a good noise, experimental, or ambient disc is the ability to make me uncomfortable. To take me out of the daily comfortable reality and make me feel fear, dread, hate, melancholy – this is the reason I listen to noise. These Graves combines drone…
2008 release ** "Kotodama is another project of Manabu Hiramoto aka Shinkiro which has been exploring more experimental side with his unique sound collage technique. "Blackout" was recorded with Hiroshi Hashimoto and Shingo Sugiura of legendary Contagious Orgasm, released on SSSM 2008. Two unique Japanese bands, creative forces within the electronic music scene, each defining their own sound within a wide spectrum. From deep dark electro to noise, to dreamy and atmospheric soundscapes."
2009 release ** "from the outside space to the inner space. music that enters your deep psychology from the eardrum. processed field recordings & electro-acoustic sound art collages, a mixture of constituted delicately industrial and noisy ambient sounds. infected person increase!!"
2008 release ** Very active noisician / improviser since the 90s in Paris, JZ aka Zaraz Wam Zagram plays / played in many bands and is the core member of the free improv / noise ensemble Friponnes de Porc.
*2025 stock. 30 copies limited edition* Split 7" from two legends of experimental music, super-hq lathe cut with shaped labels, printed fold-over cover, inner and outer sleeve, hand-numbered on the inside.
*2025 stock. 40 copies limited edition* Constructed by Alexander Lebedev-Frontov in 97-00, released by Nazlo Records in 2019-2020 on 7" square two-sided picture lathe-cut records artwork by ALF / everyday harassment productions track names stand for 辞世, 心中 and 自害, different japanese terms for death and suicide
*24 copies limited edition* JCDecaux consists of Jaco Sette and Ethan Lambeau. Sophie Valera-Garcia (synth, whistles) contributed to tracks 2.7, 14.8, and 16.8.
1999 release ** "Two empty tape-recorders, one connected to the other, no sound if not the distortion produced by the tape-recorders themselves in play/rec. On this recording of Nothing the modulations of vintage analogic effects: emptied frequencies, prenatal sounds without any sonic grain, audio for a flat electroencephalogram. The selection of the technical set-up through which sounds are produced is part of the N. (Nihilism, No, Not, Never...) aesthetics: THE PROCESS IS THE POETICS in "Memor…
2007 release ** "There is a lot of apocalyptic in “I Cum Blood In The Think Tank”. Apocalyptic, but with class, as the Broken Flag groups knew how to be, Ramleh and Toll first and foremost. Desperate screams coming from the most hidden infernal ravines, slow and muddy progressions, almost sludge in some moments, dull and rough noise beyond any level of safety. However, Lietterschpich manage to work on synthesis, ferrying that sound towards the crowded shores of the new American noise. And the mi…
25th anniversary deluxe reissue of To Live and Shave in L.A.'s "The Wigmaker in Eighteenth- Century Williamsburg." in an expanded 4LP box set. The four LPs contain all 27 tracks from the original “Wigmaker” double CD remastered for vinyl, including complete lyrics, original liner notes & production credits, plus an entire LP side of unreleased songs from the original 1996 version of the album. The set also includes a 36-page perfect-bound book with never- before-seen photos, a critical appreciat…
2012 release ** Limited edition of 100 copies. "Venta Protesix hates music. He and his laptop are between the foremost representatives of the global scene of lolicon noise purism, a micro-terrorist genre born on the deepest reaches of last.fm shoutboxes, where mysterious 14-old Japanese schoolgirls praise chemical drug abuse, Konata-worship and black metal. Among his peculiar influences are 山内大輔 Daisuke Yamanouchi’s ero-guro movies, AV idols, hentai and the concept of fan service as an ontologic…
2007 release ** "Minamata is the noise side-project of the veteran French industrial project La Nomenklatur. Primarily active from the mid 80's to the early 90's with tape releases. Minimata's world is a toxic one of industrial wastewater and environmental decay, where the human howls struggle against tides of metal junk noise and sustained pollution. This re-issue of the project's third tape from 1985 comes with two estra tracks from compilations recorded at the same period and one unreleased 1…
2004 release ** "This is a compilation from the French label Mechanoise Labs and, as it says in the subtitle, it’s ‘an international gathering of extreme electronics’. These extreme electronics are often presented in a noise form, but it’s not only about that. Some of the tracks, by Cutman (from France), Control (from USA) and others, are like a harsher noisy side of (post)industrial. Sometimes there’s use of talking samples or the noise atmosphere is building up with voice shouting in Cutman’s …
2005 release ** "MAAAA's "Decay and Demoralization" comes at you with 6 tracks well over 60 minutes in length. This stuff is harsh and without a doubt the most extreme band coming out of Poland's underground today. Decay and Demoralization includes tons of power electronics and bizarre recordings that create an odd, otherworldly atmosphere stuck in a white noise frenzy. Banging metal, shrieking, dying, the cover of this album should say it all. These guys like to take the energy of punk rock and…
2007 release ** "Ben Zeen's music is a combination of an analog modular synthesizer, controlled by Theremin antennas and a ribbon controller, laptops as a source of deconstructed, destroyed, processed loops and samples of various origins and used simultaneously as an effects center for other, external sound sources, prepared instruments and field recordings. The laptops are equipped with numerous controllers - knobs, touch, light."
2008 release ** Limited edition of 100 copies. "Expanded in 1993 with members Peter Duimelinks and in 1995 Roel Meelkop, this trio explores the world of micro electro-acoustic music, playing on waste found on the streets and with a fine addition of field recordings."