We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
A conjuration between our favourite dreamweaver Spencer Clark and Italian psychic traveller Mondo Riviera, Lorenzo's Oil present an oracle of aural travelogues between seen and unseen worlds on 'Paperopolis'.
Two likeminded individuals on their distinct but complementary quest for the netherworld, Clark and Riviera's meeting of the minds projects sonic artefacts assembled from lucid dreaming keyboard pads, narcotic late night TV rhythms, spiralling sequences and mangled voices.
The 10+ minutes '…
Yukiko Shiina Sakurazawa and Kon Okuma’s DUO, distills collaboration to its most elemental form. Through piano, reeds, and silence, the album traces an unfolding conversation where each phrase is both response and provocation, moving between fragility, tension, and fleeting union.
Kaori Komura and Yutaka Hirose’s Diastrophism Dance, renders the Earth’s slow violence as sound. Combining environmental recordings, electronics, and acoustic fragments, it transforms geological tension into choreography—a meditation on tectonic movement, fragility, and endurance.
Takashi Masubuchi and Yosuke Morone’s Particles and Waves, drifts between gesture and suspension. With guitar, electronics, and tape fragments, the duo render vibration itself as material—each piece a study in how the smallest sonic particle can shape an immense aural field.
Shuta Hiraki and Shuma Ando’s idiorrythmie, examines the art of moving together apart. Through fractured beats, drone layers, and asymmetrical pauses, it turns musical structure into a study of parallel autonomy—two voices in orbit, touching only at unexpected points.
Shiori Sasaki’s 描奏をきく (Kiku (sense) the [drawing + sound]), transforms visual gesture into an audible world. Merging live drawing with acoustic improvisation, it invites the listener into a synesthetic space where ink lines and sonic textures share the same breath.
Patrick Quinn’s Sonifying the Sun: The Mass Emergence of Brood XIII and XIX Periodical Cicadas, blurs the boundary between scientific observation and ecstatic sound art. Using data sonification and field recordings, it shapes the cicadas’ cosmic rhythm into a resonant meditation on time, light, and collective life cycles.
Florian Kolb and Thanos Polymeneas-Liontiris’s otolith is a deep dive into the body’s hidden navigational systems. Translating sonic vibration into a study of balance and disorientation, it shifts between seismic lows and crystalline highs, mapping an aural terrain of tilt, sway, and sensory recalibration.
Lise Barkas and Jean-Baptiste Geoffroy’s Notions de Confort is a provocative dismantling of musical ease. Rooted in improvisation yet fractured by raw timbres and spatial instability, it turns comfort into an elusive mirage—challenging the listener to question habitual listening.
Bruno Duplant’s Rien de ça is a sparse and spectral meditation on presence through absence. Built from near-silences, fractured tones, and shifting aural shadows, it listens like an eroded diary—each sound a ghost of intent, each pause a deliberate, resonant void.
Atsuko Hatano and Joe Talia converge on Black Spur, translating improvisational dialogue into a landscape of flickering tonal mirages. The album bends cello, percussion, and electronics into dark, cinematic forms—meditative, unpredictable, and haunted by unresolved tension.
2025 stock No shortage of dune buggy up the canyon honey slide action here. The first tinges of sonic solvent action provide a loosened effect, but just as the tongue gets lazy, the swagger is spat gently from the tip as clarity bursts into the room with the urgency a hungry baby. Delicate without feeling soft. Brash without feeling harsh and at times Dimples swing fucking hard, like JJ and Leon without forcing it one bit. But if you don't like 'new music' this might not be your cuppa. Soul Chat…
Live At Fondazione Museo Pino Pascali sees Grischa Lichtenberger transfigure a forty-minute set into a tactile, visual, and kinetic experience. Industrial clangor, mechanical pulses, and fleeting ambience merge, sculpted with rigor. Issued by Hermit Records as a collector’s vinyl, it stands at the edge between noise, rhythm, and abstraction
Liz Harris's debut as Grouper returns—the album that established her approach to ambient music as something other than comfort. Songs that refuse to be remembered, fog that won't lift, secrets kept just on the other side of the speakers. Kranky reissues the 2005 original.
Marionette is proud to present Mélodies pour Clairons, the debut album by Ioa Beduneau, a multidisciplinary artist whose work bridges the worlds of electronic music, installation art, and social dialogue. Based in the South of France, Ioa's artistic practice is defined by hands-on creation—constructing intricate self-playing installations and handmade DIY electronics that challenge conventional modes of interaction. Proudly identifying as a disabled artist, Ioa brings a unique and vital perspect…
The pioneering electronic sounds of Daphne Oram reimagined by Taahliah, Cosey Fanni Tutti, Marta Salogni, Arushi Jain and others using tapes from Oram's archive. To mark the centenary of overlooked electronic pioneer Daphne Oram, Nonclassical - together with Oram Trust and Oram Awards - have commissioned new music by a set of contemporary visionary minority-gender electronic artists celebrating the next generation of trailblazers.
This group of artists span early-career to high-profile DJs and m…
*300 copies limited edition* "A meeting of minds across continents, 1972 unites two underground visionaries: Anla Courtis, the Argentine experimentalist known for his boundary-pushing work with Reynols, and Jussi Lehtisalo, the Finnish avant-rock architect behind Circle, Pharaoh Overlord, and Ektro Records. Their collaboration unfolds as an abstract, free-flowing dialogue — an exercise in sonic alchemy where the hypnotic collides with the microtonal. Born in Buenos Aires, Courtis has spent decad…
Light Sounds Dark proudly presents Construction of a Planet, a visionary sonic journey that challenges the boundaries of experimental sound and ambient exploration. Conceived as a transmission from otherworldly dimensions, this release unfolds like the blueprint of an imagined cosmos—layer by layer, texture by texture. Drawing upon an eclectic range of influences, Construction of a Planet is not merely an album—it is an immersive experience. Across its evolving structures, listeners are invited …
** Limited edition of 300 copies. Includes an insert, download code and a UE sticker. ** Ōgon Batto is an exercise in patience; indeed, a model of restraint in these trying times. Although a fixture of the Belgian underground for over a decade (as part of the Hare Akedod label and band, the latter with DSR Lines’ David Edren), Bent Von Bent has released just two albums thus far. A scroll through ‘Browse’ reveals a series of miniature compositions — bite-size psychedelic treats, a sequence of im…
*2025 stock* In their on-again-off-again career spanning 30+ years, Le Scrambled Debutante have produced some of the most, err... "difficult listening experiences" as well as some of the most ground-breaking and unique amalgams in music at large! Taking the notions that John Cage laid forth many moons ago and running amuck with them, the music of Le Scrambled Debutante is often rather humorous, yet conveys seriousness and sincerity in experimental music. 'ASSJISM' is no exception. Being provided…