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Experimental /

Top Ten: 2008-2018
Edition of 200. 550 pages, LP size. Top Ten: 2008-2018 is the second volume in James Hoff’s Top Ten series. In almost every issue since April 1998, Artforum has asked an individual from the art world to compile a top ten list of their favorite recent…
Top Ten: 1998-2008
Edition of 200. 440 pages, LP size. Top Ten: 1998–2008 is a new edition of the long-out-of-print publication by James Hoff. In almost every issue since April 1998, Artforum has asked an individual from the art world to compile a top ten list of their…
Engines Of Desire
Since the early 80s, Blackhumour has been stubbornly dedicated to an investigation of the cracks which exist in common speech practice and the vacancy of the signifier. Vocal event is mined for stochastic determinism and glottal smut. While affini…
The Early Immersive Music of Joan La Barbara
**Milestone recordings. Joan La Barbara's controlled experiments into the limits of the human voice took her beyond music** Joan La Barbara is one of great figures in the history of the American musical avant-garde – holding equal standing as an inno…
Rough Tongue
Beam Splitter (Audrey Chen and Henrik Munkeby Nørstebø) is a duo for amplified voice and trombone. Beam Splitter‘s debut album Rough Tongue on Corvo Records is one part, a timbral collage of carefully extracted sound material and in another, a lo…
Schulevy Maker
Holotype Editions was founded as a means of bringing out music by some of the most unique and peculiar artists of the last decades. What could be more fitting for the imprint’s seventh release, than the duo of cult artist Ghédalia Tazartès and multi-…
Pop Art
  Catherine Anahid Berberian (July 4, 1925 – March 6, 1983) was an American mezzo-soprano and composer based in Italy. She interpreted contemporary avant-garde music composed, among others, by Luciano Berio, Bruno Maderna, John Cage, Henri Pousseur, …
Live at White Cube
In collaboration between Christian Marclay and the London Sinfonietta, some of the world’s most renowned contemporary musicians have been invited to stage performances, including new compositions and live improvisation sessions inside the White Cu…
Tapesongs
Tapesongs (1977) is the second of two crucial Joan La Barbara reissues on Arc Light Editions, following Voice Is The Original Instrument (1976) (ALE 005LP, 2016). Joan La Barbara is a composer, performer, sound artist and actor, renowned for her uni…
Extended Voices
Omega Point had obtained the original tape recording of "Extended Voices" composed by Toshi Ichiyanagi (first released by Odyssey/Columbia in 1967 on the compilation of the same name, alongside other pieces for voice & electronics by Pauline Oliver…
Solo Concert 1980
This DVD presents a rare and powerful solo performance by one of the most important and original artists in the world. Recorded in 1980 at a studio on Long Island, Meredith is in full voice, relaxed and creatively inspired by a small audience of M…
Key
1995 release. Originally released in 1971. Key contains Meredith Monk's earliest compositions for voice. The songs that make up Key were composed and performed in a three year period between 1967 and 1970, when Monk collected them into this 45-minu…
Machine
Although Machine was completed in 1971 it was not released until 1973, shortly after the release of Journey Into Space. Machine is therefore the first major composition by Trevor Wishart. It was composed at York University and was originally issued o…
Adventura Anatomica
** longtime sold out at source, few copies restocked ** A fairy tale world comes to life in sublime fashion on Maja Ratkje’s latest collaboration Adventura Anatomica, a musical work for theatre she created with choreographer/danser Odd Johan Fritzøe …
Voice is the original instrument
Collection of Joan La Barbara early works and her first vocal compositions, originally released on LPs in the 1970s and early 1980s on her own Wizard Records. "One of my earliest pieces, "Hear What I Feel", was a self-exploratory, sensory-deprivation…
L'Ombra di Mezzogiorno
An extended voice album by Enomìsossab (or, vice versa, Simone Basso) suspended between rock and experimentation, between popular culture and avant-garde roots, to testify of a complex artistic personality and of a “physical” and “emotional” attitude…
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