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The title to this album from Tarab (nee Eamon Sprod) is striking enough in its allusions of damnation, with a watery grave a potential outcome from human activity impacting the earth. So, it may be stating the obvious that the corroded locations where mankind has scarred the surface of the earth feature prominently in the work of this Melbourne based sound artist. The residual elements of these sites become the agents for metaphor and allegory in Tarab's work, documented through field recording …
A schizoid-concrete opus of environmental sounds heightened, stimulated, decontextualized, and teased into a psychic puzzle of industrialized and post-industrialized detritus, I'm Lost marks another milestone in the ever impressive catalogue from Australian sound-artist Eamon Sprod, who adopts the moniker Tarab for his endeavors. The title is one that explodes with a multitude of meaning. There's the geographical frustration in losing one's way as the surrounding landmarks fail to match with wha…
Murmer is the pseudonym for Patrick McGinley, a man with several passports which have taken him to many a foreign land in search of found sounds of the unsettled, the forgotten, the mysterious, and the beautiful. His field recordings of activated environments (e.g. resonant industrial spaces, windswept telephone lines, bowed branches, gasping ventilator systems, etc.) originate from all of the locations where he has traveled; yet, the documentation of these sounds is not the terminus of McGinley…
**200 copies** Sedimental proudly brings you a remarkable new document from Pisaura, released for the Summer Solstice the 3rd week of June. Pisaura is Michael Pisaro-Liu and Zizia (Amber Wolfe+Jarrod Fowler). Asteraceae presents a hermetic world of shifting densities, dynamics, and spatialities that rewards endless listening as sequenced or on shuffle play.
The 72-minutes of Asteraceae were composed from field recordings of performances around Los Angeles during winter 2018-2019. Pisaura used as…
"During the period I worked the most on these, summer 2018, I was reading the Daoist Zhuangzi and some Stoics. That material is likely why this CD has to do with detachment and inaction, as well as unspecifiable emotions. The synthetic/concrete sound relationship seems post facto to engage with the above. Inside and outside interpenetrate and relate in tension – openness, suffering, trouvailles and surprises of sound and feeling. The composition involved many layers of mixes, seemingly to do wit…
**300 copies** "On the morning of January 20th, 2019, I was woken up especially early at 8am (that's early for me anyway) by the sound of freezing rain bouncing off my bedroom window. Rather than trying to go back to sleep I impulsively got up, put on some clothes, brought my two autoharps, a digital recorder, a plastic tote (to protect the recorder from the elements) and an old card table outside, I set the autoharps up on the table so the freezing rain would hit the strings, placed the recorde…
It's 2018 and it's time for some new discoveries into Mike Cooper's limitless exploration in his collection of guitars. The title itself, Tropical Gothic references Cooper's beloved areas of "the South" with a Gothic, dark, remote interplay... he explains: ''Tropical Gothic includes, but is by no means limited to, a reflection on a region where European colonial powers fought intensively against indigenous populations and against each other for control of land and resources.'' On each side, Mike…
A six-track album based almost entirely on samples (from Curtis Mayfield to John Carpenter). "The really striking thing, though, is the kinship between Pisaro’s approach here and his other music. Many of his previous compositions have taken simple, granular sounds as raw materials, building blocks to be arranged into larger constructions through a combination of the composer’s parameters and the performer’s choices. On this album’s sister work, Shades of Eternal Night, piano chords played by Rei…
Field Recordings from Syros, Greece and Southern California in 2015 and 2017. Piano performed by Reinier van Houdt, recorded in The Wild Beast, CalArts, June 2015Inside image by Michael Pisaro / Thanks to Keith Rowe.The sounds come and go against a backdrop of silence and stillness; the silences aren’t long but there’s a definite sense of a canvas only partially filled. Frequently, sounds are allowed to reverberate and decay into nothingness. It’s perhaps this quality that most communicates a se…
Chulki Hong, turntables, guitar, electronics. Will Guthrie, drums, percussion, electronics. Recorded by Taku Unami, Mullae Arts Village, Seoul, South Korea, 20-22 October 2016. Mixed and edited by Taku Unami.Will Guthrie is an Australian drummer/percussionist living in France. He works in many different settings of music: live performance, improvisation and studio composition using various combinations of drums, percussion, objects, junk, amplification and electronics. Born in 1976, Hong Chulki …
2017 release ** Void Transactions is the most recent album of Alterations, released in 2017. Recorded at Cafe Oto during the live performance at Alterations Festival 2016. Peter Cusack: acoustic guitar, field recordings. Steve Beresford: piano, electronics, objects; Terry Day: drums, percussion, objects, balloons; David Toop: electric guitars, bass, flutes, objects.
2014 release ** Thomas Stiegler and Hannes Seidl's 'das wetter in offenbach' (2010) is a radiophonic work mixing field recordings in the city of Offenbach with sine waves.
The project was created over two years in Seyðisfjörður, Iceland and in Berlin, Germany, and is an evolving conversation between Döring’s improvisation on acoustic instruments such as clarinet and saxophones, and Korabiewski’s electronic live treatment and composition with Döring’s sounds. A third compositional element is contributed by the particular ambiences of the spaces in which the recordings took place, as Korabiewski and Döring came together to record at sites with personal and acoustic …
2025 stock ** "In 2010, Jean-Luc Guionnet and Éric La Casa were invited by Arika to the Uninstal festival in Glasgow (Scotland) to carry out a series of recordings with some inhabitants of this city, in their home spaces. Based on predefined rules, including the single-sequence shot as a recording method, these people became the actors in a story about their everyday life. Guionnet and La Casa considered this work as a composition under the form of a score with four phases."
Over the past several years, Vienna-based composer / producer Peter Kutin has been working intensely at the little-explored junction between sound art and journalism / documentation. Focusing on sonic experiences in extreme or exceptional conditions, Kutin explores both the physical and psychological impacts of such extremes on how we hear. Later translating or orchestrating these experiences into sound. Despite his age, Kutin has already seen (and heard) many lost corners of the world, having r…
Wired Open Day 2009 is a vinyl-only release documenting live performances by Alan Lamb, Garry Bradbury, David Burraston, Oren Ambarchi and Robin Fox. Held outdoors during the evening of October 31st at The WIRED Lab, in rural South West, New South Wales, Australia, this 2LP is a document of the event; the result of an artist-in-residence program to explore the sonic possibilities of The Wires, landscape scale installations in rural NSW. The WIRED Lab is an artist-run initiative founded in 2007 t…
When Important Records originally released (in 2005) Henry Jacobs 'The wide weird world of Henry Jacobs / The fine art of gofing off”, it was met with instant acclaim and a lengthy, nationally broadcast feature on NPR. We are happy to announce the reissue of this out-of-print CD/DVD set. Over forty years ago, Henry Jacobs left a large collection of his recordings underneath his house in Mill Valley, CA only to have it discovered in the past decade. Restored, sequenced and mastered by producer Ja…
LP only. Limited Edition of 130 copies. These 37 minutes mark a turning point in Uhlig,s work. "Genmaicha: At the opal seashore (the last full length Aalfang Mit Pferdekopf-album on Mystery Sea, October 2005) was a already a vague hint of what comes now: Uhlig on the peak of low volume.
"VIVMMI is divided into five segments accompanied by a host of verdant birds and the melancholic and peaceful humming chords of an old droning piano (and without much doubt: completely out-of-tune). As if someone…
**Edition of 400** 'Flak' is an excellent 10" release offering two diverse pieces. Side A is a heavy, densely layered drone piece comprised of harsh, grating sounds all over the sound field, but sliding from start to finish with remarkable constancy. It's a truly beautiful noise, rather like some of David Jackman's earlier work as Organum. Side B is a field recording, untreated, unfiltered, recorded outdoors, with a great hiss that is very much present in the mix. This second track seems to comm…
Compilation CD with Francisco Lopez, Giancarlo Toniutti, Jeph Jerman, Seth Nehil & toy.bizarre, Kiyoshi Mizutani, MNortham, Eric La Casa. A confrontation of different ideas, views, about nature … and sound… From the electroacoustic deep soundscape of Eric La Casa to the droney stones of Giancarlo Toniutti, from the rough fresh stream field recordings of Kiyoshi Mizutani to the heavy processed insects, wood and grass sounds of Seth Nehil & toy.bizarre… from the silent nature of Francisco Lopez to…