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*70 copies limited edition* "Here are our musical ambitions given form by electric guitars, keyboards and digitally recorded loops. Here are also the ambiguities and uncontrollable elements of life. You’ll hear the late summer wind in the background, the wind-chimes hanging from the garden shed, the kids’ feet walking over the gravel, their voices in the distance. Both worlds make this single-take live recording a whole." - Opal SatelliteRecorded on August 22nd, 2022 in Hämeenkyrö, Finland
Sergey Senchuk aka Tungu was born in Chernihiv, Ukraine in 1999. He started playing in the spontaneous-intuitive band Kollektiv, and in the hard core bands Remorse and Keepleer 18. He begun to record using the nickname Tungu with his first release "Opus Hereticus"in 2013. His idea was to make of Tungu a project that would contain field recordings, cut ups, samples and live instruments. Four albums were recorded since then : "Dense arrays" 2014, "Ilf and Petrov with us" 2016, "Burst of exsessive …
Tokyo's experimental musicians Toshimaru Nakamura and Suzueri collaborated on a CD released in April 2023 on the Italian experimental label Superpang. Includes two improvisational songs using piano, mixer, and self-made instruments.
*2023 repress* Richard Dawson’s folk music has been hailed far and wide for its innovations; Rhodri Davies’ improvised harp playing is similarly regarded. Both have collaborated with a great many improvisers, composers and musicians, but they play together as only kindred spirits can and their music as Hen Ogledd stands in a field of its own.
Before the concert, we hadn’t discussed much of what we will be playing. Kirill proposed to place the "June ’21" score on the table, to follow the impression, the feeling, the direction of what it suggests to play. Sometimes we noticed how one part of the score or another would lead us to new ideas whilst we were playing. It was a special concert because of its circumstances. We decided to have one big table for both our setups, and to be standing up during the performance. Kirill used some obje…
"In 2017 after I finished a tour of Taiwan and returned to Beijing, I left my hard drive on one of those share bikes and it was lost forever. I had close to ten years’ worth of live recordings on that hard drive (I never made any backups). Since then, I’ve made sure to keep recordings of my live performances well organised. To a certain extent, it’s through live performance that I create new ideas. What I regret, then, is that every performance from different phases of my music making life will …
Conscious Feedback Group (C.F.G.) is a gang of three formed in 2018 by MAI mai, Xu Cheng and Jun-Y Ciao. Improvisation is their way. They use mediums of music, sound, text and performance to explore a non-identifiable style that has nothing to do with fancy illusions.
The score for June '21 was made in early summer of 2021, in a dialogical process of close live collaboration. Everything we talked about — music, time, politics, and place — was treated as a kind of material with the possibility of being brought into the piece. We didn’t aim to use sound to express such concepts directly, but rather created music with attention to the circumstances: when it was written, where, to whom and by whom it would be played. There was a mutual understanding that we were …
The trio is a perfect composition for broadly understood improvised music, sufficient in terms of minimum and generally reflecting to the maximum what the musicians want to convey to the listener. In the case of the Wrocław-based trio Marek Otwinowski, Michał Sikorski and Marcin Witkowski, this "width" of understanding improvisation is particularly visible. This is not a classic free-jazz band or even free-improv, because the musicians go far beyond these frames, touching noise, avant-garde, ind…
"After two and a half years of refining, calibrating, and reconceptualising their approach, pianist Darius Heid, cellist Emily Wittbrodt, and double bassist Jonas Gerigk are now releasing their debut CD. With great enthusiasm, the trio met frequently for playful and dedicated rehearsals, improvising freely then observing and discussing the resulting phenomena, delving further into the depths of their music. A long and involved process - creating trialogues that weave through constant re-examinat…
"Kuden is a method of communicating information verbally in Japan. The word also refers to the knowledge of secret techniques traditionally passed on orally, be it from martial arts or from music and the performing arts. An apt title for this exceptional, non-arranged meeting of three musical experts who tell each other about the rich vault of their sound treasures in order to enrich it with something new through this musical dialogue, which is immediately passed on to the spellbound, amazed aud…
*60 copies limited edition* Live in concert at A New Wave Of Jazz festival, Hundred Years Gallery (London, UK) on February 8th, 2020.Graham Dunning : turntable, dubplates & spring reverbs, Benedict Taylor : viola, Daniel Thompson : acoustic guitar.
Black Tape, Clear Box With Pins, Sealed. Design By Rutger Zuydervelt
"Pangrams" evokes a wide range of emotional moods, sketched in a chamber atmosphere. The four pieces stress the immediate and deep understanding of Di Domenico and Moberg.’ - Eyal Hareuveni
Following his Acoustic Masks, the new record Constellation of Anomaly is Vasco Trilla's 6th solo album, bringing a new palette of sounds with a vast array of percussion instruments played in numerous creative and unconventional ways. Russian Flat bells bowed and played with vibrating objects, a timpani full of wind-up music boxes and spiced up by a transducer speaker, an old zither hit as a drum with two snare drums as resonators, Iranian round bells mixed with gamelan strips, styrofoam and tria…
String Dialogues is a collection of six duo recordings initiated by the renowned musician, composer, and improviser Peter Soderberg. Here, he investigates different tuning systems and the idea of hybrid instruments. Within various instrumental settings and informed by his musical co-partners and fellow improvisors Katt Hernandez, Stina Hellberg Agback, Mats Persson, Sten Sandell, My Hellgren and Vilhelm Bromander, he has sculpted an album highlighting complex timbres and intimate interplay.The a…
"In my experience listening to the music of both Martin Küchen and Sophie Agnel, I’ve often detected what I perceive to be a (sometimes hidden) strain of romanticism, a deep and dark vaguely lyrical content that one doesn’t routinely identify with free improvisers. With Küchen, this could be heard most prominently in his solo recordings such as ‘The Lie and the Orphanage’ (Mathka, 2010) or ‘Hellstorm’ (Mathka, 2012). I had also heard Agnel give a memorable solo piano recital in Västerås, Sweden …
In the lockdown of early 2020, Berlin fell silent. As reflects Nicholas Bussmann, “it felt like the early 90s in East Berlin”, the place where he grew up and experienced social change and uncertainty, and presumably a lot of empty, silent space. Here, on this duo with his long-term accomplice Werner Dafeldecker, we hear the sound of two instrumental practitioners as they explore the nature of their respective instruments with a paced and thoughtful guidance, with little intervention or overt de…
These 10 CDs (and DVD) collect together solo work, compositions and collaborations made between 1972 and 2022 by percussionist and lyricist Chris Cutler and include as well as three previously released solo CDs ('solo', 'twice around the earth' and 'there and back again'), more than five hours of unreleased materials, as well as a double CD collection of tracks culled from official recordings featuring Henry Cow, Art Bears, Cassiber, News From Babel, Aqsak Mabou, Duck and Cover, Peter Blegvad, R…
*100 copies limited edition* "Utsnobi Matriarkaluri Tomis Simgherebi" is an improvisational cycle recorded by musicians Darja Kazimira and Zura Makharadze during the filming of the experimental, analogue film "Rue de la Lune" by the Irish director Juana Robles, dedicated to the comprehension of one matriarchal generation, embraced by the tendency to painful transformation and self-absorption, striving throughout the performance to get out of these boundaries, heal and to reborn. In this act, the…