We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
*50 copies limited edition* Mia Windsor is an experimental musician currently undertaking a practice-led PhD centred on Muta, a material-driven feedback instrument she has developed through ongoing processes of building and improvisation. The instrument operates by resonating physical materials and feeding their signals back into themselves and into each other through spectral processing, producing a system in which sound emerges from the interaction between objects, circuits, and environment. A…
*50 copies limited edition* Chaparral is a collection of field recordings, drones recorded on trumpet and trombone, feedback from a metal sheet and mixer, and various samples, including heartbeat, bells, and pencil on paper. The three pieces came together over the course of December 2025 to March 2026, drawing from improvised material and found sounds, combined to gradually create a sense of structure.
The work is concerned with Nev Wendell’s relationship to the city she lives in at this point i…
A solo improvisation and composition by Lionel Garcin (on soprano saxophone) inspired by listening to natural environments and built on exploring the harmonic possibilities of the instrument.
Tip! *Dubbed on new ferro tapes* Fen Hollen takes a deep plunge into idiosyncratic samplelooping and poorly done reamping techniques. Small fragments of songs merging with chaotic instrumentals and weird microcassette malfunctions.
During a 2016 trip to Colombia, I was very fortunate to be welcomed by the staff of the Rio Claro Natural Reserve, located in the central Cordillera. After several days of recording in the caves—the ones open to the public—inhabited by small colonies of cave-dwelling Guacharos (Steatornis caripensis), Juan Guillermo Garcés, director and founder of the Rio Claro sanctuary, allowed me to access a secret location outside of the reserve, home to what ornithologists reckon is one of the largest known…
Bright Lights, L'il City was recorded from November '22 until August '25 in Chicago, Kilkenny, Cork and Glasgow. Played, Recorded and Mixed by Sam Scranton and Neil Quigley
The Kilkenny Electroacoustic Research Laboratory (K.E.R.L.) announces the release of the third and final volume of its acclaimed anthology, a richly layered exploration of experimental sound, artistic collaboration, and the cultural phenomena orbiting the enigmatic Kiely cousins, Owen and Tom. Bringing the series to a compelling close, this volume bridges archival research, oral history, and critical reflection, tracing the roots and reverberations of a uniquely Irish avant-garde movement. The b…
"I call it ‘the Shadow Pattern Vignette’. A fragmentary and pleasingly non-discriminatory exercise in audio capture which, when sequenced, compiled or arranged alongside other such vignettes, leads to the finished work of Nate Ivanco’s Shadow Pattern. You can reach into the hermetic depths of his Hamilton Tapes micro label, recent transatlantic appearances via Infant Tree, Chocolate Monk or adhuman, or indeed, this new LP ‘Live at Somewhere’ and find the Shadow Pattern Vignette. Forever in evide…
‘Traces of the ceiling’ is the new album by Takako Minekawa, an artistic collaboration between Minekawa who composed, performed and recorded the works contained within - and artist Ippei Matsui, who created and designed the accompanying elaborate five-panel fold out sleeve, risograph inserts, and vinyl. ‘traces of the ceiling’ is also the debut release from Portland, Oregon based shop, label, and event series tone poem.
‘traces of the ceiling’ was recorded in los angeles between 2018 and 2020, a…
Recorded in churches and industrial buildings in the the North of England, and originally released on Winebox Press in 2013, High Peak Selections was the first full-length vinyl release by Jon Collin. Across its six mostly improvised tracks, it showcases an artist somewhat at odds with much of the wave of fingerpicking acoustic guitarists that was in the middle of breaking around this time. While the base technique here is still fingerstyle, his use of various preparations, metal slides, feedbac…
*2026 stock. 60 copies limited edition* Tela is the full-length debut of Stockholm-based composer Simon Hansson and was recorded in April 2024. Across its four movements, waves of pulsating feedback are woven into a dense sonic fabric. The title 'Tela' refers to plain weave, or simply cloth, reflecting the intricate processes of over-under interlay that structure the material. Recursive patterns and constant iteration unfold at a glacial pace, continuing Hansson's exploration that defines his si…
Tip! *300 copies limited edition* fold/interval is an audiovisual project and publishing and curatorial platform founded by Giuseppe Ielasi, Fabio Perletta and Giulia Bruno. This is their first release. Thirty minutes of guitar and electronics duos with a 12-page photo booklet and a letterpress sleeve.
*300 copies limited edition. Black sleeves with paste-on artwork and a postcard* Debut LP from a new Gothenburg duo consisting of Irma Krook (Makthaverskan) and Dan Johansson (Sewer Election). Alyssa takes elements from Irmas Military Arms 12" released a few years ago and combines it with the mind expanding synth stuff Dan has explored with the Psychic Panorama recordings recently. Adding a few larger-than-life piano bangers and whatnot, the result is a dreamy and mesmerizing night time album …
On Hyperit, Nev Lilit (Hedvig Jennefelt) turns a performance‑lecture into elemental sound‑theatre, carving electronic landscapes from dirt, magma and meteorite lore until you feel less like a listener than something buried inside the mountain.
Before history will be made by machines, British musician Thomas Bush sends a new humane record. DIY chamber music, for the Kashual, no Plastik. Ten curious arrangements, looking for new horizons, those hiding behind the previous. They are short, they are epic. A great beautiful mess, in which Thomas Bush occasionally sings and speaks in veiled pitch. On hallucinated rhythms. Along the guitar, that’s everywhere. As chord. As melody. As sound. As a sliding desert stoner. Droning, zoning. Keeping …
*75 copies limited edition*
DNZ122 Drew Wesely – Silence is a Sharpened Blade
Silence is a Sharpened Blade speaks in the language of materiality — a stripped bare mantra of nylon and wood conjures unspoken and veiled interiors, channeling the intimacy of a single guitar alone in a room. Silence is a mirror, a shadow, an absence. It speaks when words fail in the poetry of negative numbers. Where do we go when the lights burn out? What is beauty in hell? What can pierce a heart of stone? Silence i…
The 20th of March marks the beginning of the astronomic spring. It is also the release date of the long awaited new album by S.J. (Johan) Borger. With his Electric Chamber Orchestra he sets to explore the relation between sound, composition and play. A personal journey back to the light, that invites the listener to escape this busy and noisy world. The first new album by Johan Borger (1984) in 14 years sees the light of day on the first day of spring, 20 March 2026. This is not a coincidence. S…
'rustlings' is an album of two pieces written by Stockholm-based violinist and composer Maya Bennardo. One of the pieces, 'dormant gardens i' (2022), was written for and performed by andPlay, a duo of Bennardo on violin and Hannah Levinson on viola. The other, 'summer rustlings' (2024), is a solo violin piece performed by Bennardo.
Both pieces were inspired by Bennardo's move to Sweden from New York City, where she developed a new relationship with nature through walking. Her solo and compositio…
A Circle of Skin is music to give solace during the dark autumn evenings. Creating images and patterns of comfort to deflect from the hallucinogenic disorientations of reality. As ever with these things, there are always demons and spirits lurking within the shadows of the album. Showing us with a sharpened realisation to be mindful, as things can always get worse. These are the murky undercurrents of a soundtrack which keeps us moving forward and alive. The sounds present are at once both organ…
'Underground Vein' is a mystifying and curious recording for two electric basses. Focusing on prepared techniques, modulation effects and the odd sighting of looped phrases, Masatake Abe and Ken Ikeda create an undulating sea of texture and atmosphere across the albums 12 pieces. A strange, alien landscape of sounds and moods, Masatake had the following to say about the albums creation and inspiration: "Ken Ikeda is active as an electronics player, but it may not be well known that he was origin…