Experimental / Minimalism

Son of Buzzi - In schwarze Stücke zerbrochen (2026 stock): Zürich owns son Sebastian Bischoff (existing under Son of Buzzi moniker) is one of the most devoted european players and aficionados inspired by ever changing and ever inspiring stream of beloved american guitar primitivism. His instagram posts and reels of his lonely sun roof jams often brings calmness to the realm of social media. Fans of the genre could hardly miss his (now freshly repressed Cardinal Fuzz label) 2022 album Die Hand De…

On The Third Mind. A Sonic Tribute to the Dreamachine, a constellation of contemporary artists tune themselves to the flicker-frequency of Brion Gysin and William S. Burroughs. Hypnotic loops, drone hallucinations and cut-up sonics seek not to illustrate the Dreamachine, but to let it hear itself thinking.

*Limited edition of 500 copies* Experimental musician John Also Bennett’s latest full-length emerged from a bicoastal pandemic road trip through the badlands of South Dakota. Moved by the scale and complexity of the landscape – “remnants of an ancient seafloor mixed with the ash of a volcanic eruption, eroded over millennia and now resembling the tangled folds of earth’s brain” – he sculpted a series of stark, microtonal arrangements using a 1940’s Oahu lap steel guitar, a Yamaha SY77 multi-timb…

*200 copies limited edition* While her main instrument is baritone sax, Misaki Motofuji is a multi-instrumentalist with an excellent command of other saxophone types including tenor and alto, as well as clarinet and flute. In concerts she additionally makes wide-ranging use of electronics, vocals, field recordings and various effects and objects, spontaneously assembling splendid, amazingly well constructed performances. In May 2022 Motofuji performed a concert of this type at Ftarri, Tokyo, whi…

*200 copies limited edition* While her main instrument is baritone sax, Misaki Motofuji is a multi-instrumentalist with an excellent command of other saxophone types including tenor and alto, as well as clarinet and flute. In concerts she additionally makes wide-ranging use of electronics, vocals, field recordings and various effects and objects, spontaneously assembling splendid, amazingly well constructed performances. In May 2022 Motofuji performed a concert of this type at Ftarri, Tokyo, whi…

We are thrilled to introduce Axis Dissected, the debut release of escéptica, and a bold statement from Dangel. A sonic excavation of found sound, field recordings and musique concrète abstraction. Recorded between Berlin and Chile from 2022 to 2024, this album assembles fragments of reality and reconfigures them into a haunting sound experience. Dangel works with intuitive precision, sculpting scenes of acoustic memory and spatial debris. There is a tension here between control and chance, betwe…

Kishun is a duo: Ishikawa Ko, player of the shō (mouth-organ), and Nakamura Kahoru, player of the gaku-biwa (Japanese court lute). Since 2015 they have used only shō and biwa. Their idea is to bring out the hidden sound in what they call “gagaku without melody.”. Gagaku is the ancient court music of Japan. It is more than a thousand years old. In the Heian period, nobles gathered old songs and dances from Japan and pieces that had come from Korea and China between the 5th and 9th centuries, and …

Aspects of Memory is the first meeting between Lawrence Casserley (signal-processing instrument) and Emil Karlsen (percussion). Casserley has devoted his professional career to the creation and performance of real-time electroacoustic music, culminating in the development of his own unique device—The Signal Processing Instrument. This instrument allows him to use physical gestures to control the processing and to direct the morphology of the sounds. Casserley writes: “A key element of the Signal…

Here is the second volume of protean solo improvisations recorded by Loren Connors in his artist's garret in New Haven, Connecticut. Like the first volume, it was committed to tape and pressed to vinyl in 1979. Never having seen a copy of this record, and having pressed it before we discovered a master cassette exists, this is as good a transfer as can be had for the nonce. Loren's chair creaks like rusty crow and the amount of random tapping and thumping during the original session just about d…

*2023 stock* Limted 2022 restock, last copies. Originally released in 2006. Tetuzi Akiyama has been a major player on the free music/improv scene in Tokyo for over 20 years. Pre-Existence first came out on CD as a part of the great Wooden Guitar series from Locust. Akiyama's playing here is one of a minimalist approach, discovering and investigating the empty spaces between each note. He does not follow the Takoma guitar school style of finger-picking, but instead invokes a far more warped primi…

Following years of activity in the UK scene and beyond, and a debut tape in 2020 on don't drone alone, Rekem is proud to present the new release by Leeds based artist, Helen Papaioannou. Kar Pouzi is Helen Papaioannou’s solo project of electronics, baritone saxophone and vocals. Best Wishes, spans the past two-three years of Kar Pouzi’s output, featuring both longer standing pieces from her live sets alongside new tracks. The album reflects Kar Pouzi’s fascination with repetitive tasks, sounds, …

*Repress of 250 copies on clear vinyl with insert* Robert Turman first came onto the industrial scene in the late 70’s as the ominous ‘other half’ of legendary noise outfit NON. Shortly after recording the classic 1977 single Mode of Infection, Turman went on to pursue his own unique vision as a solo artist. Fusing every possible influence at his disposal while laying his ideas down on self-released cassettes like Flux (1981), Spirals of Everlasting Change (1987), Way Down (1987) and the massive…

*2025 stock. 100 copies limited edition* « Male Bowerbirds Build Camps Of All The Best Stuff They’ve Found - Like A Tiny Museum Of Magic Things To Seduce The Female. This One Is Not Just To Impress A Girl, It’s For Everyone. Anyone Who Finds It. It’s To Make Them Fall In Love With Everything! » - Lanny (Max Porter) On his solo album entitled 'Bower' 𝗔rto van Roey searches for mesmerizing fingerpicking patterns that evoke dense sound tapestries full of harmonics, with a fanatic urge to experimen…

2025 stock ** Limited edition of 100 copies. "Oorsprong is a tube, a line in a forest, a sound sculpture. Acoustics to be revealed. Activated by entering, it becomes a giant flute producing a tone that is so low, the body crashes into waves of pure pressure instead of sound. Untranslatable energy. Cerchi Cerchi is a quest in a forest to find traces of that untranslatable sound, its impact, its imprint, its memory. A hide and seek in which the body is concealed in the instrument, becoming its sec…

Efraín Rozas’ "Still" posed this question in the form of an installation made for quadraphonic sound, architecture and light. Still was first developed at Queenslab as part of a one-month residency with The Kitchen, New York City in April 2021. This album is a live, stereo room recording of Still as it was presented over three one-hour viewings.

*300 copies limited edition* The roots of Studio Music lie in a special encounter between sound artist Jan D’Haene and visual artist Mark Manders. Recorded in Manders’ studio, where sounds resonated among the artworks, the music unfolded in dialogue with the imposing space. As the concluding part of a diptych, following the EP Études, this album evolves more slowly and with greater layers. It forms a dialogue with D’Haene’s introspective passages and invites a moment of pause and stillness. In d…

*50 copies limited edition* "Enough sun finally came up on the Wyoming prairie that I could relax my fears. I shut off the studio lights and watched a dune of snow reveal itself under the squat, black graphs of denuded trees. I drank old coffee. In a rare interview, Wendell Berry defended a concept of community as being a collection of all the living things that surround you. The farmer-poet was careful to clarify that this community wasn’t simply made up of those like you but must also include …

*300 copies limited edition* "Full focus. Recorded in one day on the Element Studio in Gothenburg. For some reason, I had decided to play the grand piano through effects. Leif had brought only texts for some vocal action. Linus had a sound in mind. Daniel had chosen a cover image already. I remember it so well, that it all sort of just happened. We did not talk about what kind of energy or tension we were after. Sometimes it is just like the music is just there and you don’t have to do anything …

A continuous choreography of tape loops, motion, and quiet friction live recorded at Meakusma Festival and other shows.

Melophobia spins tension out of spontaneous contact - Dave Tucker (guitar) and Pierpaolo Martino (double bass and electronics) improvise with sharp attention to rhythm, fracture, and digital manipulation, conjuring environments that threaten – and then dissolve – melodic order.

Semiotic Drift is a living conversation - Maggie Nicols uses voice as a map to possibility, Matilda Rolfsson provides creaking, insistent percussion, and Mark Wastell frames everything in the deep resonance of amplified tam-tam. The work rides the edge between storytelling and pure abstraction.

Juno invites deep contemplation through slow-moving layers of sound - Barry Chabala’s guitar, David Forlano’s electronics, and Drew Gowran’s percussion work in unhurried mutual orbit, exploring patience, resonance, and negative space rather than technical bravura.

Ensemble A is a turbulent meeting of three fiercely individual improvisers - Ignaz Schick harnesses live electronics and turntables, Anaïs Tuerlinckx dismembers and reinvents the piano, and Joachim Zoepf twists reeds into guttural shapes. The result is a volatile sound collage, sometimes blunt-force, sometimes eerily restrained.

Oneiric evokes drifting memories and waking dreams - an album created by Jane in Ether where recorders, piano, and violin/voice entwine in gauzy, tactile improvisations. Their music moves in soft spirals, trading clarity for a haze of overlapping tones and near-silence, aching toward something just out of reach.

A Stone For Angus MacLise documents a 2007 trio session recorded during the same period that produced Dauphin Elegies (VHF 112). The instrumentation—harmonium, singing bowl, gong, and esraj - reflects Pelt's longstanding interest in sustained tones and the textural possibilities of acoustic drone music. The album takes its name from Angus MacLise, the poet and percussionist who performed with the early Velvet Underground before the band's commercial recordings. Like MacLise, Pelt have maintained…

Death in the Urban Jungle by Lance Austin Olsen is an expansive electroacoustic tapestry, weaving copper plate, shruti box, tape fragments, and wordless voice into a narrative of decay and emergence. Resonances and silences shape a listening experience as tactile as it is elusive.

Liminal Spaces, by Ed Jones and Emil Karlsen, sketches a quiet but complex dialogue between saxophone and percussion. Their communication is fluid, as fleeting motifs and rhythmic fragments surface and dissolve, inviting the listener into the shifting boundaries of spontaneous improvisation.

Moon sees Simon Rose and Nicola Hein map a shifting terrain between breath and electricity. Baritone saxophone and microtonal guitar unfurl in subtle layers, crafting a microcosm where fragility and abrasion lie side by side, always moving, always searching.

Within (2) / Appearance (2) by Michael Pisaro-Liu presents a contemplative exploration of duration and silence, foregrounding gradual transformation. These extended works for guitar and double bass, created with Michael Francis Duch, reward patient listening and engage with resonance and subtlety over spectacle.

Benjamin Tassie’s Earth of the Slumbering and Liquid Trees is an immersive 70-minute composition featuring performances by Zubin Kanga on keyboards, blending sampled historic organs, analogue synthesizers, and real-time digital processing. The work, part of the ‘Cyborg Soloists’ research project, was recorded live in Amsterdam and surrounds listeners with a multi-layered soundscape exploring themes of ritual, memory, and environmental transformation.​

Composed and performed by Ronan Courty, this piece for solo double bass slows down the layers of time by invoking an invented age-old music, somewhere between imaginary folklore and early music. Acoustically produced, the violent and obsessive friction of the bow on the string gradually reveals hovering layers of harmonics that extend the suspension of the moment while evoking a kind of electronically produced ambient sound; the illusion created by the emergence of sustained tones is particularl…

22/12/2017 Guilin Synthetic Daydream is a perceptual trap. Inspired by an experience of intense perceptive disorientation while crossing a market in China, Eve Aboulkheir reinstantiates, in the field of sounds, the swirling and anamorphic universe of thwarted perceptions, surrounding multitudes and shifted sensations. She thus constructs a dreamlike and artificial universe, suspended and hyperactive, which is both an electronic vortex sucking us in and a mechanical ballet developing its arabesqu…

Swims presents the disruptive dream-team of Kit Records founder Richard Greenan, Buenos Aires based cello experimentalist Violeta Garcia, and South African violinist and composer Galina Juritz. "Esperando a Florian" is the result of Violeta's London residency in 2022. Recorded in one take, and with a simple setup of violin, cello, electric bass, and analogue synths; the music is a tender conversation between three voices, pushing and pulling at the edge of dialogue, hesitance and reflection. Rec…

Jon Porras’s Achlys unfolds a meditative narrative across eight drone-based pieces: fragmented guitar melodies and modular synths swirl through dense atmospheres, echoing elemental habitats and ambiguous emotional states. The album rewards careful listening for its textures, cyclical patterns, and subtle resonance, inviting reflection on impermanence and change.

Unlearning noise by Eventless Plot presents two long-form compositions built on minimalism, analog electronics, and ambient fieldwork, inviting listeners to reconsider the expressive dimensions of noise within experimental sound art.

A very beautiful drone album for 2 simultaneously played church organs by Ato Vari and Camille Helt Haarder aka Emilie Faber. Type 2 tape in double sided J card.

Yukiko Shiina Sakurazawa and Kon Okuma’s DUO, distills collaboration to its most elemental form. Through piano, reeds, and silence, the album traces an unfolding conversation where each phrase is both response and provocation, moving between fragility, tension, and fleeting union.

Kaori Komura and Yutaka Hirose’s Diastrophism Dance, renders the Earth’s slow violence as sound. Combining environmental recordings, electronics, and acoustic fragments, it transforms geological tension into choreography—a meditation on tectonic movement, fragility, and endurance.

Takashi Masubuchi and Yosuke Morone’s Particles and Waves, drifts between gesture and suspension. With guitar, electronics, and tape fragments, the duo render vibration itself as material—each piece a study in how the smallest sonic particle can shape an immense aural field.

Shuta Hiraki and Shuma Ando’s idiorrythmie, examines the art of moving together apart. Through fractured beats, drone layers, and asymmetrical pauses, it turns musical structure into a study of parallel autonomy—two voices in orbit, touching only at unexpected points.