Experimental / Minimalism

Shiori Sasaki’s 描奏をきく (Kiku (sense) the [drawing + sound]), transforms visual gesture into an audible world. Merging live drawing with acoustic improvisation, it invites the listener into a synesthetic space where ink lines and sonic textures share the same breath.

Patrick Quinn’s Sonifying the Sun: The Mass Emergence of Brood XIII and XIX Periodical Cicadas, blurs the boundary between scientific observation and ecstatic sound art. Using data sonification and field recordings, it shapes the cicadas’ cosmic rhythm into a resonant meditation on time, light, and collective life cycles.

Florian Kolb and Thanos Polymeneas-Liontiris’s otolith is a deep dive into the body’s hidden navigational systems. Translating sonic vibration into a study of balance and disorientation, it shifts between seismic lows and crystalline highs, mapping an aural terrain of tilt, sway, and sensory recalibration.

Bruno Duplant’s Rien de ça is a sparse and spectral meditation on presence through absence. Built from near-silences, fractured tones, and shifting aural shadows, it listens like an eroded diary—each sound a ghost of intent, each pause a deliberate, resonant void.

Atsuko Hatano and Joe Talia converge on Black Spur, translating improvisational dialogue into a landscape of flickering tonal mirages. The album bends cello, percussion, and electronics into dark, cinematic forms—meditative, unpredictable, and haunted by unresolved tension.

Matthias Puech’s La Traversée ventures through atmospheric electronic landscapes, offering an evocative journey with immersive soundscapes. Released on Hallow Ground as an LP, this album invites listeners to experience a visionary fusion of music and art from a renowned artist-led label, dedicated to inspiring sonic exploration.

Having each followed their own distinct trajectory of exploration for decades - interweaving rigorous experimentalism with transcultural conversations - and building upon roughly 20 years working as a duo, Jessika Kenney and Eyvind Kang return with Azure, their third full-length with Ideologic Organ. Among their most riveting outings to date, comprising five new compositions recorded in Seattle during the spring of 2022, this remarkable body of sonority culminates in a singular gesture of contem…

*300 copies limited edition* The musical material on „Lichthöfe“ is based on modular recordings by Thorsten Soltau. Conceptually these recordings deal with the spaciality of sound and the stereo field, while still maintaining an improvisational character. Asmus Tietchens has treated the material to intensive deformations, ranging from reductionist clusters to brittle textures. In each treatment a fragment of the original material remains audible.

"I first owned a fender rhodes electric piano in the late 1970s. It was a Mark 1 model (wooden key action). I had a band with my younger brother and my best friend from school and this was my ‘portable’ gigging instrument that weighed ‘a ton,’ and only just fitted in our small car. (I eventually got smart and left the 15 kg lid at home.) I had one effects pedal, a Boss chorus. Sadly—due to the rise of synthesisers and electronic keyboard instruments—I sold this lovely instrument in the late 1980…

Two sides, each lasting 8 minutes and 50 seconds. A clash that resonates in friction, united by the materiality of vinyl - if only for a time. Or at best, a rapprochement, like in cinema. On side A, a MIDI composition by Xavier Robel for synthesized piano, based on La Monte Young's tuning system for The Well-Tuned Piano. Mouse clicks, boxing gloves, vibrancy, and mischief. On side B, a positively insistent On-U Sound-flavored rhythmic investigation, produced by Androo in response to Xavier Robel…

This is the story of a Telegram audio message suddenly poured and cast into the materiality of a vinyl record. Is it a  correspondence archive? Above all, it's a field recording, a moment bit torn from everydayness, where Androo found some fresh air in a church in Sardinia and started playing the organ. Next we're in Naples, and Androo is playing a tiny instrument as we can hear sporadically the street hum in the background. This was all recorded on an already too old iPhone during the summer of…

2009 release (slimcase slightly damaged) **  Bass Clarinet – Lucio CapeceTrombone – Radu MalfattiRecorded 5 July 2009 at Kulturbunker, Mühlheim.

*300 copies limited edition* When the ghost in the machine meets the breath in the reed, expect sparks. Electronic sound artist Robin Rimbaud – Scanner joins forces with acclaimed British bass clarinetist Gareth Davis to create an album where circuitry hums, wood vibrates, and the air between notes crackles with possibility. This is no polite meeting of minds — it’s an elegant collision. Scanner’s intricate electronic textures weave around Davis’s deep, resonant tones, blurring the boundary betw…

For the third time, they had been sent to this forsaken land. It was neither east nor west, neither north nor south. They said it had once been a kingdom, somewhere in the heart of the old continent, something they had pieced together from the ruins scattered across jagged hills sprouting here and there from the ground. Everyone else went islands, dived to the seabed, drilled at the poles, and explored waste in the east, but these two were sent here again, as if someone were trying to get rid of…

2024 stock. Did you know there are horses on the cover of Earth's Earth 2: Special Low Frequency Version? There are at least three in the right hand corner, gathered inexplicably near a white canvas tent, a human possibly perched among its folds. As widescreen and vast as the cover may seem, those little details-the horses, the possible human, the faint wisp of white clouds-give it depth and wonder, something to which the imagination can return. Did you know that the music on Earth 2-repressed n…

Samara Lubelski crafts intricate, fragile sonic worlds—simultaneously delicate and chaotic. Her music explores creation, destruction, and liminality, evoking alien yet lyrical landscapes where every gesture births its opposite, forever shifting between presence and disappearance.

*200 hand-numbered copies limited edition* Seabuckthorn is an alias used for the solo work of English composer Andy Cartwright. Cartwright uses picking & bowing techniques combined with various open tunings on string instruments to form a mixture of approaches, often with layered accompaniments. Generally the songs lean towards to the experimental genre, whilst on the edge of the ambient and folk. Having grown up in Oxfordshire, Cartwright studied sound engineering in Cornwall and then lived in …

*2024 Repress. A new edition with changed details such as the back of the jacket and the label. Shrink packaging + sticker pasting.* "A miraculous object with a line-up of recording and mixing by Fumi Nishikawa, mastering and cutting by Rashad Becker, and binding by Tomoo Gokita. An instrumental group led by Koshiro Hino = YPY, Goat's memorable first LP is a reorganization of the best performances of the 1st "New Games" and 2nd "Rhythm & Sound". They create music with noises, muted sounds, and p…

For Jack was written in 2024 for pianist Jack Yarbrough. I was inspired by Jack’s many performances of my music; how he approaches my soundworld with a beauty of touch and an attention to pacing. This piece is approximately 50 minutes long and, with a few exceptions, it is extremely quiet and spacious. Many thanks to Jack for asking me to write this piece and for playing it so beautifully. Jack Yarbrough is a pianist working in the fields of contemporary and experimental music. Largely devoted t…

*2025 stock. 49 copies limited edition* MMLI is proud to present Ermitage de la Fumée Violette, the newest sonic exploration by French composer Céleste Gatier. Renowned for her delicate approach to electronic and electroacoustic music, Gatier draws inspiration from her wide-ranging experiences, including extensive research in Japan, blending fragility, immersive intimacy, and the unexpected. Conceived as a refuge for peace, Ermitage de la Fumée Violette envelops listeners in vibrating tapestries…

*2025 stock. 43 copies limited edition* MMLI proudly presents Lore, the latest sonic offering from Cigve, an artist whose work folds shadowed textures, forgotten myths, and fractured harmonies into an immersive listening experience.   Both austere and deeply emotive, Lore moves between spectral ambience, brittle dissonance, and moments of fragile melodic clarity. The work feels as though it has been unearthed from an ancient archive, where memory and invention blur. Each track evokes the sensati…

'The Lolita Years' is a new archival compilation of previously unreleased music by Thierry Azam & Alain Michon aka Pray-Pax, two artists who formed part of the extraordinary French art collective Lolita Danseduring the 1980s. Encompassing unearthed soundtracks created by Pray-Paxfor the vibrant performances of the multi-disciplinary group, the rich, anarchic music collected here spans no wave, minimal wave, post-punk, avant-garde jazz and outlandish DIY composition. Steeped in surrealism, pranks…

On October 30, 2021, Brainwave Music No. III was recorded live as part of a series of ten groundbreaking Brain Wave sound installation performances by Ilpo Väisänen and Dirk Dresselhaus (die Angel). The event took place in the evocative setting of the Life on a Leaf House in Turku, Finland.   At the core of this performance was an interactive system driven by brainwave interfaces. Harnessing the performers’ neural activity, the system enabled Väisänen and Dresselhaus to directly process and shap…

Echo of Being / Grace in Rot is a powerful sonic meditation on grief by the duo Neti-Neti, composed of vocalist Amirtha Kidambi and percussionist Matt Evans. The project originated from improvisation sessions born out of personal loss, evolving from an intimate exchange into a practice that bridges the personal and the political.

*100 copies limited edition* In his late forties, Andreas Malm is releasing his first solo album. So where has he been hiding all these years? In plain sight, it seems. The past few decades, he’s been a staple in the music scene of Malmö, Sweden. From the free-rock outbursts of Fria Konstellationen to the tapedrones of Amph, the synthscapes of Skeppet and probably best known, the minimalist rockquartet Eternal Music Society: it’s fair to say he’s been around. Just not all by himself. As Kroppskä…

Venerable composer and pianist Charlemagne Palestine revisits his seminal 1976 work ‘The Golden Mean’ in duo with enigmatic artist Rrose, reprising a dialogue started 10 years ago when Rrose was studying at Mills College and looking for a score to Charlemagne’s amazing ‘Strumming Music’…“In 2018 the Festival Variations in Nantes commissions Palestine to perform The Golden Mean, reworking the piece for two pianists. Palestine chose Rrose to join him in this new rendition of the work. Together, th…

A new piece by minimalist / experimental composer Phill Niblock (1933 - 2024), co-composed and performed by Anna Clementi & Thomas Stern. Intense, menacing layers of thick drones and alien sounds.

*2023 stock. 200 copies limited edition* This is one in a trilogy of live recordings made at Ftarri, Tokyo, documenting some of guitarist/improviser Tetuzi Akiyama's outstanding performances of 2021. The CD releases feature covers drawn by artist Shigeo Mizuta. The two tracks on this CD, each around 25 minutes in length, were recorded at Akiyama's duo concert with electronics player Leo Okagawa at Ftarri on June 21, 2021. Okagawa is known for releases on overseas labels of many collage works usi…

"After playing together for years, our tide was turning. What began as a happy rhythm of show dates in Berlin, from cozy trios in Klaus’ home studio to ten-piece ensembles at Ausland, was now ebbing away thanks to Andy’s move to the US. Whenever an accustomed pattern shifts it can take time to readjust, to find the gravity that will pull to shape an orbit again. What had been working well between us remained on both our minds for a few years after: the tension between complimentary forms and ref…

"Due scritti imperfetti" contains three compositions meticulously put together by Giancarlo Toniutti, Deison and Massimo Toniutti. The location chosen for this collaboration was primarily the recording studio in Udine where, in a two-year timespan, the authors met to discuss, compose, record, trim, listening back, sifting out sounds and adapting their electro-acoustic mixtures.The music or rather 'musics' that emerged during this progress, represent different versions of ongoing experiments, a w…

Angelo Bignamini, Italian sound artist, presents "Batelli a Vapore," inspired by Rimbaud's "Le Bateau ivre." Gentle noise, subtle melodies, and quiet voices evoke poetic journeys, ending with a serene guitar, closing the lyrical narrative.

*Dubbed on new ferro tapes* One long composition for each side. Reminding me of an ultra-stretched version of the beautiful interplays on talktalk’s spirit of eden. Brittle percussive repetitions and muted trumpets slowly maneuvering into lovely tensions.

*Dubbed on new ferro tapes* Tape loops, wind-up gramophone manipulations, and other audio fascinations. All of these sounds share the fact that they didn’t fit into any other release. Collected throughout 2024 and 2025, they were set aside on my harddrive. This is a documentation of scrap material, assembled in rough form.

A collection of photographs of everyday life, just passing by, on a constant search for those minimal hidden details, mysterious, yet full of awareness, meditative yet bristling with fervor. Mira’s debut for Maple Death ‘Erica’ reveals the artist’s constant transformation, a dense collection of six melancholy vignettes that spin cinematic neo-classical minimalism into slow-tranced lullabies and ancient folklore chants. Based between Rome and Torino the violinist and composer is a beloved figure …

*200 hand-numbered copies limited edition* HolyKindOf is multi instrumentalist J. Bryan Parks from Akron, Ohio. Is a part of Rubber City Noise. HolyKindOf is a solo venture that began its current incarnation in the late spring of 2012 in a cathartic response to personal tragedy. Using dense layers of manipulated loops; primarily cello, field recordings, tape & voice. He sculpts viscerally; a requiem of repetitive phrase, culminating heady delicacies, evolving melodies & crescendo. Each live perf…

*200 hand-numbered copies limited edition* Ben McElroy is a folk/experimental/ambient artist based in the UK. He has released prolific albums since his 2016 debut "Bird Stone" for Whitelabrecs. Notable releases since then include 2018s "The Word Cricket Made Her Happy" for eilean rec. and 2022s "How I Learnt to Disengage From The pack" on The Slow Music Movement (which was folk album of the month in the Guardian). Ben also performs live around the UK (and potentially further in the future). "Thi…

Edition of 200 copies, incl. 12-page booklet. Zachary Paul is a violinist and composer currently living in New York. Having played in orchestras for most of his life, his beautiful violin work has recently emerged in the new music scene on the East and West coasts. Recently collaborating with musicians like Simon Scott and Patrick Shiroishi, Zachary has long been a “session violinist” for many Recital releases (including Simple Affections and Autumn Fair). It’s with great pleasure to finally rel…

Melos is an ongoing series of site-specific works for organ and electronics. By merging sampled organ tones with sustained chords, it creates evolving, immersive textures unique to each venue. Each piece explores and expands the organ’s expressive limits through electronic means.

Louie Rice and Luciano Maggiore work together as NO PA ON, performing score based works - both acoustic (without a PA system) and amplified (with a PA system). The duo was originally conceived to perform works by other artists as part of an event series at Cafe OTO in London. This series acted as a research period that went on to inform the action-based pieces that Rice and Maggiore are now writing themselves. These pieces explore physical actions and vocalisations in response to pre defined pro…

**This special picture LP is limited to 444 numbered copies** An awesome album by John Watermann, the idea for this project came about after a visit to Calcutta in 1990, and through the nightmarish experiences during that short visit. The concept of aurally conveying the horror of a gas chamber was realised through field recordings in an abandoned electrical power station in Brisbane in 1992. The sounds are grating and harsh, a mixture of field recordings and electronic manipulations. One can ra…