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After studying composition at the Marseille Conservatory, Emmanuel Cremer, while writing for the theatre and the cinema, began improvising, notably alongside Barre Phillips, then Raymond Boni, with whom he recorded in 2003 ("Terronès, Suite andalouse", Blue Marge 1007 - with Foussat!), Joe McPhee, Jean-Marc Montera and other musicians from the region. In Athens in 2019, in the middle of the ancient ruins, but in fact in the studio, he recorded five solo pieces, five improvisations undoubtedly we…
*In process of stocking* Look Like is the first complete solo release from bassist and vocalist Kelsey Mines. A series of improvised solo-duets, Look Like explores how listening to our on-going internal dialogue helps us conjure honest, outward expressions.
Loud Object is the second solo release from artist Billy Steiger, following his self released 'Recordings, drawings and photographs from in and around Frîdd Newydd' in 2016. Both a visual artist and a musician, Steiger’s Loud Object plays as a two sided experiment in markmarking and sound, as a kind of writing by ear - metallic, brushed, wooden - lines imprinted and pressed circular.
The record takes its name from the discarded title of the several-hundred-page draft of Clarice Lispector’s ev…
In the Moment is a retrospective of the solo, multi-phonic guitar work of underground rock and experimental musician Benjamin Miller. Utilizing extended techniques, prepared objects and implements, and an array of processing, his approach to the electric guitar on In the Moment is almost like a polyphonic sound generator, fully apart from the tradition of Chuck Berry, Clapton and company. Alien tongues, ambient soundscapes, the sounds of mechanization and technology breaking down all emerge in t…
The Industrious Tongue of Michael Foster is a 2-part work probing the most intimate and sensitive glands of the saxophone's internal architecture. This work is dedicated to several filmmakers whose work explores the erotic extremities and complexities of contemporary intimacy which has served as a focal point of inspiration for this album: Hisayasu Sato, Takashi Ishii, Naomi Tani and Jacques Rivette.
*In process of stocking* Since his Beat Diary debut (a 12xLP box set comprising 365 beats recorded daily over the course of a year), Julian Sartorius has immersed himself in unique and ambitious projects - trekking the path not travelled to arrive at rhythmic life forms through found objects and prepared instruments. Equally as mighty are his two other escapades, the most recent being Locked Grooves - 112 beats cut as endless loops on vinyl spanning 56 dense 1.8 second compositions per side. Pre…
Tip! "Recorded during the first lockdown in July 2020. All pieces are derived from improvisations experimenting with extended techniques / prepared bass, microtonality and Harry Partch's 11-Limit tonality diamond tuning system, overdubbing and long formless melodies. Inspired and dedicated to my daughter Yumi who was born on 25th April 2020." - Michael Bardon
On While Whirling, French-Japanese violist Frantz Loriot unleashes the essence of the viola as an explosive expressive force. Pushing the instrument to extremes, he ceaselessly explores its most subtle and unexpected sonorities. From a single acoustic string instrument, he miraculously teases and evokes hallucinatory impressions of harpsichords pounded, bells struck, electronics cracked, dirt shoveled; Loriot has created a unique, personal music filled with moments of textured transcendence and …
** 2021 Stock ** A typical modern drum set consists of a bass drum, a snare drum, hi-hats, a few toms, and a couple of cymbals. When played as a drum set, the characteristics of each sound combine to create what many people recognize as a single instrument. Yet each of the pieces within that instrument has particular qualities that are often different from each other, especially between drums and cymbals. From a player's standpoint, shifting focus from the sonic options available with a drum set…
Edition of 500. "Here is the first volume of protean solo improvisations recorded by Loren Connors in his artist's garret in New Haven, Connecticut. It was committed to tape on February 20, 1979 and pressed to vinyl soon after. As with the two earlier LPs on Loren's Daggett label, singer/recorder-player Kath Bloom also appears on this record, although only on the second side. Those prior LPs were both issued in 1978, The first was Acoustic Guitar/Gifts a split LP with Loren solo on one side and …
Dating back to the 13th century in Wales, the Telyn Rawn is a nearly forgotten horsehair harp; UK improvising harpist Rhodri Davies researched the instrument and its unique sound, commissioning the construction of a harp on which he performs 18 improvisations of impressive technique and sonority, launching his new Amgen Records label with this album named for the instrument.
"A Telyn Rawn is a harp strung with horse hair and predates the appearance of the triple, lever and pedal harps. The earli…
So(u)len(skin(ner) is the second solo LP Katt Hernandez has released. After 13 years as a veteran of the variated wonderments of the experimental music scenes of the east coast, Katt moved to Sweden. She became a producer at Fylkingen and several other organizations for new and experimental music, started making electro-acoustic music alongside her long beloved violin at EMS and the Royal Music Academy alike, and is playing all about Sweden and further with a burgeoning tumult of new and fantast…
Martina Verhoeven has been working on the development of her own photographic style for about 20 years, almost parallel to this process Martina took up the electric fretless bass when recording the two criticaly-acclaimed 3 Seconds Of Air albums (with Dirk Serries). As her photography continues to grow, expand and develop, slowly mutating into collages on canvas, so does her approach to music. Switching from electric bass to double bass to piano, she slowly mastered a technique that's exceptiona…
Wall of Sound is a music of sonic sensations. It is a physical and sensual approach to the phenomenon of thick sound worlds. Sound waves become physical objects, four-dimensional sonic sculptures to be experienced, bodily and mentally. Ulrich Krieger's Wall Of Sound is a series of CDs about music that invites the listener to indulge themselves in sound. It doesn't guide an audience through a narrative, like a song, but offers the listener slow changing and developing soundscapes, acoustic sculpt…
A tour-de-force of solo improvisation from French trombonist Christiane Bopp, flawlessly captured by sound engineer Jean Marc Foussat, as Bopp transforms her instrument through technical skill, lyrical ability, and unusual technique, creating virtual duets, furtive expression, and thundering emotion, an absolutely impressive example of modern trombone language.
Dark and gloomy string arrangements by Michigan’s Michael Collino (Dog Lady Island, Alien Passengers) on both sides, concluding to an intentional dragged out silence on side B to complete those sounds of loss. “Funeral Zither” at its best.
A trumpeter and improviser living in Mexico City, over the last ten years Jacob Wick has become known for deconstructing the instrument itself and any expectations of how it "should" be played. The explorations on Feelfocus on sound as it relates to specific spaces and in turn the subtle but profound connections they have to emotions and the body. The result is a highly personal music that is both unique and immediate, abstract yet undeniably visceral. On Feel, Wick creates two intense side-long…
XI Records releases Drop By Drop, Suddenly, a two-CD set of eleven compositions for bassoon composed and performed by Leslie Ross. Ross is not only an internationally renowned instrument builder but is also an uncompromising creative musician. The first disc starts with a series of short seed pieces that play primarily with the timbral and microtonal differences highlighted between tone-holes, forming a layered effect while playing with only one fingering, single note or multiphonic. They range …
Limited edition of 200 copies. A double CD set featuring seven solo guitar pieces recorded on the 5th of january 2017 in Ericeira II seven solo guitar pieces 1-5 recorded on the 12th, 14th and 15th of may 2017 6 and 7 recorded in Ericeira on the 8th of january 2017. Manuel Mota is a Portuguese guitarist, who might best be described as a somewhat more fluidly lyrical Derek Bailey. Lovingly recorded on solid body electric guitar, his improvisations have the spiky quality associated with the elde…