The two new Blume LPs together: David Tudor's Anima Pepsi, composed for the Pepsi Pavilion at Expo '70, and Lea Bertucci's The Days Pass Quickly Immersed in the Shadow of Eternity, written for Norbert Rodenkirchen's flutes.
Commissioned by ZKM Karlsruhe, Lea Bertucci's work for flutist Norbert Rodenkirchen sets his Renaissance, Medieval and Neolithic flutes inside electronic process: an electroacoustic piece that sounds like an ensemble reaching across centuries.
Henrik Munkeby Nørstebø and Daniel Lercher met in the Czech country side in 2010, as part of an improvising orchestra comprised of Austrian, Czech and Norwegian musicians, and started working as a duo shortly after. Finding common ground in fine grained and slow pulsed music, the duo went through a research period, striving to develop a common material void of all things unnecessary, where the impact of acoustic and electronic sound elements were truly balanced. While Nørstebø refined his arsena…
Asakusa Follies is a luminous scene of interplay between melody, breath, and the shakuhachi flute. Following on from the initial triptych of electro-acoustic releases on the Cuspeditions imprint, Clive Bell’s Asakusa Follies shifts the listener away from the studio and toward the player himself. Breath is a central theme in the album where a punctuation of purring, spitting, flicking and gasping intersects the tones, overtones and noise of the shakuhachi. The opening composition Ultramodern Vari…
Documentary recordings of Hartmut Geerken and Michael Ranta’s November and December 1976 tour of the Middle East and East Asia. Geerken is known for his long relationship with Sun Ra (including compiling a discography), but he wears many other hats too: musician, film-maker, archivist. Ranta is a percussionist best known for his famous “Improvisation Sep.1975” collaborative record with Toshi Ichiyanagi and Takehisa Kosugi. This is a CD reissue of an LP boxset, originally released in 2010 as the …
Comes with 8 page booklet. Originally released in 1973 as a private press LP, 'One' is the first document of GAEB, a mysterious sextet of Californian improvisors. Formed in the late 60's by artist Richard Waters and jazz drummer Lee Charlton, the group made music using Waters's kinetic sculptures. His most important creation was the waterphone, a sort of acoustic synthesizer which used water in its resonators to produce warbling, tone bending vibrations similar to th edeep sea harmonies of humpb…