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Expansive and ambitious, Tender Revolutions is the latest from Vietnam-born, Portland-based multimedia artist Dao Strom. A fluid album, existing between genres—part ambient folk, part sound collage, part spoken word, part post rock—it blurs the line between the work of an experimental composer and the work of an accomplished singer-songwriter. Instruments slip in and out (guitar, piano, synthesizer, strings, drums, percussion) amid field recordings and samples, all anchored by Strom’s singular v…
Shrouded in mystery just like their magical compositions Torino’s collective Heart Of Snake are joined by Mira for their first release in six years, the enchanted ragged vibration of ‘Chamareops’, a 40 minute opus that just like the cold-hardy palm that lends its name to the album, blends classical guitar, desert folk, meditative exotica and distant island lullabies that withstand the test of time.
Originally led by Vincenzo Marando (Movie Star Junkies, Krano, Similou), Alberto Danzi (I Residen…
Sometimes records reflect life with an unsettling precision, your own breath sticking to a mirror, confounding or transforming reality. J.H. Guraj, real name Dominique Vaccaro, is back with ‘The Flip Side’, an accomplished work of grace and sprawling elegance documenting struggle and a near-death experience that summons ghosts of Western primitive masters, rollicking free folk, minimalist orchestrations, weeping guitars and smooth psychedelics.
Time stopped for J.H. Guraj in 2021 following a br…
2025 stock The third full-length release for Portland, Oregon-based Liz Harris. Harris might have achieved a significant fan base thanks to the whispering, near-ambient vocal crusades of her debut album Way Their Crept and its follow-up Wide, but those with a careful ear would have heard slightly more trapped beneath her fuzzy chain of effects. Dragging A Dead Deer Up A Hill marks a departure of sorts for Liz, which sees her turn down the fuzz boxes which caged (and to some degree defined) her s…