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Gary Sullivan's Bodega Pop project returns to Dinte with a cassette-only collection of traditional sounds plucked from CDRs found in the night-markets of Savannakhet, Vientiane, and Luang Prabang.
"The Wiregrass Singers' Dewey Williams began learning the shape-note tradition in his childhood. He studied under Judge Jackson, who authored the landmark 1934 hymnbook The Colored Sacred Harp. In 1971, Williams formally organized The Wiregrass Sacred Harp Singers to preserve the music full-time. This unified troupe began touring nationally and leading workshops, which ultimately launched them onto stages at the Smithsonian and Newport folk festivals up until Williams' passing in 1995 when the g…
Death Is Not The End issue 15 heartbreaking archival fado recordings from Ercilia Costa - made in Madrid in 1930, accompanied by seminal guitarist Armandinho. One of the early stars of fado, Ercilia Costa was the first to take the music overseas to emigrant Portgugese communities.
Death Is Not The End issue a 14-track tape of vintage and archival Cajun ft. tracks from Segura Brothers, Amede Ardoin, Blind Uncle Gaspard, Sydney Landry & more.
A 14-track tape pulling together rural Greek demotika recordings from the late 1930s to the mid-1950s. Soaring pentatonic improvisations, odd-metered rhythms, and vocal performances oscillate between heartbreaking laments and ecstatic celebrations.
*Handcut mono lathe vinyl, risoprint cover and insert + bag of silence* A reinterpretation of Scandinaviaʼs dark folkdance traditions. The 7” features two recordings of heavily downtuned solo viola only accompanied by the musicians footstomps.
For more than two decades, Sublime Frequencies has stood among the most singular voices in the documentation of music from communities and geographies underserved by the global record industry. Their latest, Himba Hymn: Ghosts Of Namibia's Skeleton Coast, presents recordings made on location with Himba musicians in the Namib desert of northwest Namibia, produced and recorded by Ian Brennan, with photography by Marilena Umuhoza Delli. Issued in a limited edition LP of 500 copies, it joins the imp…
Dålågjel is Hans P. Kjorstad's third album as a leader for Motvind Records. The music premiered in concert form in 2022, when he joined by the all-star ensemble of Rasmus Kjorstad, Helga Myhr, Kenneth Lien and Astrid Garmo enchanted audiences at Motvind and Jørn Hilme-stemnet, with timelessly transcendental renderings of old Norwegian folk music material. Dålågjel is based on archival footage of traditional tunes from the Gudbrandsdal, Østerdalen, Halligdal, Valdres, Setesdal and Telemark region…
Wewantsounds continues its Middle East reissue series with Assa'd Khoury's 1978 rarity, Electronic Touches Belly Dance. Reissued for the first time in nearly 50 years in partnership with Byblos Records founder Mozart Chahine, the album features Oriental classics reimagined through Khoury's pioneering electronic keyboards. This definitive edition includes original artwork, remastered audio, a new introduction by Ahmed Khalil (Dikraphone), and an exclusive interview with Chahine, the album's produ…
Death Is Not The End present a further volume of Arja Kastinen's eerie amalgamations of 110 year old wax cylinders with her own meticulously transcribed takes, this time focussing in on Armas Otto Väisänen's field recordings of kantele player Iivana Mišukka (b. 1861 d.1919).
There’s a rich resonance to the music of Fodé Lassana Diabaté, whose music has travelled with him from his griot family in West Africa to the North American coast of Unama'kik (Cape Breton). Bala, his first album of purely balafón music, brings together traditional pieces with roots in the Mande empire, original compositions inspired by his time in Unama’kik, and tributes to friends and family members. Diabaté has developed a unique practice on the balafón—a traditional melodic percussion instru…
The label Ored Recordings was founded in 2013 by Circassian friends and fellow musicians Bulat Khalilov and Timur Kodzoko, in order to start an activity which is dedicated to documenting and preserving the traditional and post-traditional music of the North Caucasus. Khalilov and Kodzoko, were just as excited about this music as it sounded like a force that transcends borders and in which time dissolves and community becomes the only compass. Through hundreds of field recordings, which have been…
"Mutudi Ua Ufolo/Viuva Da Liberdade" is one of the most important records ever made in Angola. An hypnotic masterpiece that blends Central African rhythms and Semba with soulful guitar and percussion. Originally released on CDA with Conjunto Merengue, it captured Zé at his creative peak. Sung in Portuguese and local dialects, the songs balance rhythmic elegance with deep political weight, tracing ties to Afro-Brazilian and Latin American musical traditions.
After Zé’s assassination in 1977, the …
Super Mazembe's "Greatest Hits," serves as a definitive collection celebrating the band's remarkable contributions to East African music. Released in 1986, this compilation features a carefully curated selection of the band's most iconic tracks, encapsulating their vibrant sound and the infectious energy that made them a household name. Highlights include fan favorites like "Shauri Yako" and "Kasongo" each track showcasing the band's skillful musicianship and unique ability to blend traditional…
Tip! Gagaku is the oldest of the Japanese performing arts, with a history more than a thousand years old. The term refers to Japanese classical music and dance, traditionally performed by families of musicians linked to the ancient Imperial court, and later passed down in Buddhist temple ceremonies and Shinto shrines. Shiba Sukeyasu, founder and director of the Reigakusha ensemble, descends from the Koma clan, whose origins date back to the end of the 10th century.
The recordings partly reflect …
** 2025 stock. ** Ancient Court Raga Traditions: The Pathak Gharana unveils the legacy of Ashok Pathak, torchbearer of a centuries-old musical lineage rooted in expressive sitar and surbahar artistry. The album channels the introspective eloquence and technical invention unique to Pathak Gharana, honoring classical forms while revealing a spirit of fresh musical interpretation through deep alap, intricate meend, and rare court compositions.
** 2025 stock. ** Lost Sounds Of The Tao (Chinese Masters Of The Guqin In Historic Recordings) reveals the refined artistry of Lo Ka Ping, presenting rare archival performances that mirror the spiritual depth and cultural resonance of the guqin tradition. The album’s historic recordings capture an intimate sonic landscape rooted in Chinese philosophy and poetic subtlety, honoring both instrument and legacy.
Noura Mint Seymali's 3rd album Yenbett (her first since 2016) is a stunning explosion of contemporary Mauritanian griot music, and once again confirms her status as one of the world's most potent voices. Co-produced by Matthew Tinari (Noura's drummer) and Mikey Coltun (Mdou Moctar) the new album's approach is both raw and experimental; capturing the band's powerful in situ performances with taught clarity and adventuresome sonics. Reflecting her influence, and the acclaim that she's accumulated …
In the remote villages of Vietnam's Central Highlands, a profound musical transformation is taking place. Traditional songs that have echoed through generations of the Jerai, Banhar, Ede, and Rongao ethnic groups now exist alongside new forms of expression, creating a complex sonic landscape that Vincenzo Della Ratta has documented across two decades of field recording. This exceptional release captures not just the music itself but a pivotal moment in cultural history—the last flowering of anci…
Makoto Moroi (1930-2013), his name is well-known early electronic works at NHK electronic music studio, composed numerous works for Japanese traditional instruments during the 1960s and 1970s. His most notable works include "Chikurai Gosho" (1964) and "Uitenpen" (1973), with "Symphonia for S.M. ― Shin" (1972) considered his crowning achievement. On the other hand, this piece, "Kaikou,” had not been revisited since it was broadcast on NHK FM's "Contemporary Music" program on November 2, 1975.
As …