Jazz /
The Three Faces of Yusef Lateef
Recorded in May 1960 this is probably one of Lateef’s more straight jazz releases with almost no trace of his famous Eastern sound experiments. This is a beautiful and dynamic album based on a balanced mix of originals and standards including great numbers by Dvorak, Ellington and Zawinul and with Lateef who’s literally shining on both tenor sax, oboe and flute. A fine document from a master musician caught during one of the peaks of his career.
Lost Performances 1966
Temporary Super Offer! "Rare performances and concerts. The Sound of the Munich Filmprodction and the concert of Helsinki are first releases. The Rotterdam concert was available in the Holy Ghost bootleg box." – Werner X. Uehlinger. "Albert Ayler’s late 1966 tour of northern Europe was, happily, well documented in one way or another, though not always with the best sound quality, something this reissue series is attempting to address (and doing very well). The recording at hand includes 3 tracks…
Cymbalism
*In process of stocking* A legendary album by one of the masters of modern jazz drumming! Recorded by Rudy Van Gelder in 1963, Cymbalism is among the albums Roy Haynes provided for Prestige's New Jazz series. This session features the drummer leading an acoustic quartet with Frank Strozier (alto sax, flute) Ronnie Mathews (piano) and Larry Ridley (bass). An unpredictable Hard Bop-Post Bop transitional album with different colors and moods. From the primary influence of Charlie Parker through a k…
Passaporto Per L'Italia
First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years.
It contains Chet Baker with Ennio Morricone's Orchestra, with "Il Mio Domani" (My Tomorrow) and "So Che Ti Perderò" (I Know That I'…
Peace Treaty
*2022 stock. In process of stocking* “One of the first true moments of genius from saxophonist Nathan Davis – originally released in the mid 60s for the tiny SFP label – and a record that’s even rarer than his early classics for MPS! The sound here is similar to the MPS sides – a mixture of soul jazz and modal jazz – served up with a bit more freedoms than Davis might have gotten on the US scene, and featuring a lineup that includes Woody Shaw on trumpet, Jean-Louis Chautemps on baritone sax, Re…
Esp-Disk
*In process of stocking. 2022 stock* In October 2018, Steve Holtje, the mastermind of the pioneering American music label ESP, was invited by the 8th OCT-LOFT International Jazz Festival to give a lecture in Shenzhen entitled "55 Years of Pioneering and Non-Mainstream Music: The Continuing Revolution of ESP-DISK", unveiling the label for the first time to Chinese The talk was entitled "55 Years of Pioneering and Non-Mainstream Music: The Continuing Revolution of ESP-DISK", and unveiled the myste…
The Way Ahead - Kwanza - The Magic of Ju-Ju, revisited
Temporary Super Offer! Allow me to expand on a much restated quote from Albert Ayler: "Coltrane was The Father, Pharoah was The Son, and I was...The Holy Ghost.” If we remain with the Christian iconography, that makes Archie Shepp, Simon Peter, or the Apostle Peter whom Jesus called the rock upon which he built his church. Christened by his tenure in the early 1960s with Cecil Taylor, Shepp was baptized into what we now call a modernist approach. In meeting Coltrane, a man always searching for a…
Play Annette Peacock, Revisited
Temporary Super Offer! By 1965, Paul Bley had settled on the trio format, and touring Europe revealed a warmer reception for music that employed chordless improvisations, three-way rhythmic counterpoint, unfamiliar melodic constructs, and malleable song form. But there was an equally momentous conceptual change in the group’s material, as the adventurous pieces by Carla Bley were gradually being replaced by those of Paul’s new partner, Annette Peacock. - Art Lange
Blue in Green (Book)
Hardcover, cloth binding, dust jacket The latest work from the veteran novelist called “one hell of a writer” by James Baldwin, “wonderfully wry” by Donald Barthelme, and a “writer’s writer” by Ishmael Reed, Blue in Green narrates one evening in August 1959, when, only eight days after the release of his landmark album Kind of Blue, Miles Davis is assaulted by a member of New York City Police Department outside of Birdland. In the aftermath of Davis’s brief stint in custody, we enter the straine…
Steppin' Out!
TIp! *Tone Poet serie. Highly recommended audiophiles new master* Muscular tenorsaxophonist featured several times in recordings for the blue label, Harold Vick signed only one album as leader for Blue Note: here it is, and it is a fine album. The company was of the most inspiring: Blue Mitchell (another underrated...) on trumpet, the tandem of friends Grant Green (on guitar) / John Patton (on Hammond organ) and Ben Dixon on drums. An album to rediscover.
Stick-Up!
TIp! *Tone Poet serie. Highly recommended audiophiles new master* An album as representative as ever of the most avant-garde wing within that extraordinary laboratory called Blue Note: the reinventor of the vibraphone Bobby Hutcherson here (this is 1966) joins Joe Henderson on tenor sax, McCoy Tyner on piano, Herbie Lewis on double bass and Billy Higgins on drums to record a memorable album, including original compositions and a danceable 'Una muy bonita', a well-known Tex-Mex flavour track by O…
Philadelphia, November 11, 1966
This release presents one of John Coltrane's last preserved live performances ever. Taped in Philadelphia with excellent sound quality, this set presents Coltrane playing probably the freest version of Naima, along with readings of two more of his compositions: Crescent and a powerful version of Leo. Coltrane died shortly after this performance at the age of 40 on July 11, 1967.
At the Penthouse in Seattle September 30, 1965
Radio broadcast of a daytime performance at The Penthouse, Seattle, Washington, September 30, 1965 taped by an amateur fan.
Japanese Jazz Spectacle Vol.II
Tip! "It is my great pleasure to introduce you to the second volume of the "Japanese Jazz Spectacle" series. Following the first compilation which focused on recordings from the Nippon Columbia catalog, this time we are digging into the King Records archives. It is almost impossible to capture the whole picture of Wa-Jazz in a couple of compilation albums since it is such a broad and deep genre, however, by extracting tracks from the Nippon Columbia and King Records collections - both labels hav…
Soft Winds: The Swinging Harp of Dorothy Ashby
2025 Repress. Dorothy Ashby album from 1961 that also features female vibes player Terry Pollard. Comes with a version of The Skatalites 'Guns of Navarone' which is a pretty surreal listening experience. From the original liner notes: "Dorothy Ashby may not be the first jazz harpist (Caspar Reardon) or the first female jazz harpist (Adele Girard), but her good feeling for time and ability to construct melodic, guitar-like lines, mark her as the most accomplished modern jazz harpist (...) Accompa…
Wamono A To Z Vol. III (Japanese Light Mellow Funk, Disco & Boogie 1978-1988)
Tip! Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese groove scene. After many years working as a record buyer for several stores, DJ Chintam open…
Point Of Departure to Compulsion!!!!! revisited
Point of Departure was an inflection point in Hill’s output for Blue Note, his penchant for formal complexity and compacted materials – which he revisited beginning in 1969 with a nonet date, tracks with a string quartet-augmented ensemble, and an album with voices – giving way to what proved to be a short-lived foray into the minimally scored pieces that distinguished Compulsion!!!!!. The two recording sessions were separated by only eighteen months, but they were among the most convulsive in j…
Latino Con Cal Tjader
Vibraphonist Cal Tjader is heard leading five different groups throughout this set, but the identities of the flutists, bassists, and pianists are less important than knowing that Tjader, Willie Bobo (on drums and timbales), and the great conga player Mongo Santamaria are on every selection. The music really cooks, with torrid percussion, inspired ensembles, and occasional solos from the sidemen (which sometimes include pianists Lonnie Hewitt or Vince Guaraldi, bassist Al McKibbon, and flutist P…
Goodnight, It's Time To Go
Recorded in 1961 and released on Prestige records in the same year, this was Brother Jack McDuff's fourth studio effort and the first featuring his regular partners Harold Vick on tenor saxophone, Grant Green on guitar and Joe Dukes on drums. Vick and Green would soon become two prominent figures in soul jazz while McDuff stands as one of the key organ players in the genre. This is an absolute soul-jazz gem!"This 1961 date was organist Jack McDuff's first with his regular working band. That grou…
Straight Ahead
Limited Clear Vinyl edition, 500 copies! Originally released in 1961 by Prestige/New Jazz label, "Straight Ahead" marks the last Eric Dolphy's appearance within a series of fortunate collaborations with saxophonist Oliver Nelson. This is a great modern jazz album taking shape from a quintet studio session (all first takes) engineered and supervised by master Rudy Van Gelder and featuring: Oliver Nelson - alto and tenor saxes, clarinet - Eric Dolphy - alto sax, bass clarinet, flute - Richard Wy…