Jazz /
Were We Where We Were
Were We Where We Were is a recording of set of compositions by Michael Formanek, and performed here by him, saxophonist and clarinetist Chet Doxas, and drummer Vinnie Sperrazza, collectively as the Michael Formanek Drome Trio. These pieces were loosely grouped together as Palindrome Series 1 and Palindrome Series 2, from 2020. They started out as a series graphic scores that were then reinterpreted as conventionally notated music for this trio. The Drome trio learned the music and rehearsed outs…
Eight Pieces for Two Cellos
*In process of stocking* Repertoire for cello represents a little-explored niche of the greater jazz songbook. In 2013, cellists Tomeka Reid and Fred Lonberg-Holm turned their arrangerly and composerly attention to this terrain, assembling a selection of four originals (three by Lonberg-Holm, one by Reid) and four works by other composers. The latter include “Pluck It” by pioneering jazz cellist Fred Katz, member of the Chico Hamilton Quintet and soundtrack composer for Roger Corman films; “In W…
Diversity
*In process of stocking.* The grand old man of Finnish Jazz, Eero Koivistoinen, has not kept still in his old age. Far from it, he's played with rappers from the younger generation, Argentinian tango singers, you name it. The Eero Koivistoinen Quartet, onto its 10th year in existence, is his outlet for what he knows by heart like no one else - cool quartet jazz in which Eero is aided by younger luminaries from the scene. Alexi Tuomarila is on the grand piano, Jori Huhtala on bass and Jussi Lehto…
Spirit Of Nuff...Nuff
Originally released in 1991 this was Henry Threadgil's new band's debut release. That's where Threadgill introduced the unique concept of dual tubas and dual electric guitars. In Very Very Circus's ultra-layered sound world all roles melt equally into an unprecedented sound experience. A big step forward in modern jazz from one of the greatest composers of our time. Henry Threadgill - alto saxophone, flute, Curtis Fowlkes - trombone, Brandon Ross - electric guitar, Marcus Rojas, Edwin Rodriguez …
1960-04-09 - Scheveningen – The Netherlands
Miles Davis gave two concerts at Amsterdam’s Concertgebouw in 1960 as part of a Jazz at the Philharmonic package, one on April 9 and the other on October 15. Stunning european live performance from Miles with his early quintet featuring the magic of a young and talented Trane. Miles Davis (trumpet), John Coltrane (Tenor Saxophone), Wynton Kelly (Piano), Paul Chambers (Bass), Jimmy Cobb (Drums).
Afro Trane
Third all-solo outing from Nat Birchall. This time Nat pays homage to the patron saint of the tenor saxophone, John Coltrane. With a balanced programme of original songs and John Coltrane compositions the album focusses on the more Afrocentric aspects of the music.
New Masada Quartet
*In process of stocking. 2022 stock.* The long awaited first recording by John Zorn’s newest and most exciting ensemble, the New Masada Quartet. Performing eight classic compositions from the Masada songbooks, NMQ is a tight unit of like-minded virtuosi and one of the best groups Zorn has ever had. Bristling hot guitar master Julian Lage, bass wizard Jorge Roeder and 30-year Zorn veteran Kenny Wollesen perform with a crackling live energy that brings the Masada music to life like never before! L…
Jazzpreis
Tip! *In process of stocking. Limited edition of 500 copies.* Dry-sober: The whole thing is not new. Neither the line-up nor the methodology according to which the music on this record is organized. The two have known each other for 40 years, then as now they just met and started playing, without prior arrangements, earlier out of ignorance, today out of the opposite: the results are amazingly similar. Only: the recordings from the last 40 years, made privately with the tape recorder or later by…
At Her Majesty's Pleasure
*2022 stock.* Inspiration in jazz has many sources. Who would have thought that British prisons could have inspired a Belgian-born composer, arranger, co-leader of a truly international band? The fact is that when the Clarke-Boland band came to this country at the beginning of 1969 for their memorable booking at the Ronnie Scott Club tenor saxophonist Johnny Griffin was, to quote the sleeve “whisked off to Pentonville”. It was nothing worse than a question of outstanding income tax from a previo…
Linde
*In process of stocking.* The trio Slagr releases their sixth album “Linde”, made up of music created in a time of new beginnings. The music on the album is written by Katrine Schiøtt in the middle of maternity leave, giving a new touch to the trios distinctive sound. Postpartum - lack of sleep, emotional vulnerability, an extreme focus on something outside oneself; providing nourishment and love to the newborn. A minor state of emergency where small moments can inspire to musical fragments and …
Als Ik Niets Meer Van De Kano Zie
*Limited Edition of 100 hand-numbered copies.* Improvisation is a universal non-verbal language. For many of us it is a practice, not a music genre, one that knows no boundaries. Personally I’m really interested in the locality of an improvisational recording. I find it much more intriguing to listen to someone who improvises and lives outside of the big hubs for free jazz and free improv of the western world. It might seem trivial to many of you, but the fact that the titles and bandcamp notes …
Chirps
Limited edition of 500 copies.* What could possibly happen when two ultimate masters of soprano saxophone square off for their only recording of duets? Chirps is the only place to find out. Steve Lacy – the one who planted the flag for soprano saxophone in the ground of modern jazz, who established its iconic status, who devoted himself to the axe with monkish devotion, who brought shakuhachi breath and stairstep melody into its upper-register antics. Evan Parker – arguably the one who pushed th…
New Movements
*In process of stocking. Limited edition of 500 copies.* German pianist Georg Gräwe, one of the most impeccable and imaginative improvisers in contemporary free music, made his debut recording, New Movements, in 1976, under the auspices of Free Music Production, the legendary Berlin-based organization run by Jost Gebers. At FMP’s Jazz Now festival, in April of that year, Gräwe presented his working band, a classic hard-bop configuration with trumpet, saxophone and rhythm section. Indeed, some ve…