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Pharoah Sanders recorded the songs that comprise Thembi in the winter of ’70/’71, in between sessions with Alice Coltrane that would eventually become her masterpiece Journey In Satchidananda LP. The same compelling spirituality that embued Coltrane’s masterpiece with a mood of stately calm and grace pervades Thembi. ‘On Thembi, that was the first time that I ever touched a Fender Rhodes electric piano. We got to the studio in California — Cecil McBee had to unpack his bass, the drummer had to …
To abandon animals for music – and avant-garde jazz at that –, could seeming shocking to some people. However, it is exactly what Manuel Villarroel did, as he was a vet for three years before leaving his native Chili for Europe and a career in music. And though the animals may have suffered, the world of music can be grateful. Born in 1944, Manuel Villarroel lent an ear to the best pianists from North America: Oscar Peterson and Erroll Garner then Herbie Hancock, McCoy Tyner and Cecil Taylor. Ma…
Before coming to Europe, in 1970, pianist Manuel Villarroel was a vet in his native Chili. A few years later, as leader of the Machi Oul Big Band, he returned to the animal kingdom. A very specific kind of animal, for sure, the Quetzalcoatl, also known as the Feathered Serpent. What is behind this title (also the name of one of the three original compositions on this album released on the Palm label in 1976), is first and foremost a sort of homecoming…
After discovering the jazz of Herbie Hancoc…
A vinyl reissue, in Ecm new audiophile Luminessence series, for Kenny Wheeler’s sensational ECM leader debut. Recorded in New York in 1975, and produced by Manfred Eicher, Gnu High brought Canadian trumpeter Wheeler to a new level of international acclaim, for both his impassioned playing and his profoundly lyrical writing. Here Kenny is fronting an extraordinary quartet, with Keith Jarrett, Dave Holland and Jack DeJohnette, all masterful improvisers who had shaped their intuitive collective und…
Hot on the heels of Old Friends, New Friends comes Old And New Dreams, an operation meant as a new flagship for Ornette Coleman, whose lack of enthusiasm for the project left a gap duly filled by Dewey Redman. The result is this delightful excursion into post-bop outlands that sounds as alive as ever. Two Coleman pieces comprise nearly half of its duration—which is saying much, for like many of ECM’s joints of the 70s, this one breezes by in under 50 minutes. The first Coleman piece, “Lonely Wom…
For the first time, a compact version of Rob Mazurek's magisterial Exploding Star Orchestra – Exploding Star Orchestra/Small Unit – commits its music to CD.
Recorded live at Corbett vs. Dempsey's Chicago gallery space in March, 2023, the six-piece band featured Mazurek on trumpet, Tomeka Reid on cello, Damon Locks on voice and electronics, Angélica Sánchez on Wurlitzer, Ingebrigt Håker Flaten on bass, and Chad Taylor on drums. Spectral Fiction consists of two tracks, the deeply exploratory "Equ…
Tip! Le Sud trio works from the concept of lower-case free music, which has been a common European currency since the mid-1970s. Despite Brexit, violist Benedict Taylor asserts himself during this continental concert by sawing, sweeping and stretching distinctive patterns from his strings. During the two over half-hour each improvisations however there’s no lead instrument. Positioned power strokes, steel string plinks and diverted chords from Dirk Serries plus Friso Van Wyck hollow pops, metal …
Tip! When Dirk Serries travelled last May to Portugal for a series of concerts with José Lencastre, he didn't know he was going to be invited to record some amazing sessions with several key players from the Portuguese impro scene. This is one. Lively session recorded at the studio of João Madeira in Lisbon on May 7th, 2023. A blast it was.
"With Hawking Extended the two Berlin based musicians Ernst Bier & Ignaz Schick present their duo Hawking (formed in 2013) in addition with the Munich based composer, guitarist and live-electronics player Gunnar Geisse. While Hawking performed entirely with live-electronic instruments – in Hawking Extended however additionally to the three different electronic set-ups the musicians also make use of their original acoustic instruments. The purely acoustic setting (saxophone, guitar, drums) is mir…
*2023 stock* Ignaz Schick and Oliver Steidle started collaborating as Ilog around 2013/2014 with celebrated concerts in the Berlin experimental underground. Their first album on Boomslang Records was released in 2015 and since then the two have been performing on and off concerts & tours in Germany, Austria, Czech Republic, Italy, Slovenia, Switzerland and the USA.
In the meantime they also collaborated with the Norwegian bass maverick Ingebrigt Haker-Flaten and German sound artist Jan-Peter Son…
Peter Brötzmann collaborated with many artists in his career, regularly adding new compatriots into the fold, and Norwegian drummer Paal Nilssen-Love became one of his staunchest allies after the percussionist joined the Chicago Tentet in 2004. They worked in various contexts, including this inexhaustible, hard-hitting duo. Most of the albums they’ve issued have captured live performances, but in 2015 they made this stunning studio recording. As Nilssen-Love says in the liner notes, “Peter had a…
Saxophonist Mats Gustafsson is notorious for his prolific nature and constantly expanding circle of collaborators, but few of his partnerships have been as powerful and profound as Gush, the Swedish trio which formed way back in 1988 and celebrates its 36th anniversary in 2024. This performance was captured live at the famous Stockholm jazz venue Fasching on December 17, 1998, and the music excited all three musicians when they revisited it this year. The album is named for the Mongo Santamaria …
*2023 stock* From 1960 era, Hiroshi Yamazaki played with Masayuki Takayanagi, Kaoru Abe, Masabumi Kikuchi, and so on. He plays from standard Jazz to Freeform Improvisation by his original drum sounds and now he put the focus on this unit called Tryangle. Also bassist Nobuyoshi Ino played with Masayuki Takayanagi and Yamazaki from 60 era. Tryangle is the unsettled unit that drummer Yamazaki and bassist Ino invite unique guest musician. For example, Takayuki Kato (g), Masayo Koketsu (as), Sachi Ha…
*2024 stock* "This release Shintaro Quintet’s private press release ‘Evolution’. It’s another well-chosen release that comes with superb packaging, high sound quality and some interesting sleeve notes which give a fascinating in-depth insight into the music and the musicians in Japan within the specified time period.
Recorded in New York, the one-off recording by bassist Shintaro Nakamura and his quintet features the brilliant trumpeter Shunzo Ohno, who has played on many of the quintessential J…
*2023 stock* "A genuine ‘under the radar’ album known only to a handful of Japanese jazz collectors, ‘East Plants’ is now available once more, reissued as CD and digital formats. Originally released in 1983 on the Japanese VAP label, ‘East Plants’ is an essential album in the J Jazz canon. It’s an album that distils several key characteristics of Moriyama’s music: clearly articulated and inventive rhythms, open yet orderly arrangements, and an accessible groove balanced with a graceful control. …
*Limited Edition* Pianist Kunihiko Sugano unveils a collection of solo pieces, featuring shorter tracks than his trio albums of the time but brimming with emotion. Sugano's gentle and expansive piano touch, reminiscent of Bill Evans, is complemented by a unique phrasing that suggests an approach to the acoustic instrument akin to an electric one. The notes unfold with a measured attack and a lingering sustain. Sugano's distinctive style shines here offering a beautiful and individual musical jou…
“Loss has been a constant (in my life), and I wanted to express a deep acceptance of this, but also a pervasive feeling that these kinds of sadnesses are what beauty is derived from, that it doesn't come from perfection. I find the idea of perfect beauty completely banal. Tension matters.” - Anenon
Tip! A radiant manifesto of artistic freedom, fLuXkit Vancouver (i̶t̶s suite but sacred) brings together a composition in four movements written and performed by Jones on alto saxophone, long-time collaborator Gerald Cleaver on drums, and four Vancouver-based string musicians: violinists Jesse Zubot and Josh Zubot, cellist Peggy Lee and bassist James Meger; with original artwork by Stan Douglas and liner notes by poet Harmony Holiday. Commissioned by Western Front, an artist-run center for multi…
Dive into the brilliance of 1970s Japanese jazz with this exceptional bass-led trio session. While piano trios had their spotlight, the bassists led equally enchanting ensembles. Eiji Nakyama's bass takes center stage, weaving lyrical lines complemented by energetic guitar and drums. The album seamlessly blends straight jazz and modal explorations, showcasing creativity without gimmicks. A testament to Japanese jazz greatness, this session stands out for its dynamic and innovative approach.