Jazz /
Carlton Streets
Composer and saxophonist Brian Brown produced some of the most refined Australian jazz recordings during the 1970s. A versatile musician whose distinct impressionist music melded modern jazz with the outer limits of free experimentation. Considered to be his greatest work was the 1975 concept album Carlton Streets, an ambitious recording that romanticised the sights, sounds and the nostalgia of this once-bohemian Melbourne neighbourhood. Differing from his eco-jazz composition Wildflowers heard …
The Oracle
Composer, clarinetist, singer and spiritual jazz soothsayer Angel Bat Dawid descended on Chicago's jazz and improvised music scene just a few years ago. In very short time, the potency, prowess, spirit and charisma of her cosmic musical proselytizing has taken her from relatively unknown improviser to borderline ubiquitous performer in Chicago's avant-garde. On any given night you can find Angel adding aura to ensembles led by Ben LaMar Gay, or Damon Locks, or Jaimie Branch, or Matthew Lux, or e…
Stigma
When in 1970 Jerzy Milian was developing his regular cooperation with the Berlin radio, which was launched a few months earlier by recording music for the television ballet “Rivalen”, he was at the peak of his creative possibilities. He could boast of three years of success with his own trio, along with cooperation with Gustav Brom and an ongoing adventure with the Belgian big band BRT. He also had an abundance of ideas and energy that could be devoted not to one, but two projects. In July 1970,…
From Here from There
He is la giusi, I am il piera. We'll explain why we have these nicknames another time. We started rehearsing in 1996. Three years and three recordings passed before we decided to release our first CD, "19 Calefactions" Takla Rec. Since then we have never stopped seeing each other and sharing experiences and paths. As a duo we have released three more works: "Due" Z.rec., "Big Margotta" Brokenresearch, and "Nel margine" Red Toucan. We have always liked trio collaborations and we have released the…
Directions
If you thought that Rafael Toral’s quartet was named after some reference to Sun Ra’s spatial jazz, here is the confirmation that there’s much more at stake than that, even if the many allusions to the Saturn envoy are also true. Space is the valorization of pauses, interstices, a certain measure of expression and narrative, a way to create transparencies and, most of all, a return to a human dimension, aware of its heart beating, its organic, silent thinking/ inner living of bodily functions. I…
Nature Hath Painted the Body
Clean Feed presents Nature Hath Painted the Body by Jonas Cambien Trio. André Roligheten soprano and tenor saxophone, bass clarinet | Andreas Wildhagen drums | Jonas Cambien piano (soprano saxophone on track 4, organ on tracks 6, 11). Belgian-born, Oslo-based pianist Jonas Cambien couldn’t have chosen better partners than Andreas Wildhagen and André Roligheten to perform his cleverly constructed compositions. On its third studio album, his trio shows itself as a tightly interacting ensemble, …
The Moment
** 2021 Stock ** Kalaparush Maurice McIntyre provides us with a rare glimpse into his live performance. Perhaps one of the most influential and under-recorded artists of the AACM, Kalaparush is joined by Ravish Momin on percussion and Jesse Dulman on tuba. Jesse's tuba recalls the pre-bass second line of jazz music and Ravish provides worldly polyrhythmic sequences. All of the playing comes together with the elegance of Kalaparush's compositions and improvisations. Recorded at one night's perfor…
The Eighth House - Riding with Pluto
** 2021 Stock ** The 8th House is a disc of solo clarinet and saxophone improvisations with a few duets with Juma Santos thrown in. Wendell Harrison and the Tribe were pioneers along with BAG in St. Louis and the AACM in Chicago. Here Wendell recalls some of the freedom and soul from his early work with the Tribe in Detroit. He is joined by percussionist Juma Santos on a few tracks. You may recall Juma from his work with Miles Davis on the Bitches Brew record, or some of his work with Marion Bro…
Luc Houtkamp in Chicago
** 2021 Stock ** This disc represents the first American release for Dutch saxophonist Luc Houtkamp. Here, he appears with Chicago stalwarts Kent Kessler (double bass) and Michael Zerang (drums) in a 1997 studio date. Liner notes by Ken Vandermark, and artwork by Northwoods' Mike Johnston. "Houtkamp often showcases an aural dictionary of multiphonics complete with echoing tongue slaps, colored hissing and speedy key pops, adding the coagulated vibrato of every bar-walking saxophonist's nightmare…
Night Time Is the Right Time
** In process of Stocking. 2021 Stock ** Cadillac presents Night Time Is The Right Time - 60s' Soho Sounds by Dudu Pukwana & Bob Stuckey. Recorded at the legendary Ronnie Scott's Old Place, Gerrard Street, Soho, 1967/68 - Recordings from the artists' archives. These rare recordings feature the great South African altoist Dudu Pukwana in a combo with some of the key young players on the 60s London scene at the time and playing more like a young Jackie McLean than the free player of the Brotherhoo…
Solo:Trio
** In process of Stocking. 2021 Stock ** John Fordham It would make an absorbing blindfold test to present a panel of interested listeners with a track from this disc and one from the same pianist's Little Klunk trio session for Decca, 40 years ago, and invite them to decide which one's played by the 71 year-old. Not that the early record didn't sound as fresh, witty and jostling with clamorous harmonies and sidelong melody as Tracey has done for most of his life, but that the later one is, mira…
Don't Worry 'Bout Me
** In process of Stocking. 2021 Stock ** Cadillac presents Don't Worry 'Bout Me by Bobby Wellins Quartet. Recorded At – The Vortex Jazz Club, Stoke Newington, London 16 Feb 1996. Tenor Saxophone, Bobby Wellins, Piano – Graham Harvey, Bass – Alec Dankworth, Drums – Martin Drew, Engineer, Mixed By – Dave Bernez, Mixed By – Victor Schonfield, Dave Bernez, Bobby Wellins, Producer – John Jack for Cadillac Music & Publishing with financial assistance from Shirley Thompson, Photos by Kent Matthews and …
For Heaven's Sake
Cadillac presents For Heaven's Sake by The New Stan Tracey Quartet. Recorded in Wembley, 14 September 1995. Engineered and mixed 3 October 1995. The opportunity to present this first recording by the New Stan Tracey Quartet has been an event of great importance to me for a number of reasons. It perfectly fulfils the motivation for the Cadillac Label's creation and continuance since 1973, to wit the documentation and dissemination worldwide of unique moments of creative music making by artists wi…
The Crane River Jazz Band
Cadillac presents The Crane River Jazz Band. John Jack reissued this album in 1996 as part of a projected series in honour of his friend and mentor Doug Dobell. This compilation brings together rare live and studio recordings from the early 1950s and includes extensive notes from Bill Colyer and Pat Hawes and rare photos from the Pat Hawes archive. This is the first time the album has been made digitally available.
Instruments [Suitcase], Liner Notes – Bill Colyer, Executive-Producer [Assistant]…
The Real Ken Colyer
Cadillac presents The Real Ken Colyer by Ken Colyer's Jazzmen featuring Pat Hawes, recorded live at The White Horse, Willesden, London, February 27, 1964. John Jack reissued this album in 2000 as part of a projected reissue of a number of 77 albums in honour of his friend and mentor Doug Dobell. Extra takes were added from the original session acetate. This is the first time the album has been made digitally available. Ken Colyer's life and musical career have been well documented, but many youn…
The Last Night at the Old Place
** In process of Stocking. 2021 Stock ** Cadillac presents The Last Night At The Old Place by Mike Westbrook Concert Band, recorded at Ronnie Scott’s Old Place 25 May 1968. Exactly 50 years on, a unique event featuring the music of the most exciting British jazz group of its time in full swing, released for the first time. Remembering John Jack
Mike Osborne, Harry Miller, Paul Rutherford. So many good things were contained within the Mike Westbrook Concert Band of 1968 that it’s hard to know wh…
The Futuristic Sounds Of Sun Ra
Sun Ra stated that he wanted to create otherworldly emotions on this album. These emotions are “disguised as jazz,” to quote one of Ra’s poems. The Futuristic Sounds of Sun Ra, recorded in 1961, consists of a range of simmering, swinging, riffing tunes full of deft counterpoint. On the surface, these tunes show a rather restrained side of Sun Ra and his Arkestra, yet below that surface lurk some unsettling emotions. Some might mistake those unsettling feelings for detachment, or worse, emotional…
Sielun Veljet
** Edition of 300 ** A celebratory, expanded reissue of the 1983 debut album Sielun Veljet. Originally printed on three LP sides, the fourth side of the album features only the song Valssi, previously heard on the B-side of the single, and a previously unreleased early live version of Taas hauk kasvaa (Again the hair grows), found in the band's archives and only later released on the studio album. The package comes with a 12-page accompanying booklet containing a history and photographic materia…
Horoscope
** Edition of 500 ** Horoscope is an Occult Jazz masterpiece from 1973, never before reissued on vinyl. In 1967, Matti “Rag” Paananen decided to compose his own vision of the Western astrological signs. Each one has its own composition on the 12-song theme album that was originally released in 1973. For the compositions he studied every astrological sign and made his own interpretation of how it would sound as music. Although the compositions were already made in 1967, they weren’t recorded unti…
Jappa: The Complete Jazz at the Polytechnicum Recordings 1967-1968
** Edition of 500 ** Svart Mondo presents Jappa: The Complete Jazz at the Polytechnicum Recordings 1967-1968 by Eero Koivistoinen with friends. By early 1960’s, jazz in its mainstream form had become the standard dance music for the student parties in high schools and several student union clubrooms in Helsinki. The Polytech union even organized matinée dances for high school students on Sundays. The change in the musical preference of young people’s dance music occurred with the arrival of Brit…