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2008 release ** ""Nicola Cipani's "Ill-Tempered Piano" is a suprising and playful album of solo improvisations played on broken and untuned pianos. Cipani's accomplished melodic and rhythmic approach and his responsiveness to each instrument's raw potential set this project apart. The recordings were made over the span of two years in different New York City warehouses, on several keyboard instruments (among the pianos you hear also a clavichord), some of which are so damaged as to be hardly rec…
2006 release ** "Here’s a superior set of contemporary jazz, blazing straight out of the long and unruly heritage of left-field explorations. Rising trumpeter and composer Groder is here teamed with the eminent saxophonist and flautist, Sam Rivers, plus Rivers’ usual rhythm section of bassist Doug Mathews and drummer Anthony Cole. Together, they whip up a bubbling, effervescent concoction of jagged, free-jazz group improvisations and hard-swinging free-bop that recalls Miles Davis’s mid-’60s ‘ti…
Tip! Science Fiction is an album by the American avant-garde jazz saxophonist and composer Ornette Coleman, released in February 1972. It is considered as Coleman's creative rebirth. A stunningly inventive and appropriately alien-sounding blast of manic energy, where Coleman combines his past and future, working with bassist Charlie Haden and drummers Billy Higgins and Ed Blackwell. The album is made up of spacy, long-toned melodies and rhythm, including two songs with Indian vocalist Asha Puthl…
"Christian Weber said in an interview for “Jazz’N’More": No matter how I move along the timeline, my attention is focused on what is to come. At the same time, I always keep in mind what happened before, without analyzing. This way, I avoid the improvisation becoming arbitrary. Both arbitrary openness and narrow restriction, neither suits me." And therein lies the whole secret of this record and ultimately the definition of great art: it is the ability of a musician to have control over space an…
2007 release ** "Trapping captures BTT virtually live in the studio - from memory, only the vocals were overdubbed - , and reveals a tight band which constantly rehearsed and modified it's music always with the next gig in mind. The recording covers the whole range of the band's music from free improv to RnB influenced pop. The disc kicks off with "Sanctified", which combines Pete and Paul's stop/start riff with a horn part I ripped off from John Lee Hooker's VeeJay recording of Green Onions ad…
The winds of change were blowing through Wayne Shorter’s life and career in 1970. The saxophonist had just left Miles Davis’ group and was soon to form his collective fusion band Weather Report. His music was evolving too as he began to delve into his own unique fusion explorations on his previous two Blue Note recordings Super Nova and Moto Grosso Feio. Recorded in August 1970, the mesmerizing Odyssey of Iska would be the last release of Shorter’s early Blue Note period. The album was a tribute…
Joe Henderson Our Thing To In ’N Out Revisited notes: The Blue Note label in the early and mid 1960s was a haven for musicians engaged in the process of expanding the jazz vocabulary with unconventional harmonic strategies and new compositional infrastructures that elicited equally exploratory improvisational responses. And it was an ongoing process, benefiting from the sporadic, albeit calculated, interaction of different perspectives and methods of creative inspiration. Established or working g…
There was a school of philosophy in ancient China whose core theory stems from a debate entitled “A White Horse Is Not a Horse.” In a book by Gongsun Long (公孫龍 320-250BC, about 200 years after Confucius) in the Warring States Period, two persons argue if a white horse is a horse: the protagonist argues it is not, because ‘white’ is the color of a (particular) horse while a ‘horse’ is a shape and a generic term. It’s a linguistic/logical paradox, or sophistry. Ridiculed by his contemporary philos…
1995 release ** “The music on L’âme de l’objet is strongly fed by Côté’s work for theater and dance performances, as it bears a remarkable plastic quality. One can feel the movement. All pieces (initially written by individual members and worked out by the whole band) are very atmospheric and often fitting a strange avant-gardist film noir mood, thanks mostly to the trumpet plus saxophone arrangements and Martin Tétreault’s remarkable performance (and highly original choice of LPs).”
Tip! "Frequency • the rate at which a vibration occurs that constitutes a wave, either in a material (as in sound waves), or in an electromagnetic field (as in radio waves and light). Equilibrium • a state in which opposing forces or influences are balanced: a calm state of mind. Koan • a paradoxical anecdote or riddle, used in Zen Buddhism to demonstrate the inadequacy of logical reasoning and to provoke enlightenment. Many, many, years ago in a once enchanted place they called The Big Apple, N…
'Uhlmann Johnson Wilkes' is the debut album from Gregory Uhlmann (SML, Anna Butterss, Duffy x Uhlmann, Perfume Genius), Josh Johnson (SML, Jeff Parker ETA IVtet & New Breed, Meshell Ndegeocello, Anna Butterss, Leon Bridges), and Sam Wilkes (Sam Gendel, Louis Cole, Chaka Khan). The three improviser/arranger/producers’ impressive individual credits encompass such a wide stylistic pendulum swing that a collection of group music from the trio could mine any number of musical territories with masterf…
Ben LaMar Gay’s de facto debut album, 'Downtown Castles Can Never Block The Sun', was our attempt to introduce the legendary Chicago composer / improviser / renaissance man to the rest of the world with a compilation of tracks from 7 albums he made over 7 years (though he hadn’t yet made the effort to actually release). The material showcases Gay’s penchant for genre-hopping – from Steve Reich-ian soundscape voyages to Don Cherry-esque polyrhythm treks to Jorge Ben-style vocal-and-string earworm…
Rob Mazurek’s 'Alternate Moon Cycles' was International Anthem's first release. The incredibly spare single-note-centered cornet, bass and organ chant was recorded to tape at pint-sized Chicago bar Curio as part of a performance series that predates any notion of our label’s existence. Documenting this performance – highly unique even within the depths of Mazurek’s vast catalog – stirred those notions, and soon talks began of releasing the recording on a fresh imprint. Performed by Mazurek with …
Tip! Across A Blade Because A Blade Is Whole, DePlume’s reflections on healing, dignity, and struggle are communicated through a stirring assemblage of disparate musics: ghostly and ancient folk melodies, groove-anchored maelstroms of swirling folk-jazz, elegant string arrangements that strike a midpoint between Ravel and Gainsbourg (courtesy of Macie Stewart), disembodied voices reconfiguring into the shape of a post-modern Greek chorus, noir atmosphere, and allegoric, troubadouric song. Throug…
Doble Mano a two-way street, or anything with opposite directions within one road. One-way and two-way roads, imperceptibly moving in one and opposite directions. Similar instruments but from different geographies mirror each other, evoking ambiguity and unlike realities. Likewise, composer, conductor and performers all mirror each other, reflecting the shifting sounds. Laura Andel: "One of the focal points in my search as a composer is the concept of identity linked to the search of ambiguity. …
We are excited to announce the first reissue of Tony Scott's iconic “Manteca” album originally released in 1973. This 180-gram vinyl audiophile edition captures the essence of a true master of contaminated jazz, allowing listeners to experience Tony Scott's vibrant artistry like never before.
Originally described in the album’s liner notes by Sam Charters, "Manteca" embodies the spirit of the jazz musician’s journey—a testament to durability, warmth, and exuberance. Charters notes, “You have to …
NYC Bassist Brandon Lopez Teams Up with Gayageum Master DoYeon Kim in New Album, Redefining What We Thought Was Possible with Improvisation. Prepare to have your wig blown back by the improvisational force of nature that is adored bassist Brandon Lopez. He has returned to 577 Records once again – this time with gayageum master DoYeon Kim! Syzygy, Vol. 1 delivers a cosmic blast of experimental fascination that will open the door for you to leave our reality. Based in NYC, Brandon Lopez has been…
Bomb! Obscure and outstanding free jazz album reissued for the first time since its original release in 1969. Old-style gatefold LP, with liner notes by Ed Hazell. In the late 1960s, young jazz musician Bobby Naughton, a keyboardist and vibraphonist, faced significant challenges as he sought to record his first album. With major record labels and jazz clubs catering only to big names, Naughton and other creative musicians of his generation found themselves sidelined by the mainstream music indus…