Jazz /
Textures And Pulsations
*2023 stock* “Textures and Pulsations” is a multilayered sonic meeting between two gifted and imaginative pianist/composers, Aruán Ortiz and Bob Gluck. With two pianos and poignantly etched live electronics, this pair crafts a mélange of subtly shifting textures, lyrical melodies, and engaging grooves. This collection of carefully articulated, highly virtuosic improvisations is a study in contrast, offering moments of subtlety and power. Musical moods range from wild flights of pianistic fantasy…
The Battle
*2023 stock* "In ancient Rome, chariot racing was one of the most popular forms of entertainment. Young nobles used to fiercely race their chariots around the 7 hills of the city. People on their path had to scatter to get out of the way, as they stopped for no one. But the event always generated strong spectator enthusiasm. In today’s New York, as this “Centazzo Invasion Orchestra” concert was progressing that evening at the Stone, I suddenly had a vision of such a mighty show. Like those Roma…
Live In Woodstock Two
*2023 stock* This is the debut double album recorded in November 2009 of the new exciting duo The Way formed by soprano sax master Joe Giardullo and percussionist and composer Andrea Centazzo. Finally after chasing each others for years, they met for a new sonic adventure. Recorded live at Sertso Studio Woodstock, November 22 2009. Recording Engineer Ted Orr. Mixed, edited, designed and produced in Los Angeles by Andrea Centazzo.
Live In Woodstock One
2023 stock This is the debut double album recorded in November 2009 of the new exciting duo The Way formed by soprano sax master Joe Giardullo and percussionist and composer Andrea Centazzo. Finally after chasing each others for years, they met for a new sonic adventure. Recorded live at Sertso Studio Woodstock, November 22 2009. Recording Engineer Ted Orr. Mixed, edited, designed and produced in Los Angeles by Andrea Centazzo.
Kinjo No Tabibito
Three musicians of different generations came together to form this unusual free jazz trio. Comprised of veteran musician Akira Sakata (alto sax, clarinet, narration), noted young drummer Raiga Hayashi, and Toshimaru Nakamura (no-input mixing board)—who has been active on the improvised music scene inside and outside Japan since the 1990s—this much-talked-about band performs mainly at live music venues in the Tokyo area. Naturally, their performances contain the furiousness and wildness characte…
Enfin La Mer
1978 live recording of French quintet consisting of Jouk Minor on beritone sax and contrabass clarinet, Josef Traindl on trombone, Jean Querlier on alto sax, Christian Lété on drums and Dominique Regef on hurdy-gurdy
Stop Time
Live performance of Barry Altschul trio, featuring David Izenson on bass and Perry Robinson on clarinet. Recorded October 14, 1978 at 131 Prince St., New York, NY
Visitation Of Spirits
Live performance of The Pyramid Trio, Roy Campbell on trumpet and flute, William Parker on bass and Zen Matsuura on drums. Recorded 21 February 1985 at The Joint, Usdan Student Center, Brandeis University, Waltham, MA.
Special thanks to Roy’s sister Valerie Morris, who told us, “Roy spoke to me in a dream years ago and said, “It's all about the music.”
Korean Fantasy
Live performance of two of the most important South Korean free music players Kim Dae Hwan on drums and Choi Sun Bae on trumpet. Recorded live on 26th November, 1999 at Aspirante, Hofu City, Yamaguchi, Japan by Takeo Suetomi.
Triangle - Live at OHM, 1987
Stunning performance by tenor sax titan Peter Brotzmann and incredible drummer Sabu Toyozumi. Recorded live on December 4th, 1987 at OHM, Koiwa, Tokyo, Japan by Ohm Hirosh
Live at Total Meeting
*2023 stock* "Constantly changing and challenging, this extended three-part sequence by four of Europe’s most accomplished improvisers ebbs and flows enough to create a perfectly framed soundscape, but leaves enough ellipses for individual expression. Recorded at the Total Meeting in Tours, the almost 52 minutes of music were put together with no pre-conceptions. But as the interaction evolved, the players found themselves melding and separating their extended and expected narratives into sponta…
Hell-Bent In The Pacific
*2023 stock* "Both a reunion and a new configuration, the galloping interaction which makes up Hell-Bent in the Pacific unites alto saxophonist Marco Eneidi, who now lives in Austria, with his West Coast rhythm section plus added impetus from Los Angeles-based Vinny Golia’s many reeds. Golia’s wide-ranging gigs have frequently put him in contact with bassist Lisa Mezzacappa and drummer Vijay Anderson, two of the Bay area’s busiest players, so that his contributions are inspired not alienating. M…
Drop It
*2023 stock* "In its enterprising catalogue of modern day masters and loft jazz rarities, the Lithuanian No Business imprint also documents local musicians. Chief among them is one of the country's premier improvisers, saxophonist Liudas Mockūnas. Previous appearances on the label have placed him in a Peter Brötzmann-like trio on Live at 11:20 (2010) and in an impromptu freewheeling duet with Japanese pianist Ryoji Hojito on Vacation Music (2011). On Drop It by the self-referential Mockūno NuCle…
Janus
*2023 rstock* Janus is a compilation of rare material from Sun Ra and his Arkestra, drawing from tapes recorded between 1963 and 1970, taken from both live and studio performances. The space-age jazz shaman conjures up a variety of styles and moods along the way. The album has been remastered, and pressed on audiophile-grade vinyl at Pallas in Germany.
The Great Paris Concert
Cecil Taylor has always been considered one of the most daring and radical improvisers within the jazz genre, often pushing the boundaries with avant-garde and free jazz compositions. The Great Paris Concert is no exception Taylor's reputation. The artistic communication between the players of Taylor's quartet is second to none, and it's certainly palpable on every track of the album. Echoing each other's melodies, and 'battling' each other with solos, the group may have never sounded better. Th…
Conference of the Birds
*2023 stock* It had been preceded by ECM duo albums with Barre Phillips and with Derek Bailey as well as the cooperative band Circle’s great Paris Concert, but Conference of the Birds, recorded in 1972, was Dave Holland’s first album as a full-fledged leader. An album of driving, progressive jazz it is also of historical significance as the only occasion when Sam Rivers and Anthony Braxton, two of the music’s most strikingly original saxophonists, recorded together. Inside Dave’s compositions th…
In Concert at Yale University
Bomb! Sourced from the master tapes. First-time vinyl reissue Black vinyl single LP version. The late percussionist Milford Graves was one of the most unique artists the world has ever seen. Born in Jamaica, Queens in 1941, he began his career in the early '60s as a part of New York's vibrant Latin jazz scene. His focus quickly turned inward, shifting towards a practice that explored the very nature of self. From his work in the New York Art Quartet and collaborations with Albert Ayler, Sonny …
The Complete Yale Concert, 1966
Bomb! ** Sourced from the master tapes. First-time vinyl reissue ** Groundbreaking early work from drummer Milford Graves and pianist Don Pullen – a set of long, free improvisations that were originally issued on Graves' Self-Reliance Productions label! The music is even more striking than sounds from the time on the ESP label – and also really predates some of the freer work of this type from the European scene – as Graves is a monster on the drum kit and a range of percussion, reaching out wit…
Fire Music
2023 restock; originally released in 1965. 2019 reissue. Some of the most exciting jazz albums to listen to are those that try to strike a middle ground between the mainstream and the Avant-garde. One such example is Archie Shepp’s Fire Music: an often-fascinating album, rich in compositional and improvisational prowess. Employing a sextet including drummer Joe Chambers and alto saxophonist Marion Brown, Shepp puts together a record that is both challenging and accessible to most listeners. Fire…
Indium
“Too often we describe music using classifications; genres like “jazz,” “experimental,” “avant-garde” are an easy shorthand to relay the rough parameters of the music to another person who may not have heard it. But these words are useful because they’re so vague, and they are most often used when the impression the music makes is equally vague. But when a group makes sounds that move the listener, these terms don’t hold up.
Dry Speed has released a record that is, at turns, futuristic and organ…