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"This CD is a documentation of a concert which was recorded on July 21st, as one of three concerts. The reproduction of the concert is one-to-one, without cuts. On July 19th I played a duo concert in my studio with Max Arsava, on July 20th I played an identical trio concert at the Freie Musikzentrum in Munich.mMy collaboration with Gunnar Geisse goes back almost a decade. In recent years, he has discovered and developed a partly unexplored cosmos with his extended electronic techniques and sound…
*2024 stock* *180 Gram Vinyl Audiophile Remastering Recording with a sextet at the New York jazz club Sweet Basil in August 1977, McBee’s band included Chico Freeman on reeds, Dennis Moorman on piano, Joe Gardner on trumpet, Steve McCall on drums, and Famoudou Don Moye on percussion. Two complete albums of music were released by Enja Records from this engagement, the ground breaking recordings Music From the Source and Compassion.
“Few groups today sound as fresh, generate as high an emotional …
*2025 stock* 'Several years ago, Anthony and I discovered our mutual (giddy) enthusiasm for the music of Richard Wagner. I feel compelled to mention this because there is a positively orchestral, if not Wagnerian, element to our recording together—a sonic Gesamtkunstwerk, if you will, representing all registers of playing. In each take, new drama unfolds, as if each were a new act in an operatic continuum. Yet the most amazing thing about the process of recording with Anthony was the vast spectr…
*2025 stock* 7-CD set of Braxton's interpretation of the music of Lennie Tristano and associated colleagues including Billy Bauer, Connie Crothers, Warne Marsh, Sal Mosca among others.
Anthony Braxton: pianoEivind Opsvik: bassMike Szekely: drumsJackson Moore: alto and baritone saxophones (left channel)André Vida: tenor, sopranino, bass, contrabass, and c-melody saxophones (right channel)
*2025 stock* Recorded September 22, 2010 at Bezanson Recital Hall, Amherst MA
Produced by Taylor Ho Bynum for the Tri-Centric FoundationConcert produced by Glenn Siegel for the Solo & Duos Seriesof the Fine Arts Center at the University of Massachusetts, AmherstVideo recorded, edited and directed by Dennis SteinerAssistant camera by Nick RussoAudio recorded by Jim MatusMastered by Nick Lloyd, Firehouse 12 Studios, New Haven CTGraphic design by Ben HellerThanks to WMUA 91.1, ACTV, Amherst Media, …
*2025 stock* CD version. Cafe OTO's tenth Otoroku release sees a return to the group that kick-started the label -- the veteran German reedsman and free-jazz pioneer Peter Brötzmann with the long-running London bass/drums partnership of John Edwards and Steve Noble. After the release of The Worse The Better, that group went on to play a series of devastating shows in Europe and to emerge as one of Brötzmann\'s finest working groups. Over the same period, Peter was developing a deep rapport with …
If it can be said of someone that he is more than a musician, more than an improviser, more than an artist then it can certainly be said of Slovenian drummer Zlatko Kaucic. Zlatko is a good spirit, he is a man who not only goes down in musical history as a partner of the greatest artists of improvised music, but also as a good spirit. As someone who, when he plays and when he enters a room, the world becomes brighter, wiser and arranged as it should be. This year Zlatko Kaucic turned 70 and his …
Legendary percussionist, leader and founder of Ictus Records, a publishing house legendary in the world of improvised music. He has recorded with Derek Bailey, Steve Lacy, Don Cherry and an infinite number of the world's most creative artists. Andrea Centazzo is a great figure, an outstanding drummer who needs no introduction to anyone and who continues to play with the greatest. We are proud to bring you a documentary of the concerts that took place at the Out Off theatre in Milan, where Andrea…
"Agusti Fernandez one of the greatest living piano masters, a brilliant improviser, an endlessly creative artist but also a friend. I can't quite find the words to describe well enough who he is not only for me, but also for FSRecords. So I will just say that it is perhaps thanks to him and his confidence that the label was able to embark on the path it is on now. 10 years ago, when no one knew about FSR yet, Agusti trusted me and agreed to release the album ‘Agusti Fernandez@60 - River, Tiger, …
The ultimate cosmic music has arrived! Prepare to be gently led into an invigorating electronic dreamscape by a skillfully creative partnership. Despite collaborating since 2016, Endless Season is the first duo album from 577 Records Co-Creator (and legendary maestro), Daniel Carter, and rising tenor saxist Ayumi Ishito. Originally recorded as an acoustic set, the plan changed when Carter encouraged Ishito to explore audio production. Before they knew it, she had shaped beats and sounds that per…
"Furthered" is the new album by Alex Ward Item 4. The quartet's music is the fullest realization of Ward's long-standing desire to create a context where his compositional concerns can coexist with improvisation of the most unfettered stripe. Given a line-up which would be perfectly capable of creating compelling music without recourse to pre-written elements at all, Ward's compositions aim to function as another "personality" within the overall mix, subject to the same spontaneous interrogation…
2025 stock Mats Gustafsson plays slide, tenor, baritone, bass saxophones. Christof Kurzmann uses special ppooll software and voice, live processing. Recorded, mixed & mastered at Garnison 7, Vienna by Martin Siewert. Artwork by Jimmy Draht. Liner notes by Ken Vandermark. Limited vinyl edition of 300 with screen-printed covers. Ken Vandermark, from the liner notes: "On the surface, its fundamental components seem to come from the 20th century: the saxophone (invented in 1846, but not coming to th…
This is the debut album of a group dedicated to the invisible world. Some people operate invisibly by choice, some are invisible because of the nature of events in their life, some remain invisible and unknown against their will.
How Many Clouds Can You See? is the second album by English saxophonist John Surman featuring Alto Saxophone – Mike Osborne; Baritone Saxophone, Flute – John Warren; Baritone Saxophone, Soprano Saxophone, Bass Clarinet – John Surman; Bass – Barre Phillips, Harry Miller; Drums – Alan Jackson, Tony Oxley; Piano – John Taylor; Tenor Saxophone, Flute – Alan Skidmore; Trombone – Chris Pyne, Malcolm Griffiths; Trumpet – Dave Holdsworth; Trumpet, Flugelhorn – Harold Beckett; Tuba – George Smith. John …
Ornette! is the seventh album by Ornette Coleman as a bandleader and the second credited to his quartet (following This Is Our Music). Though considered one of his early works, by the time it was recorded on 31st January 1961, Coleman was already an established jazz legend. His reputation had been cemented by the release of ground-breaking albums such as The Shape of Jazz to Come and Free Jazz.
These two albums embody the central, seemingly contrasting, elements of Coleman's early career: a meti…
A member of the radical black nationalist US Organisation, percussionist James Mtume championed the Kawaida way of life, aiming for collective creativity linked to its pan-African and Socialist ideals. With uncle Albert and father Jimmy Heath on board, Mtume cut this intense modal jazz concept album in December 1969 with Don Cherry, Herbie Hancock, Ed Blackwell and Buster Williams, yielding a masterpiece of percussion-heavy jazz, with every player on exceptional form, the five extended tracks re…
Norwegian guitarist Stian Larsen joins London-based musicians Colin Webster (alto sax), Andrew Lisle (drums), and Ruth Goller (bass) for an exciting collision of energetic free jazz, post-rock and noise that is dynamic, playful and hard-hitting.
The Amsterdam based improvisers quartet performs a song cycle composed by John Dikeman reflecting on colonisation, and the double edged sword of religion which can lead to transcendence or tyranny.
"Sophie Agnel and Michael Zerang are relentless on every surface and in the diving pit of improvisation. You've got to hear it to see it to believe it: it's a water lily drum set in the soundboard of a pond piano. At times, it seems as if a single instrument is being played by two people, with razor-sharp clarity" - Alexandre Pierrepont