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Miles Davis' often overlooked masterpiece Miles in the Sky is his venture into the jazz-rock, which later became known as fusion. While working together with his second great quintet his interest in the usage of electric instruments was increasing every day. The first album from his “Electric” period is one big grooving adventure, in which he gets the support of the stellar line-up of Wayne Shorter, Tony Williams, Ron Carter, Herbie Hancock, and George Benson. It's a ground-breaking record from …
Buntús Rince translates from Irish as 'basic rhythms', and this new compilation explores how Irish musicians were influenced by strands of different genres of music from around the world, merging them to create their own unique sounds. The compilation features some of the most innovative and talented figures in the history of Irish music and includes rare Irish jazz, fusion and folk outliers from the 1970s and early 1980s from musicians relatively unknown outside of Ireland. Often regarded as a …
The Pop-Liisa and Jazz-Liisa broadcast session series presents previously unreleased and forgotten gems from the biggest names of Finnish prog and jazz of the 1970’sNever bootlegged and known up until now only to a few faithful servants (and largely thought to have been lost for ever), these sessions offer a hitherto unrivalled look into the state of Finnish jazz and progressive rock between the years 1972-1977. Imagine if the sessions recorded by John Peel had only recently been discovered, and…
The Pop-Liisa and Jazz-Liisa broadcast session series presents previously unreleased and forgotten gems from the biggest names of Finnish prog and jazz of the 1970’sNever bootlegged and known up until now only to a few faithful servants (and largely thought to have been lost for ever), these sessions offer a hitherto unrivalled look into the state of Finnish jazz and progressive rock between the years 1972-1977. Imagine if the sessions recorded by John Peel had only recently been discovered, and…
The Pop-Liisa and Jazz-Liisa broadcast session series presents previously unreleased and forgotten gems from the biggest names of Finnish prog and jazz of the 1970’sNever bootlegged and known up until now only to a few faithful servants (and largely thought to have been lost for ever), these sessions offer a hitherto unrivalled look into the state of Finnish jazz and progressive rock between the years 1972-1977. Imagine if the sessions recorded by John Peel had only recently been discovered, and…
The Pop-Liisa and Jazz-Liisa broadcast session series presents previously unreleased and forgotten gems from the biggest names of Finnish prog and jazz of the 1970’sNever bootlegged and known up until now only to a few faithful servants (and largely thought to have been lost for ever), these sessions offer a hitherto unrivalled look into the state of Finnish jazz and progressive rock between the years 1972-1977. Imagine if the sessions recorded by John Peel had only recently been discovered, and…
Having played together in Æthenor for the last couple of years, Steve Noble & Stephen O'Malley came together to play as a duo at Cafe Oto in 2011. These recordings are the results of these two hot and sticky nights in East London. Noble is a regular at Bo' Weavil Recordings, having appeared on over nine recordings for the label, and a linch pin in London's improvising community. Steve Noble studied with Nigeria master drummer Elkan Ogunde and in the early 1980s and over the last 20 years has pla…
"The second album by Matt Ulery’s Loom fulfills the desire of its leader to front a “band with a sound not only determined by the compositions and the instrumentation, but with the actual players who perform the music.” Ulery, a Chicago-based bassist and composer, adds, “This is why Loom has had an immediately identifiable sound, striving for maximum range of emotional depth while appealing far beyond strictly jazz listeners.” Loom projects a sonically rich, expansive sound on Flora. Fauna. Ferv…
Live double album by Trio Beyond, Jack DeJohnette (drums), John Scofield (guitar) and Larry Goldings (Hammond organ, electric piano), playing music associated with Tony Williams and Lifetime. Recorded 21 November 2004 at the Queen Elizabeth Hall, London.
Pat Metheny Group (Metheny, Lyle Mays, Steve Rodby, Dan Gottlieb, Nana Vasconcelos) live in Dallas, Philadelphia, Hartford, Sacramento and Nacogdoches, July-November 1982. 2CD.
3-CD box: Terje Rypdal's complete double album Odyssey (Oslo, August 1975) with Brynjulf Blix, Torbjørn Sunde, Sveinung Hovensjø and Svein Christiansen, plus Unfinished Highballs, recorded live by Swedish Radio with the Radiojazzgruppen in Södertälje, June 1976.
3-CD box collecting Eberhard Weber's Colours albums Yellow Fields (1975), Silent Feet (1977) and Little Movements (1980), with Charlie Mariano, Rainer Brüninghaus, Jon Christensen and John Marshall, recorded at Tonstudio Bauer, Ludwigsburg.
Carla Bley on organ with Steve Swallow, Hiram Bullock, Larry Willis, Victor Lewis and Don Alias, playing six Bley compositions. Recorded December 1986 to January 1987 at Grog Kill Studio, Willow, New York. WATT/17, 1987.
Terje Rypdal (electric guitar, keyboards) with The Chasers, Bjørn Kjellemyr (electric and acoustic bass) and Audun Kleive (drums, percussion). Their second ECM album, recorded November 1986 at Rainbow Studio, Oslo.
David Torn's 1987 quartet album with Mark Isham (trumpet, flugelhorn, synthesizer), Tony Levin (Chapman Stick, synthesizer bass) and Bill Bruford (Simmons drums, percussion). Recorded March 1986 at Audio International, London, produced by Manfred Eicher. ECM 1322.
Marc Johnson's debut as a leader: a quartet with guitarists Bill Frisell (also guitar synthesizer) and John Scofield and drummer Peter Erskine, recorded in May 1985 at the Power Station, New York, produced by Manfred Eicher. ECM 1299, 1986.
Pat Metheny Group album recorded in February 1984 at Power Station, New York, with Pat Metheny (guitars, guitar synthesizer), Lyle Mays (piano, synthesizers), Steve Rodby (bass), Paul Wertico (drums) and Pedro Aznar (voice, guitar, percussion). Produced by Metheny.
John Abercrombie (guitar) with Jan Hammer (keyboards), Jack DeJohnette (drums) and Michael Brecker (tenor saxophone), recorded in April 1984 at Power Station, New York, and mixed at Rainbow Studio, Oslo. Produced by Manfred Eicher.
Second album by the Pat Metheny Group, with Pat Metheny, Lyle Mays, Mark Egan and Dan Gottlieb, recorded in June 1979 at Long View Farm, North Brookfield, Massachusetts, and first released by ECM in 1979.
Terje Rypdal's first album as leader for ECM, recorded in August 1971 at Arne Bendiksen Studio, Oslo, with Jan Garbarek, Arild Andersen, Jon Christensen, Inger Lise Rypdal and others. Produced by Manfred Eicher.