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Rare grey area first edition on Historic Performances Records in 1971 of live recordings from 1961 featuring Elvin Jones and McCoy Tyner, later officially re-issued as Coltranology Volume One.
Freddie Hubbard’s Goin’ Up brings listeners into motion from the very first notes—an electrifying statement of swing, power, and musical imagination. Brimming with bold improvisations and masterful ensemble interplay, the album captures the spirit of jazz at full throttle, showcasing Hubbard’s unmistakable brilliance and the kind of creative urgency that turns every track into a journey. From its confident opening to its most uplifting moments, Goin’ Up is a celebration of sound and swing: preci…
Celebrated as a standout in the jazz canon, Lee Morgan’s “Lee-Way” returns with fresh momentum, reaffirming its power to thrill with its melodic immediacy, rhythmic drive, and unmistakable personality. The album showcases Morgan at the peak of his craft: a trumpet voice that cuts through with clarity, confidence, and emotion, guiding every performance with purpose.
On “Lee-Way,” the ensemble moves with precision and swing, balancing tight musical interplay with a sense of spontaneity that keep…
1992 release (light wear) ** The 1957 Columbia session with a split personality, and both halves are excellent. One side belongs to the Art Blakey Percussion Ensemble - Art Blakey surrounded by Latin percussion masters, exploring African and Afro-Cuban drumming in extended, ritualistic pieces years before such projects became fashionable. The other side is a hard-swinging Messengers date, business as usual at the highest level. Blakey's lifelong fascination with the drum as a global instrument, …
1992 release (light wear) ** 1958, and a perfect match: Thelonious Monk sits in with Art Blakey's Messengers - Johnny Griffin and Bill Hardman in the front line - for a full program of Monk compositions. Blakey understood Monk's rhythm like few drummers ever have; the two go back to the foundational 1947 Blue Note sessions together, and that deep history is audible in every bar. Monk's angles and Blakey's shuffle lock together like old machinery that never rusted. Griffin, soon to join Monk's ow…
1992 release (light wear) ** The 1961 sextet masterpiece: Freddie Hubbard, Wayne Shorter, Curtis Fuller, Cedar Walton, Jymie Merritt - and Art Blakey detonating Walton's title track, one of the great set-openers in the hard bop repertoire. This edition of the Messengers was a compositional powerhouse: nearly everyone in the band wrote, and wrote brilliantly, giving the records of this period a richness that goes far beyond blowing-session logic. Shorter's pieces already carry that unmistakable s…
1994 release (light wear) ** February 1964: the most ferocious Messengers record ever made, and one of the most intense hard bop sessions in the whole Blue Note vault. Wayne Shorter's title track is eleven minutes of controlled fury - Art Blakey playing like a man possessed, pushing wave after wave of pressure under the horns, with Freddie Hubbard answering everything at full burn. Shorter's "Hammer Head" and Hubbard's "The Core" keep the temperature high. Recorded right as the new thing was bre…
1980 Japanese re-issue on MCA's "Impulse Definitive 1500 Yen Collection" of the 1966 live album featuring Pharoah Sanders, Alice Coltrane, Jimmy Garrison and Rashied Ali. With insert.
1997 US re-issue on 180g vinyl on Impulse!'s "The Impulse! Reissue Series" of the 1966 live album featuring Pharoah Sanders, Alice Coltrane, Jimmy Garrison and Rashied Ali.