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1980 original Japanese edition on Affinity of the 1978 album with recordings from 1963 featuring Jimmy Garrison, Elvin Jones and McCoy Tyner. With insert and obi.
1980 original Japanese edition on Affinity of the 1978 album with recordings from 1963 featuring Jimmy Garrison, Elvin Jones and McCoy Tyner. With insert.
1982 US re-issue on Riverside/Jazzland's "Original Jazz Classics" series of the 1961 album featuring John Coltrane, Coleman Hawkins and Art Blakey. With obi.
1975 2LP US compilation on Milestone with tracks from the 1950's albums Brilliant Corners and Five By Monk By Five plus a previously unissued track, featuring Max Roach and Sonny Rollins. With original innersleeve.
1980 US re-issue on Columbia's "Contemporary Masters Series" with different title and cover of the 1961 album featuring Coleman Hawkins and Julian Priester.
Moanin’ is the sound of Art Blakey turning a band into a congregation, with Lee Morgan’s trumpet, Benny Golson’s tenor saxophone, Bobby Timmons’s piano, and Jymie Merritt’s bass all testifying over Blakey’s unmistakable cymbal crashes and press rolls. From the call‑and‑response of the title track to the burning hard‑bop vehicles that follow, the record distils church‑infused, blues‑drenched celebration into a small‑group format. Each soloist brings a distinct voice – Morgan’s bright fire, Golson…
On Maiden Voyage, Herbie Hancock turns the small jazz group into an ocean vessel, steering a dream team of Freddie Hubbard (trumpet), George Coleman (tenor sax), Ron Carter (bass), and Tony Williams (drums) through a suite of sea‑evoking pieces. Modal harmonies, open forms, and long, swelling melodies create a sense of expanse; Carter and Williams suggest tides and undertows, while Hubbard and Coleman trace arcs that feel both exploratory and inevitable. Hancock’s piano balances delicacy with fo…
On Buttercorn Lady, Art Blakey leads a brief but blazing mid‑60s Jazz Messengers lineup at The Lighthouse, launching a young Keith Jarrett and Chuck Mangione in a hard‑bop set that feels both like a proving ground and a joyous passing of the torch.
*2026 repress!* This is Dorothy Ashby's debut album, originally released in 1957 by the Regent label. Recognized as the woman who gave the harp a jazz voice, here Ashby is at the head of a highly distinctive combo featuring Frank Wess on flute, Eddie Jones or Wendell Marshall on bass and master Ed Thigpen on drums. The Jazz Harpist is an unprecedented mix of evocative classic sounds and jazz soul, awarded by Allmusic as her first and best album, period!
*2026 repress!* Born in Detroit in 1932 Dorothy Ashby can be easily recognized as the woman who gave the harp a Jazz voice. In her hands, the harp, an originally classical instrument which seemed to just scare people, became a highly versatile swinging voice able to drive a whole jazz rhythm section. Recorded in 1958 by master Rudy Van Gelder and originally released on the Prestige label, Hip Harp is a perfect example of Ashby’s artistry. At the head of a fine quartet featuring the great Frank …
The debut album from jazz multi-instrumentalist Yusef Lateef, Jazz Mood was originally released in 1957 on New Jersey’s Savoy label. Featuring five Lateef originals the album included Curtis Fuller (trombone), Hugh Lawson (piano), Ernie Farrow (bass), and Louis Hayes (drums). This new edition of the album is released as part of the Original Jazz Classics Series on 180-gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.
Renowned jazz trumpeter Kenny Dorham, one of the most underrated virtuosos in jazz history, invites listeners to revisit his landmark 1961 Blue Note masterpiece Whistle Stop – a bluesy, swinging hard bop session that captures the golden era of modern jazz.
Recorded on January 15, 1961, at Rudy Van Gelder's legendary studio in Englewood Cliffs, New Jersey, Whistle Stop showcases Dorham's original compositions performed by an elite quintet: Hank Mobley on tenor saxophone, Kenny Drew on piano, Paul…