Jazz /
My Greatest Love
CD version. We Release Jazz present a reissue from Geneva's Boillat Thérace Quintet, the My Greatest Love album, featuring bebop and hard-bop legend Benny Bailey and available for the first time since 1975. Galvanized by the creation of the Montreux Jazz Festival in the late '60s and lively local scenes, jazz music was healthy and booming in Switzerland in the 1970s. One band that beautifully captured this energy was Jean-François Boillat and RaymondThérace's Boillat Thérace Quintet whose self-t…
Collector's Item
When Ira Gitler, jazz journalist and producer at Prestige, curated this album, the term "collector" was already well-established among music enthusiasts. The pursuit of out-of-print recordings, old 78 rpm discs, and unreleased material had reached an intensity comparable to the fervor seen in the vinyl-collecting market decades later. Gitler aimed to offer jazz fans unreleased Prestige recordings while meeting expectations for the amount of music on an LP. Initially dismissed as a mere compilati…
Live In Amsterdam
May 1961. The Concertgebouw - Amsterdam's cathedral of classical music, where symphonies and string quartets had held court for decades - opens its doors to something entirely different. Thelonious Monk, the high priest of bebop, one of the most important and enigmatic figures in modern jazz, walks onto that hallowed stage with his quartet. The audience is packed, expectant. They have no idea what's about to happen. What happened was magic. Pure, uncut, Monkian magic. This isn't Monk as studio p…
Music Zounds
Original copy in great condition of the first edition of Wolfgang Dauner's 1970 album on MPS with Eberhard Weber and Roland Wittich. Modal jazz weirdness by a composer loosely connected with krautrock with his band Et Cetera.
A Love Supreme
Black Vinyl. John Coltrane saw the album-length suite A Love Supreme as his gift to God. The world has come to see it as a classic –not only Coltrane’s best-known work, but one of the most important and influential jazz records ever made. Featuring the Classic Quartet of pianist McCoy Tyner, bassist Jimmy Garrison and drummer Elvin Jones, A Love Supreme is one of the most honest musical performances put to tape. Its beauty and appeal are timeless.
The Sounds of Yusef
Yusef Lateef walks into Rudy Van Gelder's studio with a vision that won't have a proper name for another two decades. What to call music that swings hard as any bebop session but incorporates sounds from beyond the American jazz tradition? "Ethnic materials," they'd say awkwardly. "World music," they'd say later. Lateef just called it music - his music - and got to work. Sounds of Yusef, recorded for Prestige, captures Lateef at a pivotal moment. This is before the radical experiments of the 196…
Rat Now…Paris 70
A never-before released Mal Waldron Trio 1970 live recordings. First official release with the full permission and cooperation of the Mal Waldron Estate & INA (Institut National de l’Audiovisuel).
Candy
Recorded in 1957 when Lee Morgan was only 19, and released on Blue Note in 1958, "Candy" sees the young trumpet genius as leader of a marvelous quartet featuring the infectious rhythm section of Sonny Clark on piano, Doug Watkins on bass and Art Taylor on drums. Being Morgan the only horn he has plenty of space for showing his innate sense of swing and melody. The whole quartet shines throughout a repertoire based entirely on standards including both up tempo numbers and ballads.
Live At The 1963 Monterey Jazz Festival
Recorded September 20, 1963, at the Monterey Jazz Festival, this set featured Miles Davis's new quintet, with George Coleman, Herbie Hancock, Ron Carter, and Tony Williams. This group, minus Coleman and with the addition of Wayne Shorter, would soon go on to make some of the most highly regarded jazz LPs of all time. This smoking set features a wonderful rendition of "So What", among others. Essential live jazz classic.
Second Set Lausanne 1960
Art Blakey & The Jazz Messengers ignite the Lausanne stage in Second Set Lausanne 1960, channeling hard bop’s volatile spirit through a telepathic lineup. Reeling through standards and infernal originals, the band radiates volcanic intensity and effortless swing, immortalizing a high-water mark in live jazz.
Live In Paris '65
A never-before released Art Blakey 1965 live recordings. First official release with the full permission and cooperation of the Art Blakey Estate & INA (Institut National de l’Audiovisuel).
Jazz Harpist
*Back in print by popular demand!* This is Dorothy Ashby's debut album, originally released in 1957 by the Regent label. Recognized as the woman who gave the harp a jazz voice, here Ashby is at the head of a highly distinctive combo featuring Frank Wess on flute, Eddie Jones or Wendell Marshall on bass and master Ed Thigpen on drums. The Jazz Harpist is an unprecedented mix of evocative classic sounds and jazz soul, awarded by Allmusic as her first and best album, period!
Fontainebleau & Magic Touch "Revisited"
"Tadd Dameron remains better known and more widely admired among fellow musicians than with the record-buying public, and yet most will know at least some of his sophisticated compositions: “Lady Bird”, “On A Misty Night”, “If You Could See Me Now”. A thoughtful manner and an early death conspired to keep his reputation somewhat subdued. Here is an opportunity to hear two of Dameron's best recordings in modern sound. An intelligent rather than dramatic player himself, he nonetheless deserves…
The Complete Freddie Hubbard Blue Note & Impulse '60s Studio Sessions
“From the moment he played one note you knew that was Freddie Hubbard. He had a sound that was as distinctive as Miles Davis, as Louis Armstrong, as Clifford Brown. I mean, he’s one of those trumpet players.” – Stanley Crouch
The Complete Sonny Clark Blue Note Sessions
“Sonny Clark’s music, in one of jazz’s truly magical periods, provides as good an example as any of both the music’s most lasting qualities and its transcendent nature.”
The Complete Joe Henderson Blue Note Studio Sessions
One of the Most Distinctive Voices in Jazz
Finally Gets His Due. When you get your copy of Mosaic’s new five-CD collector’s set, “The Complete Joe Henderson Blue Note Studio Sessions,” you’ll be holding a master key to unlocking 1960s jazz.
Best of Birdland Vol.1
Originally released on Roulette Records in 1960, this is a unique and yet often overlooked document in the form of a split album featuring early, little known works by John Coltrane and Lee Morgan. Coltrane, already in full modal flight, is featured with an unusual quartet that includes McCoy Tyner on piano, Steven Davis on bass and the great Billy Higgins on drums.
Lee Morgan's straight ahead hard bop set sees the young trumpet genius leading a hard swinging group that includes a fabulous Wayne…
A New Perspective
"I mean this album seriously. Because of my own background, I've always wanted to write an entire album of spiritual-like pieces. The most accurate way I can describe what we were all trying to do is that this is a modern hymnal. In an earlier period, the New Orleans jazzmen would often play religious music for exactly what it was - but with their own jazz textures and techniques added. Now, as modern jazzmen, we're also approaching this tradition with respect and great pleasure." - Donald Byrd
At Carnegie Hall
Unearthed in 2005 by staff at the Library of Congress, At Carnegie Hall is an incredible performance delivered on 29 November 1957 by jazz giants Monk and Coltrane, together with bassist Ahmed Abdul-Malik and drummer Shadow Wilson. Far superior to that captured at the Five Spot five months earlier, At Carnegie Hall shows Coltrane finding his own sax sphere as Monk explores the limits of experimental excursions on the keyboard; Monk is in his element on ‘Crepuscule With Nellie’ and Trane shows hi…
Destination... Out!
"Of all of McLean's Blue Note dates, so many of which are classic jazz recordings, Destination Out! stands as the one that reveals the true soulfulness and complexity of his writing, arranging, and 'singing' voice." - All Music