Jazz /
Crescent
*2023 stock* "John Coltrane's Crescent from the spring of 1964 is an epic album, showing his meditative side that would serve as a perfect prelude to his immortal work A Love Supreme. His finest quartet with McCoy Tyner, Jimmy Garrison, and Elvin Jones supports the somewhat softer side of Coltrane, and while not completely in ballad style, the focus and accessible tone of this recording work wonders for anyone willing to sit back and let this music enrich and wash over you.
While not quite at th…
Schizophrenia
"Wayne Shorter’s Schizophrenia found the legendary saxophonist at the pinnacle of post-bop with a sextet of like-minded musical explorers including James Spaulding, Curtis Fuller, Herbie Hancock, Ron Carter & Joe Chambers performing Shorter originals like ‘Tom Thumb’, ‘Go’, and ‘Miyako’. Recorded on March 10, 1967, at Van Gelder Studios, Englewood Cliffs, New Jersey." - HHV
Once In A Lifetime
Infinitely adaptable, DeMerle's power and rhythmic elasticity underlines his bold presence and command of modern jazz drumming. By the time of 'Spectrum,' Les DeMerle's dynamic 1969 United Artists debut album, Les was a known, prodigious young drumming talent who had been wowing audiences through club and TV performances since he was a teen. The unheard gems was a recorded in 1967 by his band, Sound 67, which was lost in the confusing era at Atlantic Records, never to see the light of day. The a…
Clifford Jordan In The World
In the World is an album by jazz saxophonist Clifford Jordan which was recorded in 1969 and released on the Strata-East label in 1972. "Whether at the helm of a record date or as a sideman, Clifford Jordan was known for giving his all. These studio recordings were originally made for Strata East, a label known for its adventurous spirit" - AllMusic
Demon's Dance
Demon's Dance is an album by American saxophonist Jackie McLean recorded in 1967 for Blue Note, but not released until 1970. It features McLean in a quintet with trumpeter Woody Shaw, pianist LaMont Johnson, bassist Scotty Holt and drummer Jack DeJohnette.
"The record retreats a bit from McLean's nearly free playing on New and Old Gospel and 'Bout Soul, instead concentrating on angular, modal avant bop with more structured chord progressions... While Demon's Dance didn't quite push McLean's soun…
At Antibes 1960, Revisited
"Mingus the visionary composer. Mingus the virtuoso bassist. Mingus the volcanic bandleader. As the 1960s began, with the new decade bringing a radically expansive new view of the possibilities of jazz expression, Charles Mingus, by virtue of his brilliantly nonconformist creative imagination, willingness to take risks along experimental paths, and (because of, or in spite of) an oft-times confrontational rebellious nature, had established himself among those in the forefront of the music's mode…
The Hip Walk
Considered one of Nathan Davis' best albums, and long a collector's item, The Hip Walk was recorded in 1965, a time when the Afro-American Davis lived in Europe, working with such legends as Kenny Clarke, Art Blakey, Ray Charles, Dexter Gordon, Eric Dolphy and Woody Shaw. Nathan's Kansas City school mate, trumpeter Carmell Jones - who e.g. worked with Horace Silver, Paul Kuhn, Eugen Cicero - comes along for the ride. A superb album of soulful, swinging jazz - the perfect companion when you feel …
The Straight Horn Of Steve Lacy
Some of soprano saxophonist Steve Lacy's most interesting recordings are his earliest ones. After spending periods of time playing with Dixieland groups and then with Cecil Taylor (which was quite a jump), Lacy made several recordings that displayed his love of Thelonious Monk's music plus his varied experiences. On this particular set, Lacy's soprano contrasts well with Charles Davis' baritone (they are backed by bassist John Ore and drummer Roy Haynes) on three of the most difficult Monk tunes…
Vista
Saxophonist Marion Brown ended his '70s stint at Impulse! Records with this serene and colorful album. It features musicians such as drummer Ed Blackwell and bassist Reggie Workman, plus Stanley Cowell on acoustic piano and Fender Rhodes. While Brown wrote the blissful coaster Vista, the five other compositions are well-chosen, starting with an inviting version of Cowell's "Maimoun" and an impressionistic and deeply meditative take on Stevie Wonder's "Visions".
Paris 58
A never-before released Donald Byrd & Bobby Jaspar 1958 studio recordings. First official release with the full permission and cooperation INA (Institut National de l’Audiovisuel). Available on vinyl only. No CD, No Digital is scheduled.In July 1958, Donald Byrd made a lengthy visit to Europe, not returning Stateside until December. He fronted a fine quintet that gave concert appearances at festivals held in many countries, Knokke-le-Zoute (Belgium), Cannes (France), Sweden, Norway, Germany – an…
All Of You
All of You is a live album by American jazz pianist Ahmad Jamal featuring performances recorded at Jamal's own club in Chicago in 1961 and released originally on the Argo label. Jamal's group had a personal sound of its own, often playing quietly and leaving space but never losing the passion. These versions of "Time on My Hands," "Star Eyes" and "All of You" in particular are well worth hearing. On the cover, photographed by Don Bronstein, one of the first staff photographers for Playboy magazi…
Blue Spirits
The prodigious trumpeter Freddie Hubbard debuted on Blue Note in 1960 and produced an astounding run of recordings over the first half of the decade that culminated with Blue Spirits, which was the last of his 1960s studio albums for the label. This bluesy and spirited album presented five evocative Hubbard originals, each of which was given a richly textured arrangement for an ensemble that included a dynamic four-horn lineup. Drawn from two different sessions, the first date produced the grati…
Live At Lovely
Japanese master drummer Takeo Moriyama returns to BBE Music’s J Jazz Masterclass Series in a majestic live set showcasing his exemplary musicianship and stature as one of the leading names in Japanese modern jazz. Recorded in December 1990 at the jazz club Lovely in Nagoya, this set sees Moriyama’s quartet deliver an exemplary session of the finest modal, post-bop and spiritual jazz. Moriyama is backed by long-time colleague Fumio Itabashi on piano and the group perform a stunning rendition of I…
Planets
Since 2018, BBE Music has been leading the field in reissuing rare modern jazz from Japan’s golden period spanning the late 60s to the early 80s. The J Jazz Masterclass Series continues to present the finest in Japanese jazz with 'Planets' by Masaru Imada Trio + 1. Originally released in 1977 as a private press album, 'Planets' showcases the refined playing and sophisticated compositions of one of Japan’s leading pianists, Masaru Imada. In a fifty- plus year career he has released over 40 albums…
At The Room 427
The ninth album in BBE Music's J Jazz Masterclass Series presents ‘At the Room 427’ by Koichi Matsukaze Trio Featuring Ryojiro Furusawa, a rarely heard exemplar of post-modal power bop and free jazz. Delivered by a trio playing with an intensity and energy that draws on classic Eric Dolphy and mid-era Coltrane but definitely with its own particular vibe, At the Room 427 is an exemplar of febrile improvised jazz that could only come from Japan. This deluxe reissue sees a welcome return to the J J…
First
*Much needed repress* BBE Music present the latest in the acclaimed J Jazz Masterclass Series: Kohsuke Mine ‘First’, the debut album by one of the leading artists in the new wave of modern jazz that swept Japan in the late 60s and early 70s. ‘First’ epitomises the shifting sound of the Japanese modern jazz scene of the time, characterised by rich textures and tones, kinetic rhythms, punctuated by urgent, angular melody lines. Reissued for the first time since original 1970 release, Mine is joine…
Tachibana
The desire to discover and delve into new and unexplored areas of music has turned attention on the Japanese jazz scene of the 1970s, often regarded as its gilded age. The recent ground-breaking sell-out BBE compilation J Jazz: Deep Modern Jazz from Japan 1969-1984 threw much needed light on this fascinating era and presented a range of artists and music that surprised and delighted all who heard it. A key track on the compilation was one of the rarest and least known: Dead Letter by the Tohru A…
East Plants
*2023 repress* BBE Music is proud to present another instalment in the J Jazz Masterclass Series: East Plants by Takeo Moriyama, one of Japan’s finest jazz drummers. A genuine ‘under the radar’ album known only to a handful of Japanese jazz collectors, East Plants is now available again, reissued for the first time as a double 180g LP, with exact reproductions of the original artwork, obi strip and insert. It also comes with the original notes fully translated. This reissue is fully endorsed by …
The Quintet
** CD Edition ** This previously unreleased album by the Horace Tapscott Quintet was unearthed from master tapes in the Flying Dutchman archives. Recorded in 1969 and was intended to be a follow-up album to the classic "The Giant Is Awakened" which was released that year.The iconic pianist and composer Horace Tapscott was one of the most unique and important figures in LA’s jazz world. This lost recording was produced by one of the pivotal figures in jazz, Bob Thiele, a leading behind-the-scenes…
Maghreb Cantata, Live 1969
** Much-needed repress ** A marvellous double album as document of the historical collaboration between Don Cherry and Swiss pianist, composer George Gruntz, a central figure in European Jazz who always showed a special interest in extending his solid post bop skills through other languages such as ethnic or even baroque music. This is North-African deep flavoured Jazz recorded live in Tunisia and Germany in May and September 1969, with Cherry (cornet, flute) and Gruntz (piano, celeste) leading …