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The reissue of the 1968 BBC Radiophonic Workshop’s hugely influential 10th anniversary album, featuring remastered early electronic works of John Baker, David Cain and Delia Derbyshire. Widely regarded as a major influence on the development of electronic music worldwide, BBC Radiophonic Music is a compilation of short works, often composed as intros to various radio or television programs. Conceived in a time when analogue sampling meant hours of slicing tape with razor blades, BBC Radiophonic …
180-gram vinyl. Roger Roger (August 5 1911 - June 12 1995) was a French film composer and bandleader. His aliases included Eric Swan and Cecil Leuter, the latter a pseudonym he used for his electronic productions. He was one of the first, along with Pierre Henry and Jean-Jacques Perrey, to experiment with the Moog synth; his Pop Electronique album was released in 1969, five years after Bob Moog put his synth on the market. Musique Idiote is his super-rare experimental Moogy LP with beautiful cov…
LP version, vol 1. Bruce Lacey is the quintessential British eccentric. Bruce Lacey is an artist, a musician, a filmmaker, a shaman, a genius and visionary. Since the 1950s he's made film, music, art and performances, and collaborated with everyone from The Beatles to Throbbing Gristle. He was part of the groundbreaking Cybernetic Serendipity exhibition in 1968. He even built a robot that won the Alternative Miss World. This is the first time his extraordinary music has been released. Made …
** Edition of 300 copies on 180 gram vinyl ** Awesome and obscure musician/film director, Étienne O’Leary made essentially three experimental films completed in Paris between 1966 and 1968. Day Tripper, Homeo (aka Homeo: Minor Death: Coming Back from Going Home) and Chromo Sud constitute a cinema of resistance. These brutally personal and subversive films form a body of work with few precedents. O’Leary’s contribution to French underground cinema is not, however, limited to the introduction of a…
"Malcolm Mooney passes the baton to Damo Suzuki for Soundtracks, a collection of film music featuring contributions from both vocalists. The dichotomy between the two singers is readily apparent: Suzuki's odd, strangulated vocals fit far more comfortably into the group's increasingly intricate and subtle sound, allowing for greater variation than that allowed by Mooney's stream-of-consciousness discourse." -- Jason Ankeny