Godzilla
*2026 repress* Celebrated composer Akira Ifukube's formidable score for the legendary monster film, 'Godzilla,' continues to resonate nearly seven decades after its debut. Renowned for its groundbreaking blend of dark and evocative music, Ifukube's visionary compositions encapsulate the horror and devastation portrayed in Ishiro Honda's classic film.
As viewers immerse themselves in the unrelenting chaos unleashed by Godzilla, Ifukube’s score serves as both a powerful narrative force and an emot…
Ponyo on the Cliff by the Sea
For Ponyo on the Cliff by the Sea, Joe Hisaishi pours big‑hearted symphonic colour, children’s choirs and unmistakable earworms into Miyazaki’s flood‑myth fairytale, crafting a score that’s equal parts tempest, lullaby and sugar‑rush theme song.
Castle in the Sky
On Castle in the Sky, Joe Hisaishi wraps Miyazaki’s floating‑island adventure in luminous themes, bounding chase cues and choral climaxes, fusing folk‑coloured melody and orchestral sweep into one of the most iconic soundworlds in the Ghibli universe.
Sabata - Ehi amico... c'è Sabata, Hai Chiuso! (LP, Transparent Red + CD)
Limited edition numbered to 500 copies. Transparent red vinyl format / 180 grams + CD. Lee Van Cleef had already defined the archetype twice over: once as the cold-eyed Angel Eyes in The Good, the Bad and the Ugly, once as the elegant Colonel Mortimer in For a Few Dollars More. But Gianfranco Parolini saw something else in that gaunt, reptilian face. Not a villain. Not a gentleman bounty hunter. Something slipperier. A con man with a rifle. A blackmailer in black. A gunfighter who'd rather outsm…
I Lunghi Giorni Della Vendetta
Armando Trovajoli was not a western man. By 1967 he had two decades of work behind him - jazz, sophisticated comedies, orchestral scores for Vittorio De Sica. He knew how to make audiences laugh, how to make them cry, how to write for big bands and strings alike. But dust, horses, guns? That was Morricone territory, Bacalov, Nicolai. Yet when Florestano Vancini called him to score his only foray into the genre, Trovajoli responded with something no one expected.
I Lunghi Giorni Della Vendetta do…
Il Mio Nome è Nessuno
Beat Records is pleased to reissue on CD the Ennio Morricone score for the cult western "My name is nobody" directed in 1973 by Tonino Valerii, starring Terence Hill, Henry Fonda, Leo Gordon, Jean Martin, Geoffrey Lewis, Piero Lulli , Benito Stefanelli, RG Armstrong, Alexander Allerson, Franco Angrisano, Mario Brega, Marc Mazza, Remus Peets, Antoine Saint John. Ennio Morricone composed one of the most loved scores from his fans around the world using elements typical of his genius such as the wh…
Porgi L'Altra Guancia
Beat Records is glad to present the original motion picture soundtrack of the movie Porgi L’Altra Guancia, one of the missing albums in the discography dedicated to the brother composers Guido & Maurizio De Angelis.
Directed in 1974 by Franco Rossi and interpreted by Bud Spencer and Terence Hill, it’s the story of two priests responsible of a South American mission, enjoying their daily routine and trying to withstand bullying Marquis Gonzaga. Epic brawls and plot twists full of adventures is t…
L’Isola Misteriosa e il Capitano Nemo
Gianni Ferrio wrote a symphonic score dominated by a romantic adagio-style main theme featuring the crystal-clear voice of Edda Dell'Orso. This captivating motif returns with orchestral variations alternating with dark, action-packed and adventurous passages. The soundtrack album was released in 1973 in Italy by Cinevox with 12 tracks and a running time of 37 minutes. In 1997, the first CD release appeared in Germany and included the album programme plus five minutes of unreleased music from the…
Digitmovies Collection Box - Drammatico
Angelo F. Lavagnino – Venere Imperiale
Digitmovies is proud to present on a double CD set (which opens the brand new deluxe digipack series) the complete OST by Angelo F. Lavagnino for the movie “Venere imperiale” (aka “Imperial Venus”) directed in 1962 by Jean Delannoy and starring Gina Lollobrigida, Stephen Boyd, Gabriele Ferzetti, Massimo Girotti, Nando Tamberlani, Attilio Dottesio, Evi Maltagliati, Giuseppe Addobbati, Andrea Checchi, Ernesto Calindri, Piero Palermini, Lilla Brignone, Gianni …
Digitmovies Collection Box - Horror
Giuliano Sorgini - Un Urlo Dalle Tenebre
Giuliano Sorgini (among his most famous soundtracks are "The Living Dead at the Manchester Morgue," "Zoo folle," "Gli animali … che simpatia") has composed a very macabre, avant-garde, and perfect score to describe the struggle between good and evil. The composer has created sonic dimensions with infernal tones, abstract bands, scary effects (Tr. 1, Tr. 5, Tr. 6), which also feature the recognizable voice of Edda Dell'Orso, organ music to describe the fig…
The Ennio Morricone Desert TV Trilogy
Ennio Morricone with “Secret of the Sahara” achieved great sales success, especially thanks to the song “Saharan Dream” performed by Amii Stewart. At the time, Italian RCA released a CD and a 33 rpm with sixteen tracks selected by the author. This material was released in France on CD and on vinyl. In 2018, the same material was reissued on vinyl by Monte Stella Records. In 2007 Maestro Morricone approved six previously unreleased tracks for an expanded edition, which GDM released on CD, now tha…
Rats Notte Di Terrore
Beat Records Company and Cabum Edizioni Musicali are proud to present the CD release of the original motion picture soundtrack of Rats Notte Di Terrore, the 1984 Horror cult directed by Bruno Mattei and Claudio Fragasso.
The score composed by Luigi Ceccarelli it’s an electronic symphony, since years requested by horror cinema fans, it has been processed in a wonderful stereo thanks to remastering of a multi-track original master of the period and a meticulous restoration and mix by the composer.…
La Scorta
Beat Records is pleased to reissue on CD the soundtrack by Ennio Morricone for the drama film “La Scorta”, directed in 1993 by Ricky Tognazzi, with a screenplay by Graziano Diana and Simona Izzo, photography by Alessio Gelsini Torresi, editing by Carla Simoncelli and Filippo Bussi, music by Ennio Morricone, produced by Claudio Bonivento, distributed by Istituto Luce Italnoleggio, and cinematography by Pentavideo Medusa.
Ennio Morricone is no stranger to the noir and crime genres, having scored c…
Bluebeard
With Bluebeard (1972), Ennio Morricone explores the gothic absurdity of Edward Dmytryk’s erotic thriller through a score oscillating between melancholy, parody, and psychological unease. By blending chamber restraint and baroque flamboyance, Morricone transforms the infamous tale into a study of decadence, control, and the seductions of death.
Le Trio Infernal
Composed by Ennio Morricone for Francis Girod’s 1974 film Le Trio Infernal, this score fuses elegance and moral decay in dazzling contrast. Through waltzes, grotesque marches, and ironic chanson motifs, Morricone mirrors the film’s mordant humor and gothic perversity, crafting one of his most caustically inventive European soundtracks.
Per le Antiche Scale
In Per le Antiche Scale, Ennio Morricone sculpts a haunting and cerebral score for Mauro Bolognini’s 1975 psychological drama. Through mournful strings, dissonant gestures, and lyrical fragments, Morricone captures the fragile border between reason and madness, crafting one of his most introspective and emotionally complex film soundtracks.
Della Morte dell'Amore
Della Morte dell'Amore composed by Manuel De Sica, embodies a complex fusion of brooding electronics, subtle jazz, and gothic undertones, reflecting the film's darkly comic narrative. Spanning 34 tracks, the album stands out for its evocative mood shifts and meticulous attention to emotional detail. Limited purple vinyl edition of 500.
Il Medico della Mutua
Limited transparent yellow vinyl edition of 500. l Medico della Mutua, composed by Piero Piccioni in 1968, delivers a brilliant soundtrack that fuses jazz, easy listening, and orchestral flourishes, mirroring the satirical verve of the film. Themes shift from playful marches to sultry tangos, amplifying both the absurdity and energy of the Italian medical system’s cinematic parody.
La Matriarca
The soundtrack of “La Matriarca” is one of the finest examples of 1960s Italian musical comedy — ironic, sensual, and perfectly tailored to Catherine Spaak’s character. Trovajoli succeeds, like few others, in giving voice to the contradictions of an era through music — an Italy discovering freedom, yet with an ironic smile on its lips. Limited transparent Magenta Vinyl edition of 500.
Tacones Lejanos (Original Soundtrack)
Framed by Almodóvar’s saturated, performative world, Ryuichi Sakamoto’s score for Tacones Lejanos (High Heels), newly reissued by Quartet Records, layers melancholy minimalism and luminous melodrama, offering ornament rather than excess, with bolero and chanson threading through Sakamoto’s reflective atmospheres. The soundtrack’s architecture is subtle, emotionally surgical, quietly powerful in its dialogue with Luz Casal’s iconic voice.