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It’s impossible to define the genre behind Osamu Kitajima’s music. “Masterless Samurai” is another step in the ongoing career of Kitajima. It’s a very unique blend of Jazz Fusion with traditional Japanese music. There aren’t any other albums that would sound similar to this incredible effort by Kitajima. His knowledge in traditional Japanese music and his love for Progressive Rock and Jazz makes “Masterless Samurai” an incredible Fusion album and another highlight in his career. He left Space Ro…
Souffle Continu Records present a reissue Le Théâtre du Chêne Noir's Aurora, originally released in 1971. In 1972, Steve Lacy recorded Solo, one of the gems in his discography, in the Théâtre du Chêne Noir in Avignon. The previous year (which was also the year in which Aurora appeared), the eponymous group of actors led by Gérard Gelas, took up residence in what was a 12th century chapel. The Théâtre du Chêne Noir is therefore not just the name of a space open to all kinds of artistic audacity, …
Burnin Red Ivanhoe in their most fertile phase of existing from 1969 till 1972, were one of Danish finest groups from this period. Their innovative and powerful mixture of Psychedelic and Progressive Rock along with mild experimental or Jazz influences gained some international recognition in Germany, UK and the U.S.. Comparisons might be drawn to Traffic, Jethro Tull, Pink Floyd and Colosseum (Dag Erik Asbjornsen).W.W.W. from 1971 was the band's third album with an unchanged line-up. It was the…
Includes download card. Out-Sider present the first ever reissue Hasting's Street Opera's Slippery When Wet, a US private pressing from 1969 unknown until now. Underground, psychedelic, electric jazz-rock/improv sound with mellow folk-rock moves and homemade/basement atmosphere. Mostly instrumental with some cut-up vocal sounds and effects. A mix of self-penned songs and amazing cover versions of classics like "Summertime", "Scarborough Fair", or "A Taste Of Honey" turned into hip, extended jams…
Superb live recordings of a heavily underrated early '70s band from Germany, playing a sophisticated style of progressive krautedelic jazz-rock, mostly instrumental. Eiliff's guitarist (and sitar playr) Houschäng Nejadpour would later become part of an embryonic line-up of Kraftwerk. This LP is pressed in an edition of 1.000 copies.
A killer bit of jazz rock from early 70s Germany – an album that should have been right at home on the MPS label, given the sorts of all-star talents in the group! The set was produced by mighty drummer Klaus Weiss – who's at his soulful best here, able to kick things when needed, but not with as jamming a sound as on his more over the top 70s efforts – which is perfect, as the album's got loads of sweet, subtle colors from Ferdinand Povel and Leszek Zadlo on flutes, plus great electric and acou…
A beautifully judged and played jazz-rock album, 'Elastic Rock' marked the beginning of a series of intricate and experimental fusion albums for the group's leader, trumpet-player Ian Carr. As did Soft Machine, Nucleus developed from a jazz-orientated outfit into a more progressive, fusion-based collective(in later years the group would come to be known as 'Ian Carr & Nucleus) with later albums, such as 1976's 'Alley Cat', adding electronics to the already eclectic brew. However, their deb…