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Cyborg 2017 Remastered
From the early days of electronic experimentation in the pop field, Klaus Schulze's second solo album still today it stands as one of the most powerful examples of ambient pulse music ever conceived. The dense layers of rhythm and synthetic tone colors melt into a seamless, flowing soundscape of melody, motion and spatial effects. It's a monumental double album of "cosmic music.
Irrlicht 2017 Remastered
Irrlicht is the solo debut album from Klaus Schulze (originally released in 1972) and is an absolute masterpiece in cosmic, space music. Schulze omitted the use of synthetics for this recording, relying on organ with various electronic effects to produce an absolutely mesmerizing and minimalist body of sounds that transform the listener into a total abstracted world full of mysteries within its almost never-ending spiral. With no electronic pulse and rhythms, just a gloomy and distorted a…
La Vie Electronique Volume 1.0
*300 copies white vinyl, sold-out at sorce* Klaus Schulze is a German electronic music pioneer, composer and musician that needs very little introduction. In the late sixties & early seventies he was a member of several iconic bands such as ‘Tangerine Dream’, ‘The Cosmic Jokers’ & ‘Ash Ra Tempel’ before launching a solo career consisting of more than 60 albums released across five decades. Collaborations were numerous and highlights include working with Steve Winwood, Brian Eno & Alphaville… jus…
Agape-Agape Love-Love
‘Agape-Love’ was one of Florian Fricke's favorites, at a point in his life where he was inspired by 13th century Persian poet Rumi. Still utilizing a choir for Gregorian chant-like ethereal intensity -- though they sing in Byzantine scales – the band delves deeply into the drone world of Fricke’s sacred music muse. This is an album of many moods/feelings & is a worthy, devastatingly beautiful outing (both introspective & intense at the same time).Out of print since 1983 and never released outsid…
For You And Me
700 copies black vinyl. Born as Florian Fricke’s brainchild, Popol Vuh needs little introduction, the band stayed active between the late 1960s & late 1990s (until Florian’s passing in 2001). Regarded as pioneers in avant-garde German electronic music, their early works practically laid down the foundations for ‘Kosmische Muzik’ (Space Music) with the then new sounds of the Moog synthesizer joined with ethnic percussions.Later the group evolved to include all kinds of instruments (both electric …
Dr. Aftershave And The Mixed Pickles
This was Missus Beastly's third studio album released in 1976. If you'll notice on the cover art they have the album's title as such as to look like it's the band's name, and the title of the album looks like it would be "For Missus Beastly". A trick by the band really so that they wouldn't have to release this album with Dieter Dierks and Venus Music to which their contract stipulated that they had to.They had had a falling out with Producer Dierks over the cover art of their last album and fel…
Bremen 1974
This album contains three instrumental jazz rock jams recorded by Radio Bremen in September 1974 shortly after the band had produced the second LP. Keyboarder Dieter Miekautsch had left the band towards Embryo and Eddy Maron, also known from contributions for Vita Nova and Dzyan, brings new aspects to the music - it's quite a new impression of the band. The sound quality leaves nothing to be desired by the way. A very good show documenting a new facet of the Missus Beastly band and a highlight f…
Missus Beastly 1974
Missus Beastly regroups and blasts into some very dynamic fusion territory with this exceptional album. The usual apparitions of the house-hold names of the mid-seventies jazz apologists can be traced here, but the eventual output will always sound only as original as Missus Beastly. One of the biggest strengths these guys possesed was their vibrant rhytm section, from the opening track i can make a parallel to Passport's or Embryo's more dynamic tracks, wherein Curt Cress/ Christian Burc…
Missus Beastly
Missus Beastly from Herford were among the most famous German psychedelic and jazz-rock bands, with the most confusing history of all of them. Their first LP released on CPM in 1970 - without any title, just like the second LP in 1974 - had a beautiful red cover artwork and is traded today at around 1000 €. The vinyl edition on Garden of Delights comes in the original red gatefold cover and with four-page insert in LP size.
Zagara
A killer bit of jazz rock from early 70s Germany – an album that should have been right at home on the MPS label, given the sorts of all-star talents in the group! The set was produced by mighty drummer Klaus Weiss – who's at his soulful best here, able to kick things when needed, but not with as jamming a sound as on his more over the top 70s efforts – which is perfect, as the album's got loads of sweet, subtle colors from Ferdinand Povel and Leszek Zadlo on flutes, plus great electric and acou…
Sunbirds
Jazz Rock ensemble from Munich led by German drummer Klaus Weiss and Austrian pianist Fritz Pauer and found in 1971. When Pauer presented Weiss some new songs, the two of them gathered Belgian guitarist Philip Catherine, Dutch flutist Ferdinand Povel and American drummer Jimmy Woode (R.I.P.) and formed Sunbirds. The recordings of their debut took place at the Union Studios in Munich on 24th August 1971. Weiss had good connections with various labels and the album was eventually released on MPS …
Vita Nova
On the top of the list of Kraut uderground artifacts, a definite oddity plenty of abstract execution of psychedelic soundscapes, dark Classical textures and Jazz/Fusion, as cohesion is completely absent, however there is a certain charm coming out of this. There are more in the vein of Egg and Amos Key, creating atmospheric soundscapes complemented with powerful jams, featuring organ and clavinet in evidence and swirling around jazzy workouts, light improvisations and mellow Kraut Rock experimen…
Weil Es So Schön Perlt
Panko Musik from West Berlin are somewhat reminiscent of Xhol Caravan or the early Embryo. They mostly presented long jazzy instrumental passages dominated by the transverse flute and alto saxophone, temporarily interrupted by mainly English vocals and some follies. The band did exist from the late sixties until the end of 1972. During their lifetime, the group didn't release anything, although they would have had the potential. Only in 1983, their drummer released the cassette tape, "Weil es so…
Electrip
"Psychedelic music from Wisbaden, with some jazz elements. Recorded in 1969. After the Germanofon bootleg, here is the legal re-release with a 32 page color booklet and their two 7" tracks as a bonus." First legit CD reissue of the legendary first Xhol album, first issued on Hansa in 1969. This was their first of 3 albums, Hau-Ruk and Motherfuckers GmbH & Co. would follow on the OHR label in '71/'72, concluding one of the strangest chapters in the Krautrock scene of this period. Electrip has…
Altena 1969
"Still with their black singer James Rhodes. A concert from spring 1970 in the lovely town of Altena. The cover shows sax player Tim Belbe in Charles Manson style. Good quality."
Supernova
2009 release. "With several connections to the early Kraftwerk history and formed in the Rhineland area in 1971, Ibliss was a quintet formed by percussionist Basil Hammoudi (from Organisation, the band before Kraftwerk), drummer Andreas Hohmann (also from Kraftwerk), brothers Wolfgang and Norbert Büllmeyer (bass and guitar respectively) and Rainer Büchel on sax and flute. With the help of Conny Plank, they recorded their one and only LP at Hamburg's Windrose-Studios: four long instrumental track…
Crawling To Lhasa
**Picture Disc edition with an insert of 8 pages and is also limited to 1000 hand-numbered copies.** Against its remarkable, sprawling, and lasting influence, it is hard to image the 1960’s and 70’s German sonic counterculture as it was - a truly underground music, almost entirely unknown beyond the borders of the country from which it sprang. Across the ensuing decades, this scene - among the most ambitious, rebellious, and experimental of its day, has offered an unparalleled wealth of inspirat…
Bury My Heart At Wounded Knee
Originally based in Stuttgart Conny Veit’s Gila had already recorded a more rocking psychedelic first album with a different line-up when Veit was invited to Munich to record “Hosianna Mantra” for Florian Fricke’s Popol Vuh. Hanging around frequently at Amon Düül’s commune in Kronwinkel he met Daniel Fichelscher who played and recorded with Amon Düül II at that time. Veit was impressed with Fichelscher’s drumming and decided to revive Gila with Fichelscher on drums, Veit playing guitar and his t…
Auf Der Bahn Zum Uranus
With deluxe four-page insert. Limited to 1000 handnumbered Picture Discs. Top sound quality. This record is frequently, deservedly listed on various "best of krautrock" lists around the Internet. That misused terms is made to stand in for just about all German progressive and electronic/experimentalist music from roughly 1969-76. Their band name derives from the ancient Greek gods, where Gaia (Latin notation: Gäa) is the goddess of the earth and fertility. The group's only LP, Auf der Bahn…
Alraunes Alptraum
Gäa from the German state of Saarland have become quite known in collectors’ circles thanks to their LP "Auf der Bahn zum Uranus" from 1974. In early 1975 they recorded three tracks for a, however, unfinished second album. They are simply brilliant and show how mature and inventive the band was at that time. The tracks have been rediscovered later and form the heart and major part of the LP, which also contains four minor bonus tracks from the 80s. Although these tracks are no longer progressive…