10 + 2: 12 American Text Sound Pieces
The best-selling recording in the history of American sound poetry, 10+2 was a novelty at the time of its release in 1975, when unpitched speech was rarely used outside of literary circles as performance material. Out of print for 20 years and available now for the first time on CD, this definitive anthology of speech music by composers, writers, and artists contains examples of the best work of Charles Amirkhanian, Beth Anderson, Robert Ashley, John Cage, Clark Coolidge, Charles Dodge, John Gio…
Matters of Listening
A sound composition based on a workshop focusing on questions of sound, listening, collaboration, and community. Matters of Listening took place as a workshop and public event held at the Museo de la Solidaridad Salvador Allende, Santiago de Chile, on June 30, 2019. Focusing on questions of sound, listening, collaboration, and community, the workshop developed as an explorative gathering for sharing, discussing, and making together: to pull from the closets and backrooms various materials and ob…
Works, 2020
**CD in gatefold carboard wallet, 300 copies. To be released in mid July 2020.** Works, 2020 includes two new compositions, Different Speeds for Decay Instruments (for electric piano; the score of this piece adorns the front cover) and Music for Glass, Plastic and Rubber. Japanese musician Reizen is based in Tokyo, he composes and performs using mainly drone and minimalist techniques. He plays electric guitar, the inside of pianos, and creates works of phonography. He formed the drone quartet Ne…
Field Days (The Amanda Loops)
14 pieces originally written for dance and other practical situations, here reassigned and reconstructed for choreographer Amanda Miller and the Nederland Dans Theater. These are loop-based, textural, mood pieces, and invocations of spaces and landscapes, with some fine steel guitar playing. Mostly this is Fred multi-instrumenting, with pianist Daan Vanderwalle, percussionist Willie Wynant, the Arte Sax quartet and Lotte Anker, the Arditti Quartet, Kiku Day, occasional shakuhachi, and vio…
Music Overheard
Music Overheard is an audio response to the Super Vision exhibition, curated by Kenneth Goldsmith (Ubiweb) back in 2006. As visual artists respond to the enormous changes—scientific and cultural—caused by new vision technologies, music overheard poses an analogous question to musicians and sound artists: what are we hearing now that we didn’t hear before? With Henri Chopin, Taku Unami, Chris Corsano, Ellen Fullman, John Duncan, Christof Migone and many more