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What you hear on Fly is Yoko Ono's disarming combination of opacity and visceral, personal transparency in full bloom. It's one of the most unbridled, most captivating soul albums ever made. And that's right where she wants you: vulnerable, wide open to any-and-everything, ready to have your world tipped onto its head. She's a master of spinning your head around. First, you get the Bar Band from Hell of "Midsummer New York" to kick things off. It's about the last thing you'd expect from O…
14 pieces originally written for dance and other practical situations, here reassigned and reconstructed for choreographer Amanda Miller and the Nederland Dans Theater. These are loop-based, textural, mood pieces, and invocations of spaces and landscapes, with some fine steel guitar playing. Mostly this is Fred multi-instrumenting, with pianist Daan Vanderwalle, percussionist Willie Wynant, the Arte Sax quartet and Lotte Anker, the Arditti Quartet, Kiku Day, occasional shakuhachi, and vio…
Originally released in 1966. The first North American release of the "electric newspaper," an archetypal '60s counterculture "happening" from August 6, 1966, this is also the first edition anywhere since the original vinyl to include the lengthy closing track, "Interview with Hairy." A legendary all-star cast of performers got together to make an anti-war collage of words and sounds that defies mere track listings -- one of the elements is "Silence" by Andy Warhol, which, contrary to at least on…
Shortly after it was published in 1968 the SCUM Manifesto by Valerie Solanas fell into my hands. Intrigued by the egalitarian feminist principles set forth in the Manifesto, I wanted to incorporate them in the structure of a new piece that I was composing. The women's movement was surfacing and I felt the need to express my resonance with this energy. Marilyn Monroe had taken her own life. Valerie Solanas had attempted to take the life of Andy Warhol. Both women seemed to be desperate and caug…
Music Overheard is an audio response to the Super Vision exhibition, curated by Kenneth Goldsmith (Ubiweb) back in 2006. As visual artists respond to the enormous changes—scientific and cultural—caused by new vision technologies, music overheard poses an analogous question to musicians and sound artists: what are we hearing now that we didn’t hear before? With Henri Chopin, Taku Unami, Chris Corsano, Ellen Fullman, John Duncan, Christof Migone and many more