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File under: Avantgarde

Pauline Oliveros

To Valerie Solanas and Marilyn Monroe in Recognition of (LP)

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Shortly after it was published in 1968 the SCUM Manifesto by Valerie Solanas fell into my hands.  Intrigued by the egalitarian feminist principles set forth in the Manifesto, I wanted to incorporate them in the structure of a new piece that I was composing. The women's movement was surfacing and I felt the need to express my resonance with this energy. Marilyn Monroe had taken her own life.  Valerie Solanas had attempted to take the life of Andy Warhol. Both women seemed to be desperate and caught in the traps of inequality:  Monroe needed to be recognized for her talent as an actress.  Solanas wished to be supported for her own creative work. Commissioned by the Music Department of Hope College, Holland Michigan, To Valerie Solanas and Marilyn Monroe in Recognition of Their Desperation had its premiere in 1970.  Though everyone knew Marilyn Monroe hardly anyone recognized Valerie Solanas or took her Manifesto seriously.  I brought the names of these two women together in the title of the piece to draw attention to their inequality and to dedicate the piece.” – Pauline Oliveros. 

This LP contains both the 1970 Hope College premiere, performed by a 14-piece ensemble, and a 1977 recording from Wesleyan University, performed by a 43-piece orchestra.  Roaratorio is proud to present the first commercially available release of this eerie, beautiful, and important Oliveros work. 

"Much of Oliveros's aesthetic is best understood as environment, areas of aural doldrums providing momentary and slightly queasy resting points, like the requisite standing back from a massive architectural work to take in the whole before venturing back in. In To Valerie Solanas and Marilyn Monroe, the hallmarks of Oliveros's later philosophy and aesthetic are brought into direct play with politically-charged expressionism. Kudos to Minneapolis-based Roaratorio Records for uncovering such a significant work, a piece of music that will probably scare the living shit out of you. Valerie Solanas would be proud." - Clifford Allen, Paris Transatlantic

Cover artwork by Judith Lindbloom.  Download coupon included.

Details
File under: Avantgarde
Cat. number: ROAR 21 LP
Year: 2011

Format

To Valerie Solanas And Marilyn Monroe In Recognition Of Their Desperation: for any group or groups of instrumentalists (6 to large orchestra), Smith Publications, c1977.

1970 Performance: at Wichers Hall, Hope College, Hope, Michigan; 6 October 1970.

1977 Performance: at Crowell Concert Hall, Wesleyan University, Middletown, Connecticut; 7 April 1977.

©2011 Pauline Oliveros

©2011 Roaratorio

Comes with MP3 download voucher.

Release notes

To Valerie Solanas And Marilyn Monroe In Recognition Of Their Desperation: for any group or groups of instrumentalists (6 to large orchestra), Smith Publications, c1977. 1970 Performance: at Wichers Hall, Hope College, Hope, Michigan; 6 October 1970. 1977 Performance: at Crowell Concert Hall, Wesleyan University, Middletown, Connecticut; 7 April 1977. ©2011 Pauline Oliveros ©2011 Roaratorio Comes with MP3 download voucher.

Tracklist
A11970 Performance16:05
A21977 Performance, Part 17:55
B1977 Performance, Part 221:40
Credits
Judith Lindbloom
Artwork
Sarah Kendall
Bass (A2, B)
Chuck Agosta
Bassoon (A2, B)
David Hiscox
Bassoon (A2, B)
Eliot Bailen
Cello (A2, B)
Tom Loder
Cello (A2, B)
Wendy Breuninger
Cello (A2, B)
Julie Burstein
Cello, Electronics (A2, B)
Anne Wilson
Clarinet (A2, B)
Tom Moran
Clarinet (A2, B)
David Claman
Conductor (A2, B)
Eric Ranvig
Conductor (A2, B)
Teddy Klaus
Conductor (A2, B)
Tom Hilton
Conductor (A2, B)
Nathan Shimabuku
Conductor, Electronics (A2, B)
Fred Briccetti
Electronics (A2, B)
Gary Grimaldi
Electronics (A2, B)
Greg Shatan
Electronics (A2, B)
Kathy Bergeron
Electronics (A2, B)
Nancy Rosenberg
Electronics (A2, B)
Ron Kuivila
Electronics (A2, B)
Tom Miller
Electronics (A2, B)
Jan Siderius
Electronics [Buchla Electronic Music System] (A1)
Pauline Oliveros
Electronics [Buchla Electronic Music System] (A1), Producer
Marc Grafe
Engineer (A1)
Marcia Finger
Flute (A2, B)
Mary Rockwood
Flute (A1)
Pamela Ryker
Flute (A1)
Sharon Avrutick
Flute (A2, B)
Susan Bos
Flute (A1)
Bill Rowe
Horn (A2, B)
David Engstrom
Horn (A2, B)
Ruth Axelrod
Horn (A2, B)
PCMTR
Lacquer Cut By
Carl Saff
Mastered By
Barbara Johnston
Oboe (A2, B)
Ruth Rotholz
Oboe (A2, B)
Roger Davis
Organ (A1)
Skip Lombardi
Percussion (A2, B)
James Lindbloom
Producer
Glenn Stuart, Jr.
Strings (A1)
Harrison Ryker
Strings (A1)
Joseph Filonowicz
Strings (A1)
Robert Ritsema
Strings (A1)
Roger White
Strings (A1)
Suzanne De Vries
Strings (A1)
Rich Brown
Trombone (A2, B)
Jon Mink
Trumpet (A2, B)
Robert Blumenschine
Trumpet (A2, B)
Guitele Nicoleau
Viola (A2, B)
Jane Kurz
Viola (A2, B)
Monica McCarthy
Viola (A2, B)
Anna Barron
Violin (A2, B)
Claudia Lewis
Violin (A2, B)
Fran Pepperman
Violin (A2, B)
Georgia Mook
Violin (A2, B)
James DeCaprio
Violin (A2, B)
Leslie Greengard
Violin (A2, B)
Margaret Holtzberg
Violin (A2, B)
Mark Slobin
Violin (A2, B)
Pam Chapperon
Violin (A2, B)
Pam Schwartz
Violin (A2, B)
Susan Rappaport
Violin (A2, B)

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